The world famous Liaozhai zhiyi (聊齋志異, 1740; a.k.a. “Strange Tales from a Chinese Studio”) is a collection of over 400 narratives serving as a snapshot of late-Ming and early-Qing-era popular stories and culture. This is why story no. 4 of scroll 11, “The Great Sage Equaling Heaven” (Qitian dasheng, 齊天大聖), is important to the study of the Monkey King’s religion as it shows his cult was active in 17th and 18th-century Fujian. It also preserves the condescension that the scholarly class held for certain gods. For example, as Meir Shahar (1996) points out, the author Pu Songling was likely speaking through the main character Xu Sheng (許盛), a young merchant from Shandong, when he states: “Sun Wukong is nothing but a parable invented by [the novelist] Old Qiu [老丘]” (pp. 194).  Here, Xu chastises the people of Fujian for worshiping what he considers to be a fictional god. In addition, the story associates the Great Sage with a heavenly sword as opposed to his famous magic staff. I believe this is related to a 13th-century stone relief carving from Quanzhou.
Below, I have archived the only complete English translation of the tale that I’m aware of. It comes from volume six of Sidney L. Sondergard’s (Pu & Sondergard, 2014) Strange Tales from Liaozhai (pp. 2078-2085). I don’t currently have access to the physical book, so I have isolated the tale from an ebook and converted it into a PDF.
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1) This refers to Qiu Chuji (丘處機, 1148-1227), the founder of the Dragon Gate sect of Daoism during the Song Dynasty. Qiu is associated with a travel journal also named Journey to the West, which Pu Songling confused with the novel of the same name (Pu & Sondergard, 2014, p. 2080 n. 1).
Shahar, M. (1996). Vernacular Fiction and the Transmission of Gods’ Cults in Later Imperial China. In Shahar, M., & Weller, R. P. (1996). Unruly Gods: Divinity and Society in China (pp. 184-211). Honolulu: University of Hawaiʻi Press.
Pu, S., & Sondergard, S. L. (2014). Strange Tales from Liaozhai: Vol. 6. Fremont, Calif: Jain Pub.