Archive #49: Journey to the West (西游记): A 60-Volume Lianhuanhua Comic

I recently archived a seven-volume lianhuanhua comic about Sun Wukong battling the famous Eighteen Arhats. Upon learning this, a follower on Twitter asked me if I could locate scans of a 60-volume set that they read when they were younger. Luckily, I found a website selling them for super cheap.

I am archiving the set here in order to document modern day perceptions and depictions of JTTW and its characters.

1. Info

  • Title – Journey to the West (西游记)
    • Adaptation – Zhang Yuzhi (张玉枝)
    • Illustrations – Yan Dong (严东)
    • Editor-in-charge – Chang Shengli (常胜利)
  • Publisher – China Lianhuanhua Publishing House and Distribution (中国连环画出版社出版发行)
  • First edition – November 1997
  • ISBN 7-5061-0827-5

The volume 60 cover reading, “Meeting the Buddhist Patriarch at Spirit Mountain” (Lingshan jian Fozu, 灵山见佛祖) (larger version).

1.1. Reprint

This set is the first of at least two prints, the other coming out in 2008 (ISBN: 7801388461, 9787801388469). See, for example, this Ebay listing (screenshot).

The 2008 boxed set (larger version).

2. Download link:

This is for the 1997 version only.

The comics can be read on Google Drive or downloaded and read on Adobe. However, I’ve had problems reading them on Chrome. Please keep this in mind. It might just be a problem on my end.

https://drive.google.com/drive/folders/1JcS65ckxWZQh462mlqwj5OOzNl4JJAQ7?usp=sharing

Archive #47: The Newly Annotated Journey to the West With Illustrations (Xinshuo Xiyouji (tuxiang), 1749/1888)

I. Original Text

The Newly Annotated Journey to the West (Xinshuo Xiyouji, 新說西遊記, 1749) by Zhang Shushen (張書紳) is one of three popular editions of JTTW that circulated during the Qing Dynasty (1644-1911) and overshadowed the original. [1] It contains a running commentary dispersed throughout the pilgrims’ many adventures. Anthony C. Yu (Wu & Yu, 2012) describes Zhang’s work as having a Confucian bias:

In his unabridged hundred-chapter Xinshuo Xiyouji (The Journey to the West, Newly Interpreted) of 1749, Zhang Shushen declared in the section entitled “Xiyouji zongpi 西游記總批 (Overall Comments on The Journey to the West)” that “the book Xiyou has been designated by the ancients as a book meant to illuminate the Dao [a pointed dig at the 1662 edition titled Xiyou zhengdao shu, with the Daoist-leaning preface attributed to Yu Ji … ], by which it originally means the Dao of the sages, the worthies, and the Confucians (儒 Ru). To consider it an illumination of the Dao of immortals and Buddhism would be a mistake, indeed.” From a point of view clearly unsympathetic to the popular movement of Three-Religions-Joining-As-One (sanjiao heyi 三教合一, a possibly millennium-old notion … ), Zhang defended the story of the quest for Buddhist scriptures as an allegory of the classic Confucian doctrines on the illustration of virtue (mingde 明德) and the rectification of the mind (zhengxin 正心), ignoring the repeated and complex elaborations of zhengxin in Chan Buddhism also for at least a thousand years prior to his time (vol. 1, pp. 51-52).

I’ve decided to archive a scanned copy of this work for posterity.

A digital version of the text (interspersed with other commentaries) can be found here.

Book link

Click to access Journey-to-the-West-Newly-Annotated-by-Zhang-Shushen-Xinshuo-Xiyouji-compressed.pdf

II. Text With Illustrations

I’ve previously archived illustrated versions of JTTW, including the original 1592 edition, (images from) Li Zhuowu’s late-16th-century critique, and a circa 1835 Japanese translation. Here, I’d like to add another, the Newly Annotated Journey to the West With Illustrations (Xinshuo Xiyouji tuxiang, 新說西遊記圖像, 1888). The original text and commentary are the same, but this edition features a preface by Wang Tao (王韜), as well as over 100 woodblock prints.

The prints in the archived book below are admittedly a little fuzzy. This webpage has somewhat clearer versions.

Book link

Click to access Journey-to-the-West-Newly-Annotated-With-Illustrations-1888-compressed.pdf

Prints of Zhu Bajie and Sun Wukong from the opening illustrations (larger version).

Note:

1) The Qing versions are noted for having shoehorned Tripitaka‘s life story (chapter nine) into the original 100 chapters of the 1592 edition.

Why Did the White Dragon Horse Burn His Father’s Pearls in Journey to the West?

Last updated: 01-05-2025

This is the first of three articles where I will present info about the disciples’ lives prior to the main events of Journey to the West (Xiyouji西遊記, 1592; “JTTW” hereafter). This piece will focus on the White Dragon Horse (Bai longma, 白龍馬). The next two will focus on Zhu Bajie (here) and Sha Wujing. These are meant to compliment my previous essay on Sun Wukong.

This particular article is based on a question put to me by a reader in late-January 2023:

I was wondering about Ao Lie’s* punishment. I know that he burned a pearl from the Jade Emperor (I think?), but I’m not exactly clear as to why he did that. Was it on accident or in anger, or is there a reason given?

* Ao Lie (敖烈) is a modern name for the dragon that comes from a live action TV show called Journey to the West Afterstory (Xiyouji houzhuan, 西游记后传, 2000). [1] JTTW chapter 15 actually calls him Yulong san taizi (玉龍三太子), or “Third Prince Jade Dragon.”

What follows is a formatted and expanded version of my reply. [2]

I. Explanation

The Jade Dragon briefly describes the details of his crime to the Bodhisattva Guanyin in JTTW chapter eight:

Because I inadvertently set fire to the palace and burned some of the pearls therein, my father the king [Ao Run] memorialized to the Court of Heaven and charged me with grave disobedience. The Jade Emperor hung me in the sky and gave me three hundred lashes, and I shall be executed in a few days. I beg the Bodhisattva to save me (Wu & Yu, 2012, vol. 1, p. 213).

… 因縱火燒了殿上明珠,我父王表奏天庭,告了忤逆。玉帝把我吊在空中,打了三百,不日遭誅。望菩薩搭救搭救。」

However, despite Yu’s (Wu & Yu, 2012) translation, the original Chinese doesn’t include a word meaning “inadvertently.” In fact, zonghuo (縱火) means “to set fire” or “arson,” meaning that the Third Prince did it on purpose—for whatever selfish reasons. Unfortunately, the novel doesn’t go into anymore detail.

II. Possible origin

I suggest that this episode is intended to explain the “dragon chasing a jewel” (ganzhu longwen, 趕珠龍紋) motif in Chinese art. The jewel is shown emitting flames, and the dragon looks as if it’s frozen in the heavens, just like the Jade Dragon Prince was (fig. 1).

Fig. 1 – A Qing-era plate showing the dragon chasing a flaming jewel motif (larger version). Image found here. I like to think the title of this piece is “SHIT SHIT SHIT SHIT!!!! MY DAD’S GONNA KILL MEEE!!!!”

III. Significance

The pearl-burning incident is important because it directly leads to Jade Dragon joining the pilgrimage to India. After being rescued by Guanyin, he’s recruited and sent to wait for the Tang Monk “in a deep mountain stream” (shenjian zhi zhong, 深澗之中), and he official joins the quest in chapter 15 following a brief confrontation with Monkey at the specifically named Eagle Grief Stream (Yingchou jian, 鷹愁澗) (Wu & Yu, 2012, vol. 1, pp. 214 and 327-328).

Here’s the scene where he is transformed into a horse:

The Bodhisattva went up to the little dragon and plucked off the shining pearls hanging around his neck. She then dipped her willow branch into the sweet dew in her vase and sprinkled it all over his body; blowing a mouthful of magic breath on him, she cried, “Change!” The dragon at once changed into a horse with hair of exactly the same color and quality as that of the horse he had swallowed (Wu & Yu, 2012, vol. 1, p. 328).

菩薩上前,把那小龍的項下明珠摘了,將楊柳枝蘸出甘露,往他身上拂了一拂,吹口仙氣,喝聲叫:「變!」那龍即變做他原來的馬匹毛片。


Update: 01-04-25

It just dawned on me that Jade Dragon’s portrayal as a mischief-causing third prince mirrors the early life of Third Prince Nezha (San taizi Nezha, 三太子哪吒; Nezha san taizi, 哪吒三太子), whose devilry leads to him battling and killing the dragon Third Prince Ao Bing (San taizi Ao Bing三太子敖丙) in Investiture of the Gods (Fengshen yanyi封神演義, c. 1620) chapter twelve (Gu, 2000).


Update: 01-05-25

Friend of the blog Ryin-Silverfish tells me that the Third Dragon Prince is also associated with fire in the early-Ming JTTW Zaju play that predates the standard 1592 edition of the novel. He appears in “Act Seven: Mucha Sells a Horse” (Diqi chu Mucha shouma, 第七出 木叉售馬) as the “Third Prince Fire Dragon” (Huolong san taizi, 火龍三太子), who is sentenced to death for not delivering the full amount of rain to a given area as ordered by the heavenly court. And after being pardoned, he is transformed into a horse just like his novel counterpart.

Note:

1) Thank you to the good folks over at the JTTW Discord for connecting the name to a TV show, and thank you to reader innerdreamily6dcc2c3a93 for giving me the specific name.

2) I actually added this material as a January 2023 update to a previous article, but I decided to split it off into this new post.

Source:

Gu, Z. (2000). Creation of the Gods (Vols. 1-4). Beijing: New World Press.

Wu, C., & Yu, A. C. (2012). The Journey to the West (Vols. 1-4). Chicago, Illinois: University of Chicago Press.