Archive #47: The Newly Annotated Journey to the West With Illustrations (Xinshuo Xiyouji (tuxiang), 1749/1888)

I. Original Text

The Newly Annotated Journey to the West (Xinshuo Xiyouji, 新說西遊記, 1749) by Zhang Shushen (張書紳) is one of three popular editions of JTTW that circulated during the Qing Dynasty (1644-1911) and overshadowed the original. [1] It contains a running commentary dispersed throughout the pilgrims’ many adventures. Anthony C. Yu (Wu & Yu, 2012) describes Zhang’s work as having a Confucian bias:

In his unabridged hundred-chapter Xinshuo Xiyouji (The Journey to the West, Newly Interpreted) of 1749, Zhang Shushen declared in the section entitled “Xiyouji zongpi 西游記總批 (Overall Comments on The Journey to the West)” that “the book Xiyou has been designated by the ancients as a book meant to illuminate the Dao [a pointed dig at the 1662 edition titled Xiyou zhengdao shu, with the Daoist-leaning preface attributed to Yu Ji … ], by which it originally means the Dao of the sages, the worthies, and the Confucians (儒 Ru). To consider it an illumination of the Dao of immortals and Buddhism would be a mistake, indeed.” From a point of view clearly unsympathetic to the popular movement of Three-Religions-Joining-As-One (sanjiao heyi 三教合一, a possibly millennium-old notion … ), Zhang defended the story of the quest for Buddhist scriptures as an allegory of the classic Confucian doctrines on the illustration of virtue (mingde 明德) and the rectification of the mind (zhengxin 正心), ignoring the repeated and complex elaborations of zhengxin in Chan Buddhism also for at least a thousand years prior to his time (vol. 1, pp. 51-52).

I’ve decided to archive a scanned copy of this work for posterity.

A digital version of the text (interspersed with other commentaries) can be found here.

Book link

Click to access Journey-to-the-West-Newly-Annotated-by-Zhang-Shushen-Xinshuo-Xiyouji-compressed.pdf

II. Text With Illustrations

I’ve previously archived illustrated versions of JTTW, including the original 1592 edition, (images from) Li Zhuowu’s late-16th-century critique, and a circa 1835 Japanese translation. Here, I’d like to add another, the Newly Annotated Journey to the West With Illustrations (Xinshuo Xiyouji tuxiang, 新說西遊記圖像, 1888). The original text and commentary are the same, but this edition features a preface by Wang Tao (王韜), as well as over 100 woodblock prints.

The prints in the archived book below are admittedly a little fuzzy. This webpage has somewhat clearer versions.

Book link

Click to access Journey-to-the-West-Newly-Annotated-With-Illustrations-1888-compressed.pdf

Prints of Zhu Bajie and Sun Wukong from the opening illustrations (larger version).

Note:

1) The Qing versions are noted for having shoehorned Tripitaka‘s life story (chapter nine) into the original 100 chapters of the 1592 edition.

Journey to the West Fanfiction Writer Spotlight #1: DarkscytheDrake

From time to time I like to post a fun blog not directly related to (though sometimes informed by) my research. Regular articles will resume after this entry.

Anyone who follows me on social media will know that I generally do not like modern adaptations of Journey to the West (Xiyouji西遊記, 1592; “JTTW” hereafter) (see here and here, for example). But thanks to enjoying this book, I’ve learned to temper my negativity. I’ve, therefore, decided to mirror the format of a series of past art-based articles [1] and shine a spotlight on the author of a JTTW-related fanfiction that I actually like. My hope is that such posts will expose their work to a wider audience interested in JTTW, while also documenting modern day perceptions and depictions of the novel and its characters.

Our first writer goes by the online handle DarkscytheDrake (AO3, Fanfiction.net, Spacebattles). They were kind enough to answer some interview questions, as well as allow permission to display some of their work.

I. Q & A

1) Can you tell me a little about yourself?

I’m 24 years old and live in the Middle East. I’m a huge fan of mythologies and old stories. I dabble in many aspects of the art world, and writing has been a hobby of mine since high school. Since I was a kid my dad used to bring me books from abroad to read. I’ve travelled the world thanks to my parents’ business trips and was exposed to many cultures and stories, which made me fall in love with them even more.

2) Are you self-taught or have you taken writing classes?

I’m self-taught, using the example of others. By the time I seriously thought about writing, there weren’t any writing workshops in my area, at least ones that didn’t focus on the genres I wanted to write in. English is my second native language and most books I read are in English.

3) What are your main sources of literary inspiration?

My main inspirations are the Inheritance Cycle, Shogun (book and TV show), The Hobbit (book and movies), and Bone. Manga like Fullmetal Alchemist have also taught me a lot about storytelling and character arcs.

4) How did you learn about Journey to the West?

I first became fully aware of Journey to the West proper, meaning not expys like Dragon Ball, when I visited China for the first time. I saw a lot of ads and costumes for the Monkey King, and I asked our guide who this character was. I did some research to get acquainted with the story and main players, and I left it alone until Black Myth: Wukong was announced, which revitalized my interest and prompted me to purchase an abridged version of the book, Monkey King. I read the Anthony C. Yu translation online. From there, I also watched some of his spin-off works like Lego Monkie Kid.

5) Who is your favorite character?

Sun Wukong is my favorite character, and while half of that does come from the sheer insanity of his powers and adventures, the other half comes from how much he learns in the journey, and the family he finds within his companions. His moments of innocence, like when he plays in the snow or his more vulnerable moments like in the White Bone Spirit arc. Princess Iron Fan has got to be my second favorite, though. She takes a lot of shit from her husband, suffered the imprisonment of her son and had to deal with Wukong’s antics, but ultimately remains a decent person and one of the few demons on the journey who isn’t wicked or wants to eat Tripitaka.

6) Do you have a favorite episode from the novel?

My favorite episode would have to be the fight against Demon Bull King, because of how personal it is to Wukong and the sheer scale of the fights that ensue there, like Wukong and DBK transforming into their giant forms and duking it out. Really, all of the Demon Bull family’s episodes (Iron Fan and Red Boy) are the best.

7) Does the novel have a special meaning to you?

I’m honestly surprised by the sheer depth the novel has for its age. There’s a lot of worldbuilding there which is on par with Tolkien‘s work, and those who grew up in Asian culture are aware of its deeper meanings, so it transcends ‘modern’ worldbuilders in that sense. And when I see just how influential the novel is and how it led to one of the greatest anime of all time…I’m humbled.

8) Can you tell me about your ongoing JTTW-related project?

My current JTTW project is a fanfiction story called “Great Sage, Equal to Heaven and Above Brockton” (AO3, Fanfiction.net, Spacebattles), and it’s a crossover with the webnovel Worm by Wildbow. The world of Worm is filled with superpowered humans called ‘capes’ (fig. 1), but unlike DC and Marvel, many capes use their powers for crime. There are heroes who battle these villains of course, but matters aren’t as clear-cut as they appear. On top of that, giant monsters attack cities every few months and cause untold damage. The main premise of my story is that an untold amount of time after the journey, Sun Wukong wakes up in Worm‘s main setting of Brockton Bay, a coastal city [north of Boston, MA, USA] with a lot of capes, nazis, Asian gangsters and heroes. From there he investigates the modern era, having fun and tries to find out what’s going on with these strange superpowered humans. It’s a classic premise of ‘OP character gets dropped into a lower-ranked world’, but it’s also a study of how a character who found a home suddenly gets dropped into a new one, and how power doesn’t always solve problems. And if it does, what are the potential consequences?

[Jim here: As of this writing, chapters one to 11 are available for free online, but chapters 12 to 13 (and a ch. 14 preview) are still only available on patreon.]

Fig. 1 – Cover for a fake Worm comic book featuring the original story’s main character, who makes an appearance in the Great Sage story (larger version). Illustration by @codetrillogy on Twitter. Used with permission.

II. Writing Sample

The following excerpt comes from an event in chapter six. After befriending a young boy, Sun Wukong jumps in to save his sister from gangsters attempting to take her in lieu of a missed “protection money” payment:

* The boy’s name.
** The boy’s sister.
*** The name of a local gang leader. Monkey comically believes he is a literal dragon.

Note:

1) As of this writing, I’ve made three such art posts here, here, and here.

Journey to the West Artist Spotlight #3: NingadudeXx

From time to time I like to post a fun blog not directly related to (though sometimes informed by) my research. Regular articles will resume after this entry.

Anyone who has read my blog will no doubt realize that I am an avid fan of researching the history and influences of Journey to the West (Xiyouji西遊記, 1592). But as an artist, I am also a fan of JTTW-related artwork. There are so many talented people in the world who post their original designs and comics online, so I’ve decided to feature some of them on my blog. My hope is that such posts will expose this art to a wider audience interested in JTTW, while also documenting modern day perceptions and depictions of the novel and its characters.

Our third artist goes by the username NingadudeXx on Tumblr and  They were kind enough to answer some interview questions, as well as allow permission to display a few of their pieces.

The previous artist spotlight entries can be seen here and here.

I. Q & A

1) Can you tell me a little about yourself?

Hello, I go by DSG! I currently have an art blog called NingadudeXx on Tumblr that I use as a personal portfolio for my artwork. I also have a YouTube channel under the same name, where I post my animations and animatics! My username originates from when I was very young playing Minecraft and didn’t know how to spell, so I ended up with a wonky spelling of my current username. I’ve been using this username out of habit over the past decade and found that my misspelling helps people separate my username from the other dozen Ninja Dude’s out there!

2) Are you self-taught or did you go to art school?

I graduated from a high school that had an arts program, which specialized in animation, film, sound-design, and gaming. Funnily enough, my animation teacher wasn’t much of an artist himself, but the assignments he gave us over the years helped me to improve my skills! Aside from that, I would say that I am mostly a self-taught artist who’s been drawing since I could hold a pencil. Currently, I go to college and I’m working towards getting a degree in the arts, more specifically animation. I work at my school as a digital media tutor, where I help students with graphic design projects involving Adobe programs.

3) What are your main sources of artistic inspiration?

Some big inspirations of mine are Bill Watterson, Charles Schultz, and Craig McCracken. My dad introduced me to comic books when I was young, so I began reading Calvin and Hobbes and Peanuts books at a young age. I also grew up watching Cartoon Network shows, more specifically all of Craig McCracken’s cartoons. Growing up with the early style of 2000s/2010s cartoons has significantly influenced my style over the years. My biggest animation inspiration would have to be Flying Bark Studios, who have created beautiful cartoons such as Lego Monkie Kid and Rise of the Teenage Mutant Ninja Turtles!

4) How did you learn about Journey to the West?

I learned about Journey to the West over 3 years ago now from watching Lego Monkie Kid! I’ve been captivated by the show and Journey to the West since. I love to research and watch any new media I can find that’s inspired by the novel!

5) Who is your favorite character?

My favorite character is Sun Wukong, who I find endlessly fascinating to draw and think about. I think he’s an incredible character that goes through many changes throughout his lifetime, as he ultimately becomes a better person despite the odds against him!

6) Do you have a favorite episode from the novel?

That’s a tough question. I really love everything about the novel! But if I had to choose a favorite section in general, I would have to say the beginning chapters of the novel, where we get to see how Wukong earns his various titles and gains all his abilities. Sun Wukong’s beginnings are an important aspect of his character, especially when compared to how he changes and grows during his journey to the west.

7) Does the novel have a special meaning to you?

This novel is a huge source of inspiration and strength for me. When times are tough, I often try to put myself in the mindset of my favorite characters and think about how they’d react/confront the problem at hand. While I didn’t grow up with the story when I was younger, I’m grateful to be reading and learning about this wonderful novel now!

8) Can you tell me about your ongoing JTTW-related projects?

I hope to make JTTW comics in the future depicting my favorite chapters and scenes from the novel! Until then, I’m always drawing Monkey King whenever I get a sliver of free time, which I usually post on my Tumblr or YouTube page.

II. Art and Thought Process

Note: Click each image to enlarge it.

1. For this piece, I wanted to draw Sun Wukong enjoying himself surrounded by his favorite stone fruits! Some of my favorite types of backgrounds to draw are the ones that involve twisty trees and grassy fields.

2. In this work, I wanted to capture the scene where Wukong breaks out of the Trigram Furnace after 49 long days and goes on a rampage in Heaven. I like to use strong shapes to emphasize emotion, so I made Wukong’s hair sharp and spiky to show his anger.

3. In this piece, I took clothing inspiration from the amazing painting The Great Sage Equaling Heaven by the talented Yang Ruifen. I try my best to include a lot of star/sun motifs in my Sun Wukong artwork, whether it be through the shape of his hair or by putting stars in his eyes. Or in this case, by putting a literal sun behind him!

4. A lot of my artwork is based on spur of the moment ideas, or is inspired by small things that happen in my life! In this case, I happened to eat some colorful and sweet gummies, which inspired the ‘gummy’ monkeys in this piece. It’s fun to find inspiration in small things that are otherwise considered mundane. Wukong is a very reactive and intense character, so I like to think that he has a lot on his mind. This piece was my way of showing that!

5. These two pieces I included together as a diptych! I was studying the attire and textures of the Beijing Opera Monkey King, and the 1996 Journey to the West version of Sun Wukong. I love contrasting warm oranges and yellows against a nice sky-blue color. I ended up entering this diptych into an arts competition at my college and won the illustration category!

6. For this animation, I focused more specifically on Monkie Kid’s version of Sun Wukong, mixed with my own idea of his character! I wanted to capture the feeling that Wukong is a very old being who has inspired many generations, having been in novels, cartoons, films, operas, etc. I wonder if the older Wukong gets, the more his identity gets muddled with other people’s perception of him? Maybe he feels like he must put on a mask of sorts around those who don’t know him personally.