Origin of the White Turtle River Crossing Accident From Journey to the West Chapters 98 and 99

Last updated: 09-05-2025

Journey to the West (Xiyouji西遊記, 1592; “JTTW” hereafter) chapter 98 sees the pilgrims sent back to China on a cloud to hasten the completion of their mission and subsequent return to paradise. However, shortly after their departure, Guanyin realizes in chapter 99 that Tripitaka has only experienced a total of 80 tribulations during his life, which is just shy of the perfect, sacred number (9 x 9 = 81). Therefore, she orders the eight Dharma guardians piloting the cloud to prematurely drop them off somewhere before reaching their stated destination. Sha Wujing reasons that this was done because they are going too fast (Wu & Yu, vol. 4, pp. 357-361).

The companions find that they have been deposited along the western bank of the “Heaven-Reaching River” (Tongtian he, 通天河), the same body of water where a giant, white turtle-spirit (baiyuan, 白黿) had ferried them across in chapter 49 (fig. 1). This same reptile appears and offers to carry them to the eastern bank (i.e. in the direction of China), but when he learns that the clerics had failed to keep their promise to ask the Buddha when the turtle’s long years of cultivation would result in him achieving human form (Wu & Yu, 2012, vol. 2, pp. 359), the angry spirit dives into the water, dunking the clerics, the dragon horse, and the hard-won scriptures. Thus, the 81st tribulation is achieved (Wu & Yu, 2012, vol. 4, pp. 362-363).

Fig. 1 – A statue of the pilgrims crossing the Heaven-Reaching River on the back of the giant river turtle (larger version). The reptile is presented here as a dragon-turtle. Statue in the author’s personal collection.

This episode is likely based on a historical accident that resulted in the real Xuanzang (玄奘, 602–664) (on whom Tripitaka is based) losing 50 scriptures to the drink. I first learned about the real world event from Brose (2021) and made the connection to JTTW chapters 98 and 99 on my own. Here’s a twitter post from 2022 attesting to that. But when I recently revisited the idea for a possible article, a cursory search didn’t turn up much information about the accident in Xuanzang’s historical travelogue, A Biography of the Tripitaka Master of the Great Ci’en Monastery (Datang Daci’en si Sanzang Fashi Zhuan大唐大慈恩寺三藏法師傳, 7th-century; T2053; “A Biography” hereafter). Luckily, I found the answer in Brose (2023), where he states: “Xuanzang does not recount the accident in his Record; he mentions it only briefly in the letters he later wrote to monks in India requesting copies of the lost texts” (p. 147). The provided citations led me to the correct sections of A Biography.

The end of one letter presented in scroll seven (of ten) reads:

[…] Of the scriptures and commentaries that I have brought back, I have already translated the Yogācārabhūmi Śāstra and other long and short texts, making a total of over thirty works. The translation of the Abhidharmakośa Śāstra and the Abhidharmanyāyānusāra Śāstra is not yet completed, but it will be finished this year. The reigning Emperor of the Great Tang Empire is enjoying every felicity, with peace prevailing throughout his land. With the compassion of a Cakravartin King, he has spread the edification of the Buddha, composed a preface with his Divine Pen to all the Chinese translations of the scriptures and commentaries, and also ordered the authorities to copy them for circulation in the country. Thus even neighboring states also follow and study them. Although we are now at the end of the Image Period, the brilliance of the Dharma is still as genial and as glorious as when it was taught in the Jetavana Garden in Śrāvastī. I hope you will take note of the above information. When I was crossing the Indus [on my way back home], I lost a pack of scriptures (emphasis added). I am now sending you herewith a list of the lost texts, of which I request that you send me new copies by some convenient messenger (Huili & Shi, 1995, pp. 232-233).

玄奘所將經論,已翻《瑜伽師地論》等大小三十餘部,其《俱舍》、《順正理》,見譯未周,今年必了。即日大唐天子聖躬萬福,率土安寧,以輪王之慈,敷法王之化,所出經論,並蒙神筆製序,令所司抄寫,國內流行,爰至隣邦亦俱遵習。雖居像運之末,而法教光華,邕邕穆穆,亦不異室羅筏誓多林之化也,伏願照知。又前渡信渡河失經一馱,今錄名如後,有信請為附來。(source)

This is admittedly anticlimactic, but a fuller, more exciting version of the event appears in scroll five:

After travelling for more than twenty days, he reached the country of Takṣaśilā and revisited the place where King Candraprabha had sacrificed his head a thousand times in his previous lives. Fifty yojanas to the northeast of this country was the country of Kaśmīra. The king sent an envoy to invite the Master [i.e. Xuanzang]; but as he was riding on an elephant and had luggage with him, he was unable to go. After staying there for seven days, he proceeded northwest again for three days and reached the great Sindhu [i.e. Indus] River, which was five or six li broad. His scriptures and images were loaded in a boat with his companions to sail across the river, while the Master waded through the river on his elephant [fig. 2]. He had appointed a man in the boat to take care of the scriptures and some seeds of different kinds of rare Indian flowers. When the boat sailed to midstream, a turbulent gale suddenly arose. The waves tossed the boat and almost overturned it. The man who was asked to look after the scriptures was so frightened that he fell overboard, but was rescued by the other passengers. Fifty bundles of scriptures and flower seeds were lost, while his other property narrowly escaped damage.

At that time the king of Kapiśā who was already in the city of Uḍakhāṇḍa heard that the Master was arriving and went personally to the riverside to greet him. He inquired, “I heard that you lost your scriptures in the river. Did you bring any seeds of Indian flowers and fruits with you?” “Yes, I did,” was the reply. The king said, “That was the cause of the gale that stirred up the waves and almost overturned your boat. Since ancient times, those who brought flower seeds to cross this river have always had the same trouble.” Then he returned to the city with the Master, who lodged in a monastery for more than fifty days. As he had lost some of his scriptures, he sent a man to the country of Udyāna to copy the Tripiṭaka of the Kāśyapīya school (Huili & Shi, 1995, pp. 156-157).

如是二十餘日行,至呾叉尸羅國,重禮月光王捨千頭處。國東北五十踰繕那即迦濕彌羅國,其王遣使迎請,法師為象行輜重不果去。停七日,又西北行三日至信度大河,河廣五六里,經像及同侶人並坐船而進,法師乘象涉渡。時遣一人在船看守經及印度諸異花種,將至中流,忽然風波亂起,搖動船舫,數將覆沒,守經者惶懼墮水,眾人共救得出,遂失五十夾經本及花果種等,自餘僅得保全。

時迦畢試王先在烏鐸迦漢茶城,聞法師至,躬到河側奉迎,問曰:「承師河中失經,師不將印度花果種來?」答曰:「將來。」王曰:「鼓浪傾船,事由於此。自昔以來,欲將花種渡者,並然。」因共法師還城,寄一寺停五十餘日,為失經本,更遣人往烏長那國抄寫迦葉臂耶部三藏。(Source)

And lastly, scroll two associates the Indus River with greedy dragon-spirits that capsize boats in order to gain the treasures therein:

From the city of Uḍakhāṇḍa, the Master crossed the Indus to the south. The river was three or four li wide, and the water was very clear and flowed rapidly. Many venomous dragons and evil animals dwelt in it. Anyone crossing the river with Indian precious gems, rare flowers, or relic bones would often have his boat overturned (Huili & Shi, 1995, p. 60).

自烏鐸迦漢茶城南渡信渡河,河廣三四里,流極清急,毒龍惡獸多窟其中,有持印度奇寶名花及舍利渡者,船輒覆沒。(source)

Connecting the three passages presents a complete picture of the event: Xuanzang and his servants attempted to cross the Indus River with precious scriptures and the seeds of rare Indian flowers, but one or more river dragons called up a powerful wind that capsized the boat carrying his treasures just so it/they could get their scaly mitts on them. This/these beast(s) and their crime eventually made it into the 1592 JTTW in the form of the giant white turtle-spirit and his grudge against the scripture-seekers.

Fig. 2 – Xuanzang riding an elephant (larger version). From a lianhuanhua pocket comic about the monk’s travels. Image found here.


Update: 09-05-25

Maria Josey, a friend of the blog, told me that she saw a statue of the pilgrims riding the turtle in a temple from Phuket, Thailand (fig. 3). She explains:

This story featured heavily in the chosen design of the temple grounds … [T]he monument is quite high up, on a mound, then a huge boulder. Cannot have been easy to build, I imagine, but it must have meant a lot to whoever did make it.

Fig. 3 – The statue (larger version). This photo was taken “a few years ago.” Copyright Maria Josey. Used with permission.

Sources:

Brose, B. (2021). Xuanzang: China’s Legendary Pilgrim and Translator. Boulder, Colorado: Shambhala Publications, Inc.

Brose, B. (2023). Embodying Xuanzang: The Postmortem Travels of a Buddhist Pilgrim. United States: University of Hawaii Press.

Huili, & Shi, Y. (1995). A Biography of the Tripitaka Master of the Great Ci’en Monastery of the Great Tang Dynasty (R. Li, Trans.). Berkeley, CA: Numata Center for Buddhist Translation and Research. Retrieved from https://www.bdkamerica.org/product/a-biography-of-the-tripitaka-master-of-the-great-cien-monastery/.

Wu, C., & Yu, A. C. (2012). The Journey to the West (Vols. 1-4) (Rev. ed.). Chicago, Illinois: University of Chicago Press.

Archive #49: Journey to the West (西游记): A 60-Volume Lianhuanhua Comic

I recently archived a seven-volume lianhuanhua comic about Sun Wukong battling the famous Eighteen Arhats. Upon learning this, a follower on Twitter asked me if I could locate scans of a 60-volume set that they read when they were younger. Luckily, I found a website selling them for super cheap.

I am archiving the set here in order to document modern day perceptions and depictions of JTTW and its characters.

1. Info

  • Title – Journey to the West (西游记)
    • Adaptation – Zhang Yuzhi (张玉枝)
    • Illustrations – Yan Dong (严东)
    • Editor-in-charge – Chang Shengli (常胜利)
  • Publisher – China Lianhuanhua Publishing House and Distribution (中国连环画出版社出版发行)
  • First edition – November 1997
  • ISBN 7-5061-0827-5

The volume 60 cover reading, “Meeting the Buddhist Patriarch at Spirit Mountain” (Lingshan jian Fozu, 灵山见佛祖) (larger version).

1.1. Reprint

This set is the first of at least two prints, the other coming out in 2008 (ISBN: 7801388461, 9787801388469). See, for example, this Ebay listing (screenshot).

The 2008 boxed set (larger version).

2. Download link:

This is for the 1997 version only.

The comics can be read on Google Drive or downloaded and read on Adobe. However, I’ve had problems reading them on Chrome. Please keep this in mind. It might just be a problem on my end.

https://drive.google.com/drive/folders/1JcS65ckxWZQh462mlqwj5OOzNl4JJAQ7?usp=sharing

Why Did the White Dragon Horse Burn His Father’s Pearls in Journey to the West?

Last updated: 03-03-2026

This is the first of three articles where I will present info about the disciples’ lives prior to the main events of Journey to the West (Xiyouji西遊記, 1592; “JTTW” hereafter). This piece will focus on the White Dragon Horse (Bai longma, 白龍馬). The next two will focus on Zhu Bajie (here) and Sha Wujing. These are meant to compliment my previous essay on Sun Wukong.

This particular article is based on a question put to me by a reader in late-January 2023:

I was wondering about Ao Lie’s* punishment. I know that he burned a pearl from the Jade Emperor (I think?), but I’m not exactly clear as to why he did that. Was it on accident or in anger, or is there a reason given?

* Ao Lie (敖烈) is a modern name for the dragon that comes from a live action TV show called Journey to the West Afterstory (Xiyouji houzhuan, 西游记后传, 2000). [1] JTTW chapter 15 actually calls him Yulong san taizi (玉龍三太子), or “Third Prince Jade Dragon.”

What follows is a formatted and expanded version of my reply. [2]

I. Explanation

The Jade Dragon briefly describes the details of his crime to the Bodhisattva Guanyin in JTTW chapter eight:

Because I inadvertently set fire to the palace and burned some of the pearls therein, my father the king [Ao Run] memorialized to the Court of Heaven and charged me with grave disobedience. The Jade Emperor hung me in the sky and gave me three hundred lashes, and I shall be executed in a few days. I beg the Bodhisattva to save me (Wu & Yu, 2012, vol. 1, p. 213).

… 因縱火燒了殿上明珠,我父王表奏天庭,告了忤逆。玉帝把我吊在空中,打了三百,不日遭誅。望菩薩搭救搭救。」

However, despite Yu’s (Wu & Yu, 2012) translation, the original Chinese doesn’t include a word meaning “inadvertently.” In fact, zonghuo (縱火) means “to set fire” or “arson,” meaning that the Third Prince did it on purpose—for whatever selfish reasons. Unfortunately, the novel doesn’t go into anymore detail.

II. Possible origin

I suggest that this episode is intended to explain the “dragon chasing a jewel” (ganzhu longwen, 趕珠龍紋) motif in Chinese art. The jewel is shown emitting flames, and the dragon looks as if it’s frozen in the heavens, just like the Jade Dragon Prince was (fig. 1).

Fig. 1 – A Qing-era plate showing the dragon chasing a flaming jewel motif (larger version). Image found here. I like to think the title of this piece is “SHIT SHIT SHIT SHIT!!!! MY DAD’S GONNA KILL MEEE!!!!”

III. Significance

The pearl-burning incident is important because it directly leads to Jade Dragon joining the pilgrimage to India. After being rescued by Guanyin, he’s recruited and sent to wait for the Tang Monk “in a deep mountain stream” (shenjian zhi zhong, 深澗之中), and he official joins the quest in chapter 15 following a brief confrontation with Monkey at the specifically named Eagle Grief Stream (Yingchou jian, 鷹愁澗) (Wu & Yu, 2012, vol. 1, pp. 214 and 327-328).

Here’s the scene where he is transformed into a horse:

The Bodhisattva went up to the little dragon and plucked off the shining pearls hanging around his neck. She then dipped her willow branch into the sweet dew in her vase and sprinkled it all over his body; blowing a mouthful of magic breath on him, she cried, “Change!” The dragon at once changed into a horse with hair of exactly the same color and quality as that of the horse he had swallowed (Wu & Yu, 2012, vol. 1, p. 328).

菩薩上前,把那小龍的項下明珠摘了,將楊柳枝蘸出甘露,往他身上拂了一拂,吹口仙氣,喝聲叫:「變!」那龍即變做他原來的馬匹毛片。


Update: 01-04-25

It just dawned on me that Jade Dragon’s portrayal as a mischief-causing third prince mirrors the early life of Third Prince Nezha (San taizi Nezha, 三太子哪吒; Nezha san taizi, 哪吒三太子), whose devilry leads to him battling and killing the dragon Third Prince Ao Bing (San taizi Ao Bing三太子敖丙) in Investiture of the Gods (Fengshen yanyi封神演義, c. 1620) chapter twelve (Gu, 2000).


Update: 01-05-25

Friend of the blog Ryin-Silverfish tells me that the Third Dragon Prince is also associated with fire in the early-Ming JTTW Zaju play that predates the standard 1592 edition of the novel. He appears in “Act Seven: Mucha Sells a Horse” (Diqi chu Mucha shouma, 第七出 木叉售馬) as the “Third Prince Fire Dragon” (Huolong san taizi, 火龍三太子), who is sentenced to death for not delivering the full amount of rain to a given area as ordered by the heavenly court. And after being pardoned, he is transformed into a horse just like his novel counterpart.


Update: 03-03-26

Chinese art historian Jin Xu has posted about pottery found in a 14th-century shipwreck from Singapore. One is a blue and white dish with a lovely example of the dragon chasing a flaming jewel motif (fig. 2). I like it more than the example from above.

Fig. 2 – The dragon dish (larger version). See figure one in the June 2025 report.

Note:

1) Thank you to the good folks over at the JTTW Discord for connecting the name to a TV show, and thank you to reader innerdreamily6dcc2c3a93 for giving me the specific name.

2) I actually added this material as a January 2023 update to a previous article, but I decided to split it off into this new post.

Source:

Gu, Z. (2000). Creation of the Gods (Vols. 1-4). Beijing: New World Press.

Wu, C., & Yu, A. C. (2012). The Journey to the West (Vols. 1-4). Chicago, Illinois: University of Chicago Press.