How to Kill Sun Wukong

Last updated: 01-07-2024

The Monkey King is famed for his six layers of immortality in Journey to the West (Xiyouji西遊記, 1592; “JTTW” hereafter). These are acquired through spiritual cultivation, redacting heavenly paperwork, and partaking in celestial foodstuffs. But “immortality” in Chinese vernacular literature doesn’t mean “invulnerable to harm.” Despite his great durability, Wukong is a “bogus immortal” (yaoxian妖仙) who is still susceptible to injury and death because he hasn’t yet achieved Buddha-nature and broken free of the wheel of rebirth. [1] For instance, he briefly dies from thermal shock after being overwhelmed by Red Boy‘s (Honghai’er, 紅孩兒) true samadhi fire (sanmei zhenhuo三昧真火) in chapter 41:

His whole body covered by flame and smoke, the Great Sage found the intense heat unbearable and he dove straight into the mountain stream to try to put out the fire. Little did he anticipate that the shock of the cold water was so great that the heat caused by the fire was forced inward into his body and his three hun spirits left his vessel. Alas!

His breath caught in his chest, his tongue and throat grew cold;
His hun spirits fled, his po souls left, and his life was gone! (based on Wu & Yu, 2012, vol. 2, p. 231)

這大聖一身煙火,炮燥難禁,徑投於澗水內救火。怎知被冷水一逼,弄得火氣攻心,三魂出舍。可憐氣塞胸堂喉舌冷,魂飛魄散喪殘生。

Luckily, Zhu Bajie resuscitates him by performing a life-saving massage that forces qi from his cinnabar field and circulates it throughout his body (Wu & Yu, 2012, vol. 2, p. 232). [2]

This episode was an accident. But what if someone wanted to kill Monkey for good? How would they do it? Killing him in a one-on-one match would be nearly impossible, for few characters surpass Wukong in strength or fighting ability. I think it’s best that we draw on methods from another famous god and demon novel, Investiture of the Gods (Fengshen yanyi封神演義, c. 1620; “Investiture” hereafter), a sort of prequel to JTTW. It centers on a great battle between the falling Shang (c. 1600-1046 BCE) and the rising Zhou (c. 1046–256 BCE) dynasties, both of which are aided by factions of powerful immortals. The story is famous for a number of weapons, traps, and rituals designed to kill divine cultivators.

In this article, I would like to describe ten magical array traps (zhen, 陣) and one magic ritual that could possibly kill the Monkey King. The latter is, in my opinion, the best option for ending his life (fig. 1). And the best part is that it can be done from a distance! That way a villain doesn’t have to worry about getting smashed into hamburger or ripped to shreds by an angry monkey immortal. In addition, I will detail this method’s potential for great fanfiction.

Before continuing, I must point out that none of the information from Investiture can be considered JTTW canon. While it contains a host of similar characters (Laozi, Buddha, Nezha, Muzha, Li Jing, Ao Guang, Erlang and his hound, etc.), the novel is a separate work that was published nearly 30 years after JTTW. Look at this piece as a fun “What if?”

Fig. 1 – Monkey’s headstone (larger version).

I. Possible Ways

Ch. 44 of Investiture mentions ten magical array traps that rely on primordial energies, destructive elements like wind, thunder, fire, sand, ice, and water, and spiritual attacks to terminate immortals:

  1. Heavenly Destruction (Tianjue zhen, 天絕陣) – This trap contains primordial energies (xiantian zhi qi, 先天之氣) and the opportunity for chaos (hundun zhi ji, 混沌之機). It uses three magic pennants (fan, 旛), representing the respective energies of Heaven, Earth, and Man, to turn humans into dust and shatter the limbs of immortals with rolls of thunder.
  2. Earthly Fury (Dilie zhen, 地烈陣) – This trap uses a magic red pennant that kills intruders with rolls of thunder from above and fire below. It is also said to cut them off from reincarnation.
  3. Roaring Typhoon (Fenghou zhen, 風吼陣) – This trap uses wind, true samadhi fire, and countless swirling blades formed from primordial energies to kill intruders and render their bodies into a fragrant powder (jifen, 虀粉).
  4. Frigid Ice (Hanbing zhen, 寒冰陣) – This trap uses jagged, wolf fang-like ice mountains above, sword-like ice blocks below, and wind and thunder in the middle to grind intruders into a fragrant powder.
  5. Golden Light (Jinguang zhen, 金光陣) – This trap contains the essences of the sun and moon (riyue zhi jing, 日月之精) and the energies of heaven and earth (tiandi zhi qi, 天地之氣). It uses 21 treasure mirrors (baojing, 寶鏡) affixed to wooden polls to kill intruders with golden light that renders (melts?) their bodies into pus and blood.
  6. Bleeding Blood (Huaxue zhen, 化血陣) – This trap uses thunder and wind powered by primordial energies to blast black sand that kills intruders by rendering their bodies into a bloody mess.
  7. Vehement Flame (Lieyan zhen, 烈焰陣) – This trap uses true samadhi fire, fire from the sky (meteorites?), and fire from stone (lava?) to kill intruders by turning them into ash.
  8. Soul-Snatching (Luohun zhen, 落魂陣) – This trap contains the fierce energies of heaven and earth (tiandi liqi, 天地厲氣). It uses a white paper pennant stamped with a talisman seal (fuyin, 符印) to kill intruders by dispersing and eliminating their po and hun spirits.
  9. Red Water (Hongshui zhen, 紅水陣) – This trap controls the essences of the ninth and tenth heavenly stems (rengui zhi jing, 壬癸之精) (representing water), as well as contains the wonder of the Grand Monad (Tianyi zhi miao, 天乙之妙). It uses three bottle gourds resting on an eight trigrams platform (bagua tai, 八卦臺) to kill intruders by gushing forth an ocean of dangerous, red water, a single drop of which can render their bodies into a bloody mess.
  10. Red Sand (Hongsha zhen, 紅砂陣/紅沙陣) – This trap controls the energies of Heaven, Earth, and Man. It uses thunder and wind to blast three buckets of red, sword-like sand to kill intruders by rendering their bones into a fragrant powder (fig. 2) (cf. Gu, 2000, vol. 2, pp. 869-873).

I think that Sun Wukong would easily survive many of these traps due to the adamantine nature of his body. [3] But numbers three, seven, and eight might give him some problems. As mentioned in the introduction, his encounter with Red Boy in chapter 41 shows that he is weak against true samadhi fire (Wu & Yu, 2012, vol. 2, p. 231). And of course, having his souls scattered and destroyed would certainly finish him off. Remember that Monkey’s spirit (魂靈兒) is easily reaped by two underworld officers in his slumber in chapter three (Wu & Yu, 2012, vol. 1, p. 139). This might point to a weakness against spiritual attacks (see below).

However, I think it would be hard to trick Wukong into going inside of these array traps. His “fiery eyes and gold Irises” (huoyan jinjing, 火眼金睛) would certainly notice the dark auras hovering above each one (Gu, 2000, vol. 2, p. 925 and 989, for example).

No, there’s only one sure fire way to kill our hero.

Fig. 2 – A Shang camp immortal working the Red Sand array trap (larger version). The woodblock print omits the three buckets. Image from The Newly Printed, Zhong Bojing Annotated, Investiture of the Gods (Xinke Zhong Bojing xiansheng piping Fengshen yanyi, 新刻鍾伯敬先生批評封神演義, c. 1620). See page 42 of this PDF.

II. The Best Way

Overcoming Monkey’s great power, durability, and speed would require an indirect approach, something that he wouldn’t even be aware of. A secret, spiritual assault from afar is, therefore, the only method that would work, in my opinion. Something like this is described in chapters 48 and 49 of Investiture. But I first need to give some background information as to why the rite is used in the first place.

Grand Preceptor Wen (Wen Taishi, 聞太師) recruits his old friend, the ancient immortal Zhao Gongming (趙公明), in chapter 46 after many of their divine comrades die in battle against Zhou allies (Gu, 2000, vol. 2, p. 935). Zhao is powerful in his own right, claiming to be able to flip Mount Sumeru (Xumi, 須彌) and reverse the course of the sun and moon (cf. Gu, 2000, vol. 2, pp. 945-947). But it’s his command of three holy treasures, namely the “Dragon-Binding Rope” (Fulong suo縛龍索), the “Sea-Fixing Mala Beads” (Dinghai zhu定海珠), and the “Golden Scaled Dragon Scissors” (Jinjiao jian金蛟剪), [4] that make him a supremely dangerous opponent. The latter two treasures prove in chapter 47 to be especially difficult weapons for Zhou allies to counter.

Therefore, in chapter 48, the immortal Lu Ya (陸壓) devises a plan to secretly attack Zhao’s spirit from a distance. He enlists the help of Jiang Ziya (姜子牙), a Taoist disciple and commander of the Zhou forces, and instructs him how to perform a sympathetic magic ritual from the Book of Fixing the Seventh Posthumous Day Arrow (Ding touqi jianshu, 釘頭七箭書):

Lu Ya opened his flower basket and took out a book stamped with talisman seals and oral formulas. “Using these, you can set up camp and erect a platform on Mount Qi. Make a straw effigy and post a document with the three characters “Zhao Gongming” on its body. Place one lamp above its head and another beneath its feet. Then pray to it three times a day, burning the talismans and pacing the dipper. At noon on the twenty-first day, this poor Taoist (Lu Ya) will come and help you cut his life short.”

Before going to Mount Qi, Ziya secretly sent 3,000 troops, along with Nangong Kuo [南宮适] and Wu Ji [武吉] to find a suitable place to set up camp. After Ziya arrived at camp, Nangong built a platform, arranging it properly, and made a straw effigy. He did everything strictly as instructed. Finally Ziya loosened his hair, took a sword, and paced the dipper, reciting charms, burning spells, and praying over and over again before the straw effigy (based on Gu, 2000, vol. 2, p. 967).

陸壓揭開花籃,取出一幅書,書寫明白,上有符印口訣,「……依此而用,可往岐山立一營;營內築一臺。紮一草人;人身上書『趙公明』三字,頭上一盞燈,足下一盞燈。自步罡斗,書符結印焚化,一日三次拜禮,至二十一日之時,貧道自來午時助你,公明自然絕也。」

子牙領命,前往岐山,暗出三千人馬,又令南宮适、武吉前去安置。子牙後隨軍至岐山,南宮适築起將臺,安排停當,紮一草人,依方製度。子牙披髮仗劍,腳步罡斗,書符結印

[Three to five days later, Zhao Gongming feels frantic, with a strange burning in his heart.]

[…]

Now let’s speak of Ziya, who prayed until he had expelled the primal spirit [yuanshen, 元神] of Zhao Gongming. The primal spirit was of major importance to an immortal, enabling him to tour freely throughout the eight extremes (the universe). But now Zhao Gongming had lost his primal spirit and became drowsy, wanting to sleep all the time (based on Gu, 2000, p. 973).

且說子牙拜掉了趙公明元神散而不歸,──但神仙以元神為主,遊八極,任逍遙,今一旦被子牙拜去,不覺昏沉,只是要睡。

[Sleeping is said to be uncharacteristic of immortals. This alerts Zhao Gongming’s comrades that he is being spiritually assaulted. After divining the effigy’s location, Wen sends Shang allies to steal it. They are initially successful, but the straw man is eventually recaptured by Zhou forces.]

[…]

[Lu Ya finally arrives as promised to finish the ritual.]

With a smile, Lu Ya opened his flower basket and took out a small mulberry bow and three short peach arrows, which he handed to Ziya. “At noon today, you must shoot the effigy with these arrows,” Lu Ya said. Ziya replied: “Order received!” The two waited in a tent, until the astrological official came to report: “Noon time has arrived!” Ziya cleaned his hands, picked up the bow, and then nocked the first arrow. “Shoot his left eye first,” instructed Lu Ya. Ziya did as ordered. As the first arrow hit the left eye of the effigy, Zhao Gongming, lying in the Shang camp, roared in agony and closed his left eye. Grand Preceptor Wen held him in his arms, sobbing as the tears poured down his cheeks. Back at Mount Qi, the second arrow hit the right eye of the effigy, and the third penetrated its heart [fig. 3]. Zhao Gongming died in the Shang camp (based on Gu, 2000, vol. 2, pp. 985-987). [5]

陸壓笑吟吟揭開花籃,取出小小一張桑枝弓,三隻桃枝箭,遞與子牙,「今日午時初刻,用此箭射之。」子牙曰:「領命。」二人在帳中等至午時,不覺陰陽官來報:「午時牌!」子牙淨手,拈弓,搭箭。陸壓曰:「先中左目。」子牙依命,先中左目。──這西岐山發箭射草人,成湯營裏趙公明大叫一聲,把左眼閉了。聞太師心如刀割,一把抱住公明,淚流滿面,哭聲甚慘。──子牙在岐山,二箭射右目,三箭劈心一箭,三箭射了草人。──公明死于成湯營裏。

Like Ziya, a bad guy could perform the same ritual to secretly steal Monkey’s primal spirit, tether it to a straw effigy marked “Sun Wukong” (孫悟空), and finally kill our hero with three well-placed peach arrows to the eyes and chest.

Fig. 3 – Jiang Ziya aiming the ritual bow at the straw effigy (larger version). Zhao Gongming can be seen sleeping in the Shang camp below. Woodblock print from The Newly Printed, Zhong Bojing Annotated, Investiture of the Gods (Xinke Zhong Bojing xiansheng piping Fengshen yanyi, 新刻鍾伯敬先生批評封神演義, c. 1620). See page 42 of this PDF.

III. Story Potential

If anyone decided to write their own fanfiction using the method described above, I could see this being a great opportunity for Zhu Bajie (豬八戒) and/or Sha Wujing (沙悟淨) to shine. He/they could be the one(s) searching the cosmos for answers, and upon learning of the rite, desperately racing to find the straw effigy before the ritual is complete. All of this would of course take place while Monkey is sleeping.

I can definitely see Zhu and/or Sha seeking the aid of Guanyin (觀音), who could easily break the ritual. I imagine she would reveal that, “The Great Sage is destined to experience this tribulation…” (or something like that), but she would surely provide them with the location in the end.

Reasons for the villain performing the ritual could include:

  • Eliminating Wukong so that they can more easily catch and eat the Tang Monk, thus gaining immortality.
  • Absorbing Monkey’s primal spirit in order to gain his immortality and skills.

The latter is my favorite, but the former would work better for the story since the whole point of the ritual is to kill the target. And besides, Monkey’s disembodied spirit is powerful enough to kill the psychopomps sent to reap his soul, as well as bully the judges and officers of hell (Wu & Yu, 2012, vol. 1, pp. 139-141). Now, imagine what it could do to some random demon king and/or cultivator who tried to absorb it!

IV. Conclusion

Sun Wukong is famed for his six levels of immortality, but he is still susceptible to death and the wheel of rebirth since he hasn’t yet achieved Buddha-nature. Killing him in one-on-one combat would be nearly impossible, though, given his great durability and power. However, using methods borrowed from Investiture of the Gods (c. 1620) might work. For instance, chapter 44 mentions ten magical array traps that rely on primordial energies, destructive elements like wind, thunder, fire, sand, ice, and water, and spiritual attacks to terminate immortals. Three of the traps, numbers three, seven, and eight, respectively use true samadhi fire or soul-scattering and destruction to kill divine cultivators. These might give Monkey problems as his soul is easily reaped in his sleep in JTTW chapter three, suggesting that it may be weak against spiritual attacks, and he is shown to be weak against Red Boy’s true samadhi fire in chapter 41. But I think it would be hard to trick him into entering the traps since his magic eyes would no doubt see the dark auras above them.

The best way to overcome his great power, durability, and speed requires an indirect approach, a secret, spiritual assault from afar. A ritual used in chapters 48 and 49 of Investiture does exactly that. In order to defeat the immortal Zhao Gongming and circumvent his powerful holy treasures, the immortal Lu Ya instructs Zhou army commander Jiang Ziya how to perform a rite from the Book of Fixing the Seventh Posthumous Day Arrow. This involves a bureaucratic ceremony (praying, talisman-burning, and dipper-walking) that slowly steals the immortal’s primal spirit over a 21 day period, tethers it to a straw effigy marked with Zhao’s name, and then kills him by shooting the icon with three peach arrows, two to the eyes and a third to the heart.

A villain wanting to kidnap and eat the Tang Monk for immortality could perform this ritual in order to get Monkey out of the way. This would make for a great story centered on Zhu Bajie and/or Sha Wujing. He/they could frantically search the universe for answers, before racing to find the straw effigy before the rite is complete.


Update: 12-28-23

I found two neat drawings portraying Jiang Ziya performing the rite (fig. 4 & 5).

Fig. 4 (top) – Jiang Ziya performing the procedural side of the ritual (larger version). Image found here. Fig. 5 (bottom) – Ziya fires the last arrow, killing Zhao Gongming (larger version). Image found here. They appear to be from the same anonymous lianhuanhua comic book.


Update: 12-29-23

A reader’s comment (below) has prompted me to add more context. Zhao Gongming’s disembodied spirit is not destroyed by the ritual. It is pulled towards the “Terrace of Creation” (Fengshen tai, 封神臺), a magic receptacle of souls, to await his apotheosis at the end of the novel. He is enfeoffed as the “Golden Dragon, Wish-Fulfilling and Righteously Unifying, Dragon-Tiger Mysterious Altar Perfected Lord” (Jinlong ruyi zhengyi longhu xuantan zhenjun, 金龍如意正一龍虎玄壇真君), a god of wealth (cf. Gu, 2000, vol. 4, pp. 2119-2121).

This then raises the question, “What would happen to Wukong’s soul if the ritual was successful? After the death of his body, it would naturally report to the underworld for processing. Remember, Monkey has yet to attain Buddha-Nature, so he is still subject to the wheel of rebirth. I can see him causing trouble down there like he had done in the past, but perhaps Kṣitigarbha (Ch: Dizang, 地藏) would calm his rage and convince him that reincarnation is the right choice. This would lead to a new adventure.

Or, considering that the journey to India would still be underway, and Tripitaka is constantly in danger, heaven might rush to find a new body for Wukong’s spirit to inhabit. This actually happens to a minor character in chapters 11 and 12 of JTTW. The soul of an official’s wife is forced into the body of a recently dead princess to live out the remainder of her allotted lifespan (Wu & Yu, 2012, vol. 1, pp. 268-269).

Another reader suggested a second method from Investiture to kill Monkey (see the comment below):

The Immortal-slaying Flying Knife, also a treasure of Lu Ya’s, might be a good second-contender here. It’s a strange weapon with head and eyes and wings, stored inside a gourd: when released, its eyes shoot out white light that “nails down” an enemy’s true form, and, upon recitation of “Turn around please, precious” (请宝贝转身), will spin and instantly decapitate the target.

Sure, there is the matter of getting it out and saying the magical words before you were reduced to a meat patty, but if the target is already immobilized——like Yuan Hong, FSYY’s own staff-wielding ape with 72 transformations——the Immortal-Slaying Flying Knife will be that final nail in the coffin.

I’ll look into this more and update the page at a later date.


Update: 01-07-24

Lu Ya’s ritual reminds me of a two-step process used in Chinese Folk Religion to activate a religious statue (shenxiang, 神像). Part one is the “entering-spirit” (rushen, 入神) ceremony, which invites a deity’s essence inside. Lin (2020) explains:

When the carving is complete, the carver chooses an auspicious day to hold the spirit-entering ritual. A cavity at the back of the image is carved out for this rite. The objects placed in this hole include incense ashes (xianghui) or talismans from the root temple, a live hornet, five precious materials (gold, silver, bronze, iron, and tin), five crops (rice, wheat, sesame, and different kinds of beans), and a bundle of five-color threads (red, yellow, blue, black, and white) [fig. 6 & 7] … The worshippers have to prepare fruit and flowers and burn incense to invite the deity to come.

When the auspicious moment arrives, the carver inserts the previously listed items into the cavity and plugs it with a piece of wood. The objects placed in the cavity are important clues regarding how people conceptualize deities. Local inhabitants explained to me that the ashes or talisman symbolizes the spirit of the deity, and the living hornet is to increase the deity’s power. Some people said the five forms of treasure represent the five organs of the deity, whereas others just said they are symbols of the deity’s grandeur. The five crops represent the harvest and the bunch of five-color threads is related to the five spirit-soldier camps (p. 38).

Lu Ya’s ritual essentially treats the straw effigy like an idol that will house a god’s essence. This might explain how the primal spirit of Zhao Gongming (and therefore Sun Wukong) is called to enter the icon.

Fig. 6 (top) – A collection of the talisman, grains, treasures, and colored-threads used in the entering-spirit ceremony (larger version). Fig. 7 (bottom) – A live wasp is retrieved to be added to the necessary ritual items (larger version). Images found here

Part two is the “eye-opening and dotting” (kaiguang dianyan, 開光點眼) ceremony, which brings the idol to life. Again, I refer to Lin (2020):

For this ceremony, the carver prepares flowers, fruit, a round mirror, a red brush pen, and a white cock. When the auspicious moment arrives, the mirror is taken outside where the light is sufficient to reflect it into the statue’s eyes. Next, the carver goes back to the altar and uses a knife to cut the cockscomb and smear the blood with the red brush pen. He then starts to chant and to dot the deity with the brush pen. There are many different kinds of chants … but their contents are not very different. The process of dotting usually begins at the center of the forehead and proceeds to the eyes, ears, nose, mouth, heart, navel, feet, toes, fingers, and back [fig. 8-10], as the following chant demonstrates:

First dot the sacred head, second dot the sacred hat,
Third dot the sacred body, then the true and righteous god will occupy the body.
Open the left eye to see heaven.
Open the right eye to see into the earth.
Open the left ear to listen to sounds from all directions.
Open the right ear to hear sounds from far away.
Open the divine nose, to smell fragrant scents.
Open the divine mouth, but not to eat house hold foods.
Open the left hand and the disciples will be prosperous year after year.
Open the right hand and the god will capture ghosts without being asked.
Open the sacred belly and great divine power will come forth.
Open the left foot to step upon the correct path.
Open the right foot to step into the divine carriage.
Open the back so that all people may be enlightened.

It can be inferred that in this ceremony, the carver at first draws the natural energy into the statue to enliven it. Then, he uses the blood of a white cock, symbolizing purity, to dot and connect the important parts of the body. This makes the statue like a living person with veins in which blood flows without obstruction (pp. 38-39).

Although Investiture doesn’t mention any of this, I think performing the eye-opening and dotting ceremony would be the final step in making the straw effigy a separate, living embodiment of the Monkey King. The ritual would open the eyes of Wukong’s spiritual double to the cosmos and fill his chest with divine energies in preparation for shooting said targets. This would explain why Zhao Gongming closes his eyes upon each arrow strike (refer back to section II).

Writers wanting to add a certain level of religious authenticity to the fictional Monkey King-killing ritual could have the villain place the talisman, grains, treasures, live wasp, and five colored-threads inside the straw effigy. And then he could chant while simultaneously reflecting sunlight on the face and dotting the eyes and body with a rooster blood-soaked brush. The only major difference between the fictional and religious ceremonies would be that the former’s first step, the entering-spirit ritual, lasts three weeks.

Fig. 8 (top L) – An entering-spirit and eye-opening and dotting kit commonly sold in Taiwan (larger version). Notice how the mirror is rectangular instead of circular. Image found here. Fig. 9 (top R) – A white temple rooster kept as a supply of pure blood (larger version). Don’t worry, nowadays they are only nicked on the comb with a knife. Image found here. Fig. 10 (bottom) – A ritual master uses a circular mirror to shine sunlight into an idol’s eyes while dotting the figure with a blood-soaked brush (larger version). Image found here.

Notes:

1) Monkey is called a “bogus immortal” by the Jade Emperor (ch. 4), the Buddha (ch. 7), and the Dragon King of the Eastern Sea in (ch. 14) (Wu & Yu, 2012, vol. 1, pp. 147-148, p. 193, and p. 318). This alludes to the fact that he is not yet a true transcendent.

The idea that Wukong is still susceptible to death is based on the Buddho-Taoist philosophy of Southern Quanzhen School Patriarch Zhang Boduan (張伯端, mid to late-980s-1082), which heavily influenced JTTW. Zhang believed that one had to attain both the Taoist elixir and Buddha-Nature in order to be truly immortal. Only then could one rise above death and the endless rounds of rebirth to live forever (Shao, 1997, pp. 80-84). This is why JTTW starts with Monkey achieving immortality in chapter two and ends with him attaining Buddhahood in chapter 100, thereby fulfilling Zhang’s two-step process to true transcendence.

Zhang’s philosophy is reflected in his Writings on Understanding Reality (Wuzhen pian, 悟真篇, 1075). One poem reads:

The elixir is the most precious treasure of the physical body; when cultivated to perfection, the transmutations are endless. One can go on to investigate the true source in the realm of essence, and ascertain the ineffable function of the birthless. Without awaiting another body in the next life, one attains the spiritual capacities of a Buddha in the present; after the Naga Girl achieved this, who since then has been able to follow in her footsteps? (Zhang, Liu, & Cleary, 1987, p. 1481; cf. Shao, 1997, p. 83)

丹是色身至寶,煉成變化無窮。更能性上究真宗,决了無生妙用。不待他身後世,見前獲佛神通。自從龍女著斯功,爾後誰能繼踵。

2) It’s interesting to note that Pigsy suggests that Wukong dying isn’t a problem because his 72 changes give him 72 lives (qishi’er tiao xingming, 七十二條性命) (Wu & Yu, 2012, vol. 2, p. 232).

3) For instance, heaven fails to execute Monkey in chapter seven because of his adamantine hide:

They then slashed him with a scimitar, hewed him with an ax, stabbed him with a spear, and hacked him with a sword, but they could not hurt his body in any way. Next, the Star Spirit of the South Pole ordered the various deities of the Fire Department to burn him with fire, but that, too, had little effect. The gods of the Thunder Department were then ordered to strike him with thunderbolts, but not a single one of his hairs was destroyed (Wu & Yu, 2012, vol. 1, p. 188).

刀砍斧剁,槍刺劍刳,莫想傷及其身。南斗星奮令火部眾神放火煨燒,亦不能燒著。又著雷部眾神以雷屑釘打,越發不能傷損一毫。

4) Apart from these treasures, Zhao Gongming fights with a hard whip (bian, 鞭), a sword-like metal club with stacked ridges and a pointed end. Gu (2000) incorrectly translates this as “staff” (vol. 2, p. 941).

5) Given the ritual’s association with the number seven (i.e. “Fixing the Seventh Posthumous Day Arrow”), and the fact that it takes 21 days to execute, it seems that one arrow is used for every week that the rite is performed. Remember that there are a total of three: two for the eyes and a third one for the heart.

6) These are the holes in the head: eyes, nose, ears, and mouth.

Sources:

Gu, Z. (2000). Creation of the Gods (Vols. 1-4). Beijing: New World Press.

Lin, W. (2020). Materializing Magic Power: Chinese Popular Religion in Villages and Cities. Netherlands: Brill.

Shao, P. (1997). Monkey and Chinese Scriptural Tradition: A Rereading of the Novel Xiyouji (UMI No. 9818173) [Doctoral dissertation, Washington University]. Available from ProQuest Dissertations and Theses database.

Wu, C., & Yu, A. C. (2012). The Journey to the West (Vols. 1-4) (Rev. ed.). Chicago, Illinois: University of Chicago Press.

Zhang, B., Liu, Y., & Cleary, T. (1987). Understanding Reality: A Taoist Alchemical Classic. Honululu Univ. of Hawaii Press.

Sun Wukong’s Four Mighty Commanders

The Monkey King’s “Four Mighty Commanders” (Si Jianjiang, 四健將) (figs. 1 & 2) are minor characters appearing in chapters one, three to six, and 28 of Journey to the West (Xiyouji西遊記). They are presented as two elderly gibbons and two elderly horse-monkeys (i.e. macaques) who serve their monarch as advisors and makeshift tutors on spiritual and military matters. In fact, one of them is responsible for setting Wukong on his path towards immortality. They are later given high military rank and charged with training and governing Wukong’s monkey army. An outside observer may question the commanders’ ability to lead troops in battle since they are defeated in nearly every single skirmish. But it should be remembered that, while technically immortal, they can still be killed and only have access to mere earthly weapons. Yet, they choose to face celestial soldiers who wield divine weapons and have millennia of combat experience. This speaks to their great bravery.

Here, I have gathered all references to these characters that I know of. I’ve also included a section on the possible homophonic origins of their names, as well as a section describing their immortality.

This article was prompted by a question put to me on tumblr. Searching the site for “beng ba” and “ma liu” results in a number of posts with fan art and fiction, so this survey has merit. Hopefully it will benefit fans of the novel and/or those who wish to insert these characters into their Lego Monkey Kid-inspired media.

Fig. 1 – Marshals Ma and Liu (larger version). Fig. 2 – Generals Beng and Ba (larger version). Paintings by Dai Dunbang. Images found here.

I. References

Chapter 1

Note: I have changed some of Yu’s (Wu & Yu, 2012) translations of primate names for more accuracy.

[The Stone Monkey becomes the king of the primates through a test of bravery: leaping through a waterfall and discovering a long-forgotten immortal’s cave.]

The Handsome Monkey King thus led a flock of gibbons [yuanhou, 猿猴], macaques [mihou, 獼猴], and horse-monkeys [mahou, 馬猴], some of whom were appointed by him as his officers and ministers (based on Wu & Yu, 2012, vol. 1, p. 106).

[After 300-something years of ruling the Mountain of Flowers and Fruit, the Monkey King comes to realize that he too will someday die.]

From among the ranks a long-armed gibbon [tongbei yuanhou, 通背猿猴; lit: “(arms)-through-the back-gibbon”] [1] suddenly leaped forth and cried aloud, “If the Great King is so farsighted, it may well indicate the sprouting of his religious inclination. There are, among the five major divisions of all living creatures, only three species that are not subject to Yama, King of the Underworld.” The Monkey King said, “Do you know who they are?” The monkey said, “They are the Buddhas, the immortals, and the holy sages; these three alone can avoid the Wheel of Transmigration as well as the process of birth and destruction, and live as long as Heaven and Earth, the mountains and the streams.” “Where do they live?” asked the Monkey King. The monkey said, “They do not live beyond the world of the Jambudvipa, for they dwell within ancient caves on immortal mountains.” When the Monkey King heard this, he was filled with delight, saying, “Tomorrow I shall take leave of you all and go down the mountain. Even if I have to wander with the clouds to the comers of the sea or journey to the distant edges of Heaven, I intend to find these three kinds of people. I will learn from them how to be young forever and escape the calamity inflicted by King Yama” (based on Wu & Yu, 2012, vol. 1, p. 107).
Chapter 3
[After returning from abroad, the Monkey King wishes to train his children in how to defend themselves with weapons since they had previously been plagued by the Demon King of Havoc.]

As they were speaking, four older monkeys came forward, two horse-monkeys with red buttocks [chikao mahou, 赤尻馬猴] and two long-armed gibbons. Coming to the front, they said, “Great King, to be furnished with sharp-edged weapons is a very simple matter.” “How is it simple?” asked Wukong. The four monkeys replied, “East of our mountain, across two hundred miles of water, is the boundary of the Aolai Country. In that country there is a king who has numberless men and soldiers in his city, and there are bound to be all kinds of gold, silver, copper, and iron works there. If the great king goes there, he can either buy weapons or have them made (based on Wu & Yu, 2012, vol. 1, p. 131).

[Wukong frets over not having a divine weapon that fits his taste.]

The four elder monkeys came forward and memorialized, “The great king is a divine sage, and therefore it is not fit for him to use an earthly weapon. We do not know, however, whether the great king is able to take a journey through water?” “Since I have known the Way,” said Wukong, “I have the ability of seventy-two transformations. The cloud somersault has unlimited power. I am familiar with the magic of body concealment and the magic of displacement. I can find my way to Heaven or I can enter the Earth. I can walk past the sun and the moon without casting a shadow, and I can penetrate stone and metal without hindrance. Water cannot drown me, nor fire burn me. Is there any place I can’t go to?” “It’s a good thing that the great king possesses such powers,” said the four monkeys, “for the water below this sheet iron bridge of ours flows directly into the Dragon Palace of the Eastern Ocean. If you are willing to go down there, Great King, you will find the old Dragon King, from whom you may request some kind of weapon. Won’t that be to your liking?” Hearing this, Wukong said with delight, “Let me make the trip!” (Wu & Yu, 2012, vol. 1, p. 133).

[He returns from the Dragon Kingdom with his magic iron staff.]

The Monkey King made the four old monkeys mighty commanders of his troops by appointing the two horse-monkeys with red buttocks as marshals Ma and Liu [Ma, Liu er yuanshuai, 馬、流二元帥], and the two long-armed gibbon as generals Beng and Ba [Beng, Ba er jiangjun, 崩、芭二將軍]. The four mighty commanders, moreover, were entrusted with all matters concerning fortification, pitching camps, reward, and punishment (based on Wu & Yu, 2012, vol. 1, p. 138).

[The Monkey King becomes sworn brothers with six other animal demon kings.]

One day, the four mighty commanders had been told to prepare a great banquet in their own cave, and the six kings were invited to the feast. They killed cows and slaughtered horses; they sacrificed to Heaven and Earth. The various imps were ordered to dance and sing, and they all drank until they were thoroughly drunk. After sending the six kings off, Wukong also rewarded the leaders great and small with gifts. Reclining in the shade of pine trees near the sheet iron bridge, he fell asleep in a moment. The four mighty commanders led the crowd to form a protective circle around him, not daring to raise their voices (based on Wu & Yu, 2012, vol. 1, p. 139).
[Wukong’s soul is taken to the underworld because he is fated to die at 342 year old. However, he inks out his name, as well as those of all other monkeys, from the ledgers of hell and then fights his way out of the world of darkness.]

While our Monkey King was fighting his way out of the city, he was suddenly caught in a clump of grass and stumbled. Waking up with a start, he realized that it was all a dream. As he was stretching himself, he heard the four mighty commanders and the various monkeys crying with a loud voice, “Great King! How much wine did you imbibe? You’ve slept all night long. Aren’t you awake yet?” “Sleeping is nothing to get excited about,” said Wukong, “but I dreamed that two men came to arrest me, and I didn’t perceive their intention until they brought me to the outskirts of the Region of Darkness. Showing my power, I protested right up to the Palace of Darkness and argued with the Ten Kings. I went through our ledger of births and deaths and crossed out all our names. Those fellows have no hold over us now.” The various monkeys all kowtowed to express their gratitude. From that time onward there were many mountain monkeys who did not grow old, for their names were not registered in the Underworld. When the Handsome Monkey King finished his account of what had happened, the four mighty commanders reported the story to the demon kings of various caves, who all came to tender their congratulations (Wu & Yu, 2012, vol. 1, p. 141).

[Monkey is invited to heaven to be the keeper of the heavenly horses. This is a plan to keep his unruly adventures in check.]

He then called the four mighty commanders together for this admonition: “Be diligent in teaching and drilling the young ones. Let me go up to Heaven to take a look and to see whether I can have you all brought up there too to live with me.” The four mighty commanders indicated their obedience (Wu & Yu, 2012, vol. 1, p. 144).
Chapter 4
[He leaves heaven in rebellion when he learns that his post is the lowest in the celestial bureaucracy.]

ln a moment, he lowered the direction of his cloud and returned to the Flower-Fruit Mountain. The four mighty commanders were seen drilling troops with the Monster Kings of various caves. “Little ones,” this Monkey King cried in a loud voice, “old Monkey has returned!” (Wu & Yu, 2012, vol. 1, p. 150).

[A demon suggests a rebellious title for Wukong.]

“Make me a banner immediately,” he ordered the four mighty commanders, “and inscribe on it in large letters, ‘The Great Sage, Equal to Heaven.’ Erect a pole to hang it on” (Wu & Yu, 2012, vol. 1, p. 151).
Chapter 5
[He is granted the empty title of “Great Sage Equaling Heaven” and charged with guarding the immortal peach groves. However, he eats most of the ripe fruit, and then he wrecks a long-awaited banquet just because he isn’t invited. He finally flees to earth.]

Lowering the direction of his cloud, he returned to the Flower-Fruit Mountain. There he was greeted by flashing banners and shining spears, for the four mighty commanders and the monster kings of seventy-two caves were engaging in a military exercise. “Little ones,” the Great Sage called out loudly, “I have returned!” The monsters dropped their weapons and knelt down, saying, “Great Sage! What laxity of mind! You left us for so long, and did not even once visit us to see how we were doing.” “It’s not that long!” said the Great Sage. “It’s not that long!” They walked as they talked, and went deep inside the cave dwelling. After sweeping the place clean and preparing a place for him to rest, and after kowtowing and doing homage, the four mighty commanders said, “The Great Sage has been living for over a century in Heaven. May we ask what appointment he actually received?”

“I recall that it’s been but half a year,” said the Great Sage, laughing. “How can you talk of a century?” “One day in Heaven,” said the commanders, “is equal to one year on Earth” (Wu & Yu, 2012, vol. 1, p. 166).

[…]
[Wukong describes leaving heaven after trashing the banquet and eating Laozi’s elixir pills.]

The various monsters were delighted by these words, and they prepared a banquet of fruits and wine to welcome him. A stone bowl was filled with coconut wine and presented to the Great Sage, who took a mouthful and then exclaimed with a grimace, “It tastes awful! Just awful!” “The Great Sage,” said Beng and Ba, the two commanders, “has grown accustomed to tasting divine wine and food in Heaven. Small wonder that coconut wine now seems hardly delectable. But the proverb says, “Tasty or not, it’s water from home!” (Wu & Yu, 2012, vol. 1, p. 167).

[Heaven calls up forces to end his hijinks. The first to challenge him are the Nine Luminaries, anthropomorphic deities of the planets, moon, and sun.]

Hastily the little monsters reported inside, “Great Sage, disaster! Disaster! Outside there are nine savage deities who claim that they are sent from the Region Above to subdue the Great Sage.” Our Great Sage was just sharing the Heavenly wine with the four mighty commanders and the monster kings of seventy-two caves. Hearing this announcement, he said in a most nonchalant manner,

“If you have wine today, get drunk today;
Mind not the troubles in front of your door!”

Hardly had he finished speaking when still another flock of imps arrived to report, “Father, those nine savage gods have broken down the door, and are about to fight their way in!”

These reckless, witless gods!” said the Great Sage angrily. “They really have no manners! I was not about to quarrel with them. Why are they abusing me to my face?” He gave the order for the One-Horn Demon King to lead the monster kings of seventy-two caves to battle, adding that old Monkey and the four mighty commanders would follow in the rear. The Demon King swiftly led his troops of ogres to go out to fight, but they were ambushed by the Nine Luminaries and pinned down right at the head of the sheet iron bridge (Wu & Yu, 2012, vol. 1, pp. 170-171).

[…]
[The Monkey King singlehandedly defeats the Nine Luminaries.]

Devaraja Li then ordered the Four Great Devarajas and the Twenty-Eight Constellations to go out together to do battle. Without displaying the slightest panic, the Great Sage also ordered the One-Horn Demon King, the monster kings of seventy-two caves, and the four mighty commanders to range themselves in battle formation in front of the cave (Wu & Yu, 2012, vol. 1, p. 171).

[…]

Beginning with the battle formation at dawn, they fought until the sun sank down behind the western hills. The One-Horn Demon King and the monster kings of seventy-two caves were all taken captive by the forces of Heaven. Those who escaped were the four mighty commanders and the troop of monkeys, who hid themselves deep inside the Water-Curtain Cave. With his single rod, the Great Sage withstood in midair the Four Great Devarajas, Li the Pagoda Bearer, and Prince Nata, and battled with them for a long time. When he saw that evening was approaching, the Great Sage plucked a handful of hairs, threw them into his mouth, and chewed them to pieces. He spat them out, crying, “Change!” They changed at once into many thousands of Great Sages, each employing a golden-hooped rod! They beat back Prince Nata and defeated the Five Devarajas.

In triumph the Great Sage collected back his hairs and hurried back to his cave. Soon, at the head of the sheet iron bridge, he was met by the four mighty commanders leading the rest of the monkeys. As they kowtowed to receive him they cried three times, sobbing aloud, and then they laughed three times, hee-heeing and ho-hoing. The Great Sage said, “Why do you all laugh and cry when you see me?” “When we fought with the Deva Kings this morning,” said the four mighty commanders, “the monster kings of seventy-two caves and the One-Horn Demon King were all taken captive by the gods. We were the only ones who managed to escape alive, and that is why we cried. Now we see that the Great Sage has returned unharmed and triumphant, and so we laugh as well.”

“Victory and defeat,” said the Great Sage, “are the common experiences of a soldier. The ancient proverb says,

You may kill ten thousand of your enemies,
But you will lose three thousand of your allies!

Moreover, those chieftains who have been captured are tigers and leopards, wolves and insects, badgers and foxes, and the like. Not a single member of our own kind has been hurt. Why then should we be disconsolate? Although our adversaries have been beaten back by my magic of body division, they are still encamped at the foot of our mountain. Let us be most vigilant, therefore, in our defense. Have a good meal, rest well, and conserve your energy. When morning comes, watch me perform a great magic and capture some of these generals from Heaven, so that our comrades may be avenged.” The four mighty commanders drank a few bowls of coconut wine with the host of monkeys and went to sleep peacefully. We shall speak no more of them (Wu & Yu, 2012, vol. 1, pp. 172-173).
Chapter 6
[Erlang is called in to capture Wukong.]

The Immortal Master fought the Great Sage for more than three hundred rounds, but the result still could not be determined. The Immortal Master, therefore, summoned all his magical powers; with a shake, he made his body a hundred thousand feet tall. Holding with both hands the divine lance of three points and two blades like the peaks that cap the Hua Mountain, this green-faced, saber-toothed figure with scarlet hair aimed a violent blow at the head of the Great Sage. But the Great Sage also exerted his magical power and changed himself into a figure having the features and height of Erlang. He wielded a compliant golden-hooped rod that resembled the Heaven-supporting pillar on top of Mount Kunlun to oppose the god Erlang. This vision so terrified the marshals, Ma and Liu, that they could no longer wave the flags, and so appalled the generals, Beng and Ba, that they could use neither scimitar nor sword. On the side of Erlang, the Brothers Kang, Zhang, Yao, Li, Guo Shen, and Zhi Jian gave the order to the plant-headed deities to let loose the falcons and dogs and to advance upon those monkeys in front of the Water-Curtain Cave with mounted arrows and drawn bows. The charge, alas,

Dispersed the four mighty commanders of monkey imps
And captured two or three thousand numinous fiends!

Those monkeys dropped their spears and abandoned their armor, forsook their swords, and threw away their lances. They scattered in all directions running, screaming, scuttling up the mountain, or scrambling back to the cave. It was as if a cat at night had stolen upon resting birds: they darted up as stars to fill the sky. The Brothers thus gained a complete victory, of which we shall speak no further (Wu & Yu, 2012, vol. 1, pp. 181-182).
Chapter 28
[Monkey returns to the Mountain of Flowers and Fruit after being kicked out of the pilgrimage. He discovers that the remainder of his children are plagued by human hunters that eat or force them to perform tricks.]

When the Great Sage heard these words, he became terribly angry. “Who is in charge in the cave now?” he asked. “We still have Ma and Liu, the two marshals,” said the little fiends, “[B]eng and Ba, the two generals, they are in charge.” “Report to them at once,” said the Great Sage, “and say that I’ve returned.” Those little fiends dashed inside the cave and cried, “Father Great Sage has come home!” When Ma, Liu, [B]eng, and Ba heard the report, they rushed out of the door to kowtow and to receive him inside the cave. The Great Sage took a seat in the middle as the various fiends all lined up before him to pay homage. “Father Great Sage,” they said, “we heard recently that you had regained your life so that you could protect the Tang Monk on his journey to the Western Heaven to acquire scriptures. Why are you not heading toward the West? Why do you come back to this mountain?”

“Little ones,” said the Great Sage, “you have no idea that the Tang Monk is wholly ignorant of who is worthy and who is foolish. For his sake, I caught fiends and overcame demons throughout the journey, using all my abilities. Several times I slew a monster, but, accusing me of doing evil and violence, he disowned me as his disciple and banished me back here. He even wrote me a formal letter of banishment as proof that he would never want to use me again.” Clapping their hands and roaring with laughter, the monkeys said, “Lucky! Lucky! What do you want to be a monk for? Come home and you can lead us to have a few years’ fun. Quick! Let’s bring out the coconut wine for the reception of Father.” “Let’s not drink wine just yet,” said the Great Sage. “Let me ask you, how often do those hunters come to our mountain?” “Great Sage,” said Ma and Liu, “there’s no telling of time. They are here every day to make trouble.” The Great Sage asked, “Why aren’t they here today?” Ma and Liu replied, “Just wait and you’ll see them come” (Wu & Yu, 2012, vol. 2, pp. 31-32).

II. Meaning of Names

This Chinese article suggests a naturalistic explanation for these odd-sounding names:

Beng-Ba [崩芭] should be a homophone of “bengba” [蹦巴], that is, bengda [蹦躂], which means that the monkey jumps up and down all day without a moment’s peace. Therefore, it became an alternative name for monkeys. Ma-Liu [馬流] is a homophone for “maliu” [麻溜], which means the monkey moves with speed and agility.

… 崩芭應為「蹦巴」諧音,即蹦躂,意指猴子整日蹦蹦跳跳,伏低竄高,沒個安靜時候,所以成了猴子別稱。馬流即「麻溜」諧音,意即猴子動作麻溜,敏捷迅速。

III. Immortality

I mentioned in the introduction that the Four Mighty Commanders are technically immortal. This is the result of Wukong inking out the names of all monkeys from the ledgers of hell in chapter three (fig. 2). Wukong explains:

I went through our ledger of births and deaths [shengsi buzi, 生死簿子] and crossed out all our names. Those fellows have no hold over us now.” The various monkeys all kowtowed to express their gratitude. From that time onward there were many mountain monkeys [shanhou, 山猴] who did not grow old, for their names were not registered in the Underworld (Wu & Yu, 2012, vol. 1, p. 141).

Their divine longevity is exhibited when they reappear in chapter 28, sometime after Wukong is released from his 600-plus year imprisonment under Five Elements Mountain.

This same chapter also reveals that they are still capable of dying if fatally wounded. The rank and file monkeys lament their fate at the hands of human hunters:

Those of us who were shot by arrows, pierced by spears, or clubbed to death they took away for food to be served with rice. The dead monkeys would be skinned and boned, cooked with sauce and steamed with vinegar, fried with oil, and sauteed with salt (Wu & Yu, 2012, vol. 2, p. 31).

Shotaro_Honda_1939 - Hell (small)

Fig. 2 – Monkey striking the names from the ledger (larger version). From the Japanese children’s book Son Goku (1939).

Note:

1) This term refers to the belief that the long, agile arms of the gibbon were somehow connected (i.e. tongbi, 通臂), passing through the back (i.e. tongbei, 通背) (Gulik, 1967, p. 92-93). 

Sources:

Gulik, R. H. (1967). The Gibbon in China: An Essay in Chinese Animal Lore. Leiden: E.J. Brill.

Wu, C., & Yu, A. C. (2012). The Journey to the West (Vols. 1-4) (Rev. ed.). Chicago, Illinois: University of Chicago Press.

Sun Wukong’s Names and Titles

I was recently contacted by a reader who said they were researching the Monkey King’s various nicknames. I had never thought about this before, so I thought I’d write an article to help them out. I am indebted to Irwen Wong of the Journey to the West Library blog for helping me with some of the more obscure terms. If you know of others that I missed, please let me know in the comments below or by email (see the “contact” button).

The vast majority of the terms listed here come from the standard 1592 edition of Journey to the West (Xiyouji西遊記; hereafter JTTW). I have also added a few terms from a precursor, The Story of How Tripitaka of the Great Tang Procures the Scriptures (Da Tang Sanzang qujing shihua大唐三藏取經詩話, c. late-13th-century) (Wivell, 1994). I did this to show that certain variations of names or titles have existed for centuries.

I. Mentioned in the narrative

These are names or titles mentioned by the narrative.

  1. Shihou (石猴, “Stone Monkey”) – Monkey’s first name according to chapter one (Wu & Yu, 2012, vol. 1, p. 104). This is related to his birth from stone (fig. 1).
  2. Tianchan Shihou (天產石猴, “Heaven-Born Stone Monkey”) – His REAL name as listed in the ledgers of hell in chapter three (Wu & Yu, 2012, vol. 1, p. 140).
  3. Xinyuan (心猿, “Mind Monkey/Ape”) – A Buddho-Daoist allegorical term for the disquieted thoughts and emotions that keep man trapped in Saṃsāra. It is used numerous times in chapter titles (e.g. ch. 7) and poems to refer to Monkey (see the material below figure three here).
  4. Jingong (金公, “Lord or Squire of Gold/Metal”) – A term used mainly in poems to refer to Monkey. It is an alternative reading of the component characters making up lead (qian, 鉛), namely jin (金) and gong (公). Lead was an important ingredient in immortal elixirs of external alchemy, and metal/gold (jin, 金) is connected to the earthly branch shen (申), which is associated with monkeys (see no. 9 here) (Wu & Yu, 2012, vol. 1, p. 83 and p. 532 n. 3).
  5. Chuxuan (初玄, “Primal Depth”) – A name only used once in a poem to refer to him as a cosmic being (Wu & Yu, 2012, vol. 1, p. 190).
  6. Moni zhu (摩尼珠, “Wish-Fulfilling Jewel“) – A term describing the wonder of his three-headed, six-armed war form (Wu & Yu, 2012, vol. 1, p. 191).
  7. Taiyi Sanxian (太乙散仙, “Leisurely or Minor Immortal of the Great Monad”) – Monkey’s rank within the hierarchy of cosmic immortals (Wu & Yu, 2012, vol. 1, p. 471, for example). It essentially means that he is a divine being without a heavenly post.
  8. Taiyi Jinxian (太乙金仙, “Golden Immortal of the Great Monad”) – A seemingly embellished version of the previous term (Wu & Yu, 2012, vol. 2, p. 264, for example). It speaks of a higher rank. [1]
  9. Lingming Shihou (靈明石猴, “Stone Monkey of Numinous Wisdom”) – The name of his magic species according to the Buddha in chapter 58 (Wu & Yu, 2012, vol. 3, p. 115). [2] He is the first of four spiritual primates.
  10. Nanbian Mihou (難辨獼猴, “Indistinguishable Macaques”) – A term referring to both Sun Wukong and the Six-Eared Macaque. [3]

Fig. 1 – Monkey’s birth from stone by Zhang Moyi (larger version). Found on this article.

II. Given

These are names, titles, or insults that are given to or directed at our hero by other characters.

  1. Hou Xingzhe (猴行者, “Monkey Pilgrim”) – Monkey’s original religious name in the 13th-century JTTW. It is given by Tripitaka at the beginning of the journey (Wivell, 1994, p. 1182). The Xingzhe (行者) portion of this name carried over to the 1592 edition. See nos. 12 and 13 below.
  2. Gangjin Tiegu Dasheng (鋼筋鐵骨大聖, “Great Sage Steel Muscles and Iron Bones”) – His divine title in the 13th-century JTTW. It is bestowed by Tang Emperor Taizong at the end of the journey (Wivell, 1994, p. 1207). [4] The Dasheng (大聖) portion of this name carried over to the 1592 edition. See sec. III, nos. 7 and 8 below.
  3. Sun Wukong (孫悟空, “Monkey Awakened to Emptiness”) – The religious name given to him in chapter one by his first master, the Patriarch Subodhi (Wu & Yu, 2012, vol. 1, p. 115). It predates the 1592 JTTW, first appearing as early as the early-Ming zaju play (see here, for example). It’s important to note that the name “Wukong” (悟空) might have been influenced by a Tang-era monk who traveled throughout India just like Xuanzang (on whom Tripitaka is based).
  4. Liu Xiao Ling Tong (六小龄童) – Monkey’s name in the human world.
  5. Pohou (潑猴, “Reckless or Brazen Monkey”) – An insult used throughout JTTW (Wu & Yu, 2012, vol. 1, p. 118, for example).
  6. Shangxian (上仙, “High or Exalted Immortal”) – A respectful title used by the Dragon King of the Eastern Ocean in chapter three (Wu & Yu, 2012, vol. 1, p. 134).
  7. Huaguo Shan Shuilian Dong Tianchan Yaohou (花果山水簾洞天產妖猴, “Heaven-Born Demon Monkey from the Water-Curtain Cave of the Mountain of Flowers and Fruit”) – An insult used by King Qinguang, a Judge of Hell, in a memorial to the Jade Emperor in chapter three (Wu & Yu, 2012, vol. 1, p. 142).
  8. Xiandi (賢弟, “Worthy Little Brother”) – A nicknamed used by the Bull Demon King (Wu & Yu, 2012, vol. 1, p. 156, for example). Monkey is the smallest and therefore the last of seven sworn brothers (Wu & Yu, 2012, vol. 2, pp. 223-224).
  9. Yaoxian (妖仙, “Bogus Immortal”) – A category of nigh-immortal beings. He is called this by the Jade Emperor in chapter four and the Buddha in chapter seven, respectively (Wu & Yu, 2012, vol. 1, pp. 147-148 and p. 193).
  10. Bimawen (弼馬溫, “To Assist Horse Temperament”) – A minor post overseeing the celestial horse stables. Monkey is given this position in chapter four by the Jade Emperor. Yu (Wu & Yu, 2012) translates this as “BanHorsePlague” (vol. 1, p. 148, for example). [5] This is sometimes used as an insult (Wu & Yu, 2012, vol. 1, p. 354, for example).
  11. Yaohou (妖猴, “Monster or Demon Monkey”) – An insult used numerous times throughout the novel (Wu & Yu, 2012, vol. 1, p. 154, for example).
  12. Sun Xingzhe (孫行者, “Pilgrim Sun”) – Monkey’s second religious name. It is given to him in chapter 14 by Tripitaka (Wu & Yu, 2012, vol. 1, p. 309). Xingzhe Sun (行者孫) is a less common variation. Refer back to no. 1. See also sec. III, no. 9 below.
  13. Xingzhe (行者, “Pilgrim”) – He is more commonly referred to by this name than Sun Xingzhe or Sun Wukong combined. [6] See section III here to learn about the significance of this title. Refer back to no. 1.
  14. Sun Zhanglao (孫長老, “Elder Sun”) – A respectful title used by people he has helped (Wu & Yu, vol. 2, p. 85, for example).
  15. Dashixiong (大師兄, “Elder Religious Brother”) – A term used by Zhu Bajie and Sha Wujing (Wu & Yu, 2012, vol. 2, p. 74, for example).
  16. Houtou (猴頭, “Monkey/Ape Head”) – An insult used by various characters, especially Tripitaka (Wu & Yu, 2012, vol. 2, p. 26, for example).
  17. Maolian Heshang (毛臉和尚, “Hairy-Faced Monk”) – A term that describes his features (Wu & Yu, 2012, vol. 1, p. 407, for example).
  18. Maolian Lei Gong Zui de Heshang (毛臉雷公嘴的和尚, “Hairy-Faced, Thunder God-Beaked Monk) – A term that compares his elongated simian face to the beak of the bird-like thunder god Lei Gong (Wu & Yu, 2012, vol. 1, p. 351, for example). Variations include Lei Gong Zui Heshang (雷公嘴和尚, “Thunder God-Beaked Monk”) and Lei Gong de Nanzi/Hanzi (雷公嘴的男子/漢子, “Thunder God-Beaked Man”).
  19. Dou Zhansheng Fo (鬥戰勝佛, “Buddha Victorious in Strife or Victorious Fighting Buddha”) – His Buddha title bestowed by the Tathagata at the end of the journey in chapter 100 (fig. 2) (Wu & Yu, 2012, vol. 4, p. 381).

Fig. 2 – A religiously accurate drawing of Monkey as Dou zhansheng fo by NinjaHaku21 (larger version).

III. Self-Named

These are names, titles, or pseudonyms taken by Monkey himself. These do not include the names of the innumerable gods, monsters, or humans that he disguises himself as. They only refer to him personally.

  1. Huaguo Shan Ziyun Dong Bawan Siqian Tongtou Tie’e Mihou Wang (花果山紫雲洞八萬四千銅頭鐵額獼猴王, “Bronze-Headed, Iron-Browed King of the Eighty-Four Thousand Monkeys of the Purple Cloud Grotto on the Mountain of Flowers and Fruit”) – How he introduces himself to Tripitaka in the 13th-century JTTW (Wivell, 1994, p. 1182). The “Monkey King” (Mihou Wang, 獼猴王) portion of this name carried over to the 1592 edition but was represented with different Chinese characters. See nos. 2 and 3 below. This article discusses the term mihou (獼猴).
  2. Meihou Wang (美猴王, “Handsome Monkey King”) – The title that he takes upon ascending the throne in chapter one (Wu & Yu, 2012, vol. 1, p. 106).
  3. Hou Wang (猴王, “Monkey King”) – He is more commonly referred to by this name than Meihou wang. [7]
  4. Huaguo Shan Shuilian Dong Dongzhu (花果山水簾洞洞主, “Lord of the Water-Curtain Cave in the Mountain of Flowers and Fruit”) – How he introduces himself in chapter two to a demon king plaguing his people (Wu & Yu, 2012, vol. 1, p. 127).
  5. Huaguo Shan Shuilian Dong Tiansheng Shenren (花果山水簾洞天生聖人, “Heaven-Born Sage From the Water-Curtain Cave in the Mountain of Flowers and Fruit”) – How he introduces himself to the Ten Kings of Hell in chapter three (Wu & Yu, 2012, vol. 1, p. 140).
  6. Lao Sun (老孫, “Old Sun”) – A term that he uses many, many times throughout the novel. Yu (Wu & Yu, 2012) translates this as “Old Monkey” (vol. 1, p. 128, for example).
  7. Qitian Dasheng (齊天大聖, “Great Sage Equaling Heaven”) – The seditious title that he takes during his rebellion against heaven (Wu & Yu, 2012, vol. 1, p. 151). Monkey is worshiped by this name in modern Chinese Folk Religion (fig. 3). Refer back to sec. II, no. 2.
  8. Dasheng (大聖, “Great Sage”) – He is more commonly referred to by this title than Qitian dasheng. [8] Variations include Dasheng Yeye (大聖爺爺, “[Paternal] Grandpa Great Sage”) and Sun Dasheng (孫大聖, “Great Sage Sun”). Refer back to sec. II, no. 2.
  9. Zhexing Sun (者行孫, “Grimpil Sun”) – A pseudonym taken in chapter 34 when Monkey secretly escapes imprisonment and then presents himself as his own brother in an attempt to trick demons (Wu & Yu, 2012, vol. 1, p. 130). The strange English rendering is Yu’s (Wu & Yu, 2012) way of accounting for the change from Xingzhe Sun (孫, “Pilgrim Sun”) to Zhexing Sun (孫, “Grimpil Sun”). Refer back to sec. II, no. 12.
  10. Sun Waigong (孫外公, “([Maternal] Grandpa Sun”) – A name that he uses to taunt demons (Wu & Yu, 2012, vol. 1, p. 407, for example). It’s a cheeky way of saying, “I’m your elder, so you better submit to me.”
  11. Sun Yeye (孫爺爺, “([Paternal] Grandpa Sun”) – Same.
  12. Sun Erguan (孫二官, “Second Master Sun”) – A pseudonym taken in chapter 84 in order to investigate an anti-Buddhist kingdom under the guise of a horse trader. The other pilgrims take similar names (Wu & Yu, 2012, vol. 4, p. 132).

Fig. 3 – A Great Sage idol from Shengfo Tang (聖佛堂, “Sage Buddha Hall”) in Beigang Township, Yunlin County, Taiwan (larger version). It is one of many Monkey King Temples on the island. Photo by the author.

Notes:

1) The Jinxian (金仙) of Monkey’s title Taiyi Jinxian (太乙金仙, “Golden Immortal of the Great Monad”) is associated with far more lofty figures. For example, a poem in chapter one refers to the Patriarch Subodhi as the Dajue Jinxian (大覺金仙, “Golden Immortal of Great Awareness”) (see section 2.3 here).

2) I’m placing the name in this category because the Tathagata is stating a fact instead of bestowing it as a proper name.

3) Yu (Wu & Yu, 2012) translates this as the “macaque hard to distinguish” (vol. 4, p. 360). But I think that the original Chinese term is likely referring to both Sun and Six Ears. Their battle across the cosmos is counted in chapter 99 as the 46th of 81 hardships that Tripitaka was fated to endure (Wu &Yu, 2012, vol. 4, p. 360).

4) Wivell (1994) translates the name as “Great Sage of Bronze Muscles and Iron Bones” (p. 1207). But the gang (鋼) of Gangjin tiegu dasheng (鋼筋鐵骨大聖) means “steel.”

5) This references the homophonous term Bimawen (避馬瘟, “avoid the horse plague”), the historical practice of placing monkeys in horse stables to ward off equine sickness (see the 02-26-22 update here).

6) The term Xingzhe (行者, “pilgrim”) appears 4,355 times, while Sun xingzhe and Sun Wukong appear 239 and 127 times, respectively. Xingzhe is used numerous times to refer to other characters, such as Guanyin’s disciple Hui’an (惠岸行者, 6 times; a.k.a. Mucha or Mokṣa, 木叉行者, 9 times), but the vast majority refer to Monkey.

7) The term Hou wang (猴王, “Monkey King”) appears 185 times, while Meihou wang (美猴王) appears 42 times.

8) The term Dasheng (大聖, “Great Sage”) appears 1,273 times, while Qitian dasheng (齊天大聖) appears 103 times. I believe Dasheng is also used to refer to the Buddha a few times, so please keep this in mind.

Sources:

Wivell, C.S. (1994). The Story of How the Monk Tripitaka of the Great Country of T’ang Brought Back the Sūtras. In V. Mair (Ed.), The Columbia Anthology of Traditional Chinese Literature (pp. 1181-1207). New York: Columbia University Press.

Wu, C., & Yu, A. C. (2012). The Journey to the West (Vols. 1-4) (Rev. ed.). Chicago, Illinois: University of Chicago Press.

Archive #43: The 72 and 36 Taoist Skills of the Lidai Shenxian Tongjian

Last updated: 08-18-2023

Fans of Journey to the West (Xiyouji, 西遊記, 1592 CE; hereafter JTTW) sometimes debate whether Sun Wukong’s 72 “Multitude of Terrestrial Killers” (Disha shu, 地煞數; a.k.a. “… Earthly Fiends”) and Zhu Bajie’s 36 “Multitude of Heavenly Rectifiers” (Tiangang shu, 天罡數; a.k.a. “… the Heavenly Ladle or Northern Dipper”) [1] are just transformations or actual lists of individual magical skills. For example, in March of 2023, a reddit user claimed in one post that “72 transformations” was a mistranslation for “72 different spells.” And then they asked if there existed a list of the 36 spells. I responded by saying:

There is no official list of the 72 or 36 transformations. This is because they are never mentioned in the novel. Any attempt at making a list is a guesstimate at best or completely made up at worst.

[…]

But I was recently contacted by a different reddit user who linked me to a dynastic source, The Comprehensive Mirror of Successive Divine Immortals (Lidai shenxian tongjian, 歷代神仙通鑑, c. 1700; hereafter The Comprehensive Mirror), [2] which does include respective lists for the “Thirty-Six Methods of the Heavenly Rectifiers” (Tiangang sanshiliu fa, 天罡三十六法) and the “Seventy-Two Arts of the Terrestrial Killers” (Disha qishier shu, 地煞七十二術) (said redditor translates the list of 72 abilities in video game terms here). The skills range from creating earthquakes to resurrecting the dead.

However, there are three reasons why these lists should not be associated with Sun and Zhu: 1) They do not appear in JTTW; 2) They postdate the novel by nearly a century; and 3) The JTTW narrative firmly establishes that the numbers of the 72 Terrestrial Killers and 36 Heavenly rectifiers are symbolic of the many ways that Monkey and Pigsy can change their shape. I will discuss this in more detail in section I.

But for the sake of posterity, I would like to translate both lists so that anyone interested can see them for themselves. The info might serve as good fodder for fanfiction or D&D character development. Having said that, I don’t consider myself a translator or an expert on esoteric Taoist jargon. So, if you know of a better rendering for a given phrase, please let me know in the comments below or by email (see the “contact” button).

Also, I will be archiving the section of The Comprehensive Mirror containing the lists of the 72 and 36 skills. See section IV below for the PDF link. It was downloaded from Google Books.

The title page of The Comprehensive Mirror (larger version) (PDF p. 6).

I. Arguments Against the Lists

First, they are not canonical as they don’t appear in JTTW. I’m sure someone could comb through the novel and find parallels, but this wouldn’t necessarily constitute proof of direct influence. This is because immortals have displayed similar powers in Taoist hagiography since at least Ge Hong‘s Book of the Master Who Embraces Simplicity (Baopuzi, 抱樸子, 4th-century CE). For example, just like Sun Wukong, the late-Han alchemist Zuo Ci (左慈) was known for enraging enemies, in this case the warlord Cao Cao (曹操), by using magic clones of himself in hilarious ways to escape trouble (see the 11-24-19 update here for a full translation of his shenanigans). Campany & Ge (2002), especially part II, is a treasure trove of such hagiographic tales.

Second, the lists postdate JTTW by almost a century. Whose to say that the popularity of the novel didn’t influence the creation of said lists? Even The Comprehensive Mirror refers at one point to the skills as the “thirty-six changes and seventy-two transformations” (sanshiliu bian, qishier hua, 三十六變,七十二化) (PDF p. 295). This mimics the metamorphic abilities of Monkey and Zhu discussed below. All one would need to do to create the lists is gather skills from Taoist hagiography and then assign them a place and number among the 72 Terrestrial Killers (Disha, 地煞) or 36 Heavenly Rectifiers (Tiangang, 天罡).

(I should note that the names of these numbered groups are based on malevolent and benevolent stellar deities that appear throughout Chinese culture and literature. See, for instance, the 108 stars of the Water Margin (Shuihu zhuan, 水滸傳, c. 14th-century CE) (Meulenbeld, 2019).) [4]

A folk print of the “72 Killer Gods” (Qishier Shashen, 七十二煞神) from the Anne S. Goodrich Collection (larger version). Image found here.

And third, most importantly, JTTW specifically states that Monkey has “seventy-two kinds of transformations” (qishier ban bianhua, 七十二般變化) and Zhu “thirty-six kinds of transformations” (sanshiliu ban bianhua, 三十六般變化). Therefore, the numbers of the 72 Terrestrial Killers and 36 Heavenly rectifiers are symbolic of the many ways that our heroes can change their shape. This is made clear in several places throughout the novel. Here, I will list a few examples.

In chapter 2, the Patriarch Subodhi teaches the 72 changes to Sun Wukong with the expressed purpose of helping him “hide” (duobi, 躲避) from the Three Calamities (sanzai lihai, 三災利害) of cosmic lightning, fire, and wind sent by heaven every 500 respective years to destroy immortals for defying fate and achieving eternal life:

“Very well, then,” said the Patriarch, “what method of hiding would you like to learn? There is the “Multitude of the Heavenly Rectifiers,” which numbers thirty-six transformations, and there is the “Multitude of Terrestrial Killers,” which numbers seventy-two transformations.” Wukong said, “Your pupil is always eager to catch more fishes, so I’ll learn the “Multitude of Terrestrial Killers.” “In that case,” said the Patriarch, “come up here, and I’ll pass on the oral formulas to you.” He then whispered something into his ear, though we do not know what sort of wondrous secrets he spoke of. But this Monkey King was someone who, knowing one thing, could understand a hundred! He immediately learned the oral formulas and, after working at them and practicing them himself, he mastered all seventy-two transformations (based on Wu & Yu, 2012, vol. 1, 122).

祖師說:「也罷,你要學那一般?有一般天罡數,該三十六般變化;有一般地煞數,該七十二般變化。」悟空道:「弟子願多裡撈摸,學一個地煞變化罷。」祖師道:「既如此,上前來,傳與你口訣。」遂附耳低言,不知說了些甚麼妙法。這猴王也是他一竅通時百竅通,當時習了口訣,自修自煉,將七十二般變化都學成了。

In chapter 18, Zhu states, “I have the transformations of the Heavenly Rectifiers” (我有天罡數的變化). [3] And later in chapter 67, he reveals that the 36 changes have their shortcomings:

I, old Hog, after all, am capable of thirty-six kinds of transformation. If you want me to change into something delicate, elegant, and agile, I simply can’t do it. But if it’s a mountain, a tree, a boulder, an earth mound, a scabby elephant, a graded hog, a water buffalo, or a camel, I can change into all these things (Wu & Yu, 2012, vol. 3, p. 253).

我老豬本來有三十六般變化,若說變輕巧華麗飛騰之物,委實不能;若說變山,變樹,變石塊,變土墩,變賴象、科豬、水牛、駱駝,真個全會。

II. The 36 Methods of the Heavenly Rectifiers

I have included reference numbers when certain skills are similar or related.

Take note that several of these skills appear in Investiture of the Gods (Fengshen yanyi封神演義, c. 1620), a famous vernacular novel containing the mythos of many gods still worshiped today in Chinese folk religion.

  1. Woxuan zaohua (斡旋造化, lit: “mediate good luck”) – Creating good fortune.
  2. Diandao yinyang (顛倒陰陽, lit: “reverse yin and yang”) – Disturbing the natural flow of the cosmos (switching the sun and moon, reversing right and wrong, confusing black and white, etc.).
  3. Yixing huandou (移星換斗, lit: “shift the stars and switch the Big Dipper) – Altering the position of the stars. Perhaps this is a metaphor for changing someone’s fate.
  4. Huitian fanri (迴天返日, lit: “turn around heaven to bring back the sun) – Rewinding the day to raise the setting sun into the sky.
  5. Huanyu hufeng (喚雨呼風, Lit: “call the rain and summon the wind) – Summoning storms (see sec. II, nos. 5-8 & 28).
  6. Zhenshan handi (振山撼地, lit: “shake mountains and earth”) – Making earthquakes.
  7. Jiawu tengyun (駕霧騰雲) – Flying on the mist and clouds (see sec. II, no. 12).
  8. Huajiang chenglu (劃江成陸) – Parting water to make new land.
  9. Zongde jinguang (縱地金光, lit: “releasing golden light”) – Transforming into light, thus allowing one to travel thousands of Chinese miles in a single day (see sec. II, no. 55).
  10. Fanjiang jiaohai (翻江攪海, lit: “overturn rivers and disturb oceans) – Creating turbulent rapids and violent tsunamis.
  11. Zhidi chenggang (指地成鋼) – Transforming earth into steel with just a point of the finger (see no. 23).
  12. Wuxing dadun (五行大遁, lit: “five elements great escape”) – Escaping a place or situation through any of the five Chinese elements (wood, fire, earth, metal, and water) (see no. 32 and sec. II, nos. 40, 54, & 59).
  13. Liujia jimen (六甲奇門, lit: “Strang Door of the Six Jia Spirits) – A computational divination system used to foretell fate.
  14. Nizhi weilai (逆知未來) – Foreknowledge of the future.
  15. Bianshan yishi (鞭山移石, lit: “whipping mountains and shifting stones”) – A kind of earth bending where one can change the landscape at will (see sec. II, no. 47).
  16. Qisi huisheng (起死回生) – Bringing the dead back to life.
  17. Feishen tuoji (飛身托跡, lit: “flying body trace”) – Traveling heaven and earth without leaving a trace.
  18. Jiuqi fuqi (九息服炁, lit: “nine breaths air swallowing) – A kind of Taoist “embryonic breathing” thought to bring about immortality.
  19. Daochu yuanyang (導出元陽) – Extracting someone’s primal yang energy (see no. 36).
  20. Xianglong fuhu (降龍伏虎) – Subduing dragons and tigers. Apart from the literal reading, this could also be a metaphor for mastery of yin and yang energy.
  21. Butian yuri (補天浴日) – Mending the heavens and bathing in the sun. Is this perhaps some kind of power of purification?
  22. Tuishan tianhai (推山填海) – Pushing mountains and filling oceans.
  23. Zhishi chengjin (指石成金) – Turning stone into gold with just a point of the finger (see no. 11).
  24. Zhengli wuying (正立無影) – Standing in broad daylight without casting a shadow.
  25. Taihua yixing (胎化易形, lit: “changing form into a fetus”) – Regressing one’s form to a youthful appearance (see sec. II, no. 43). Could this be a reference to the “spirit embryo” from Taoist internal alchemy?
  26. Daxiao ruyi (大小如意) – Enlarging or shrinking things to meet one’s desires (see sec. II, no. 16).
  27. Huakai qingke (花開頃刻) – Making flowers bloom and plants grow instantly.
  28. Youshen yuqi (遊神御氣) – Traveling in spirit and riding the wind (see sec. 1, no. 17).
  29. Geyuan dongjian (隔垣洞見) – Seeing through walls and partitions.
  30. Huifeng fanhuo (迴風返火) – Repelling wind and fire (see sec. II, no. 4).
  31. Zhangwo wulei (掌握五雷, lit: “controlling the five thunders”) – Controlling divine, often wrathful beings to expel evil.
  32. Qianyuan suodi (潛淵縮地, lit: “diving into the abyss and contracting earth”) – Traveling deep within the water and earth unimpeded (see no. 12 and sec. II, nos. 40, 54, & 59). This likely also refers to immortals contracting the landscape in order to travel quickly or stay out of reach of those pursuing them.
  33. Feisha zoushi (飛砂走石, lit: “flying sand and moving rocks”) – Calling forth a mighty wind (see no. 5 and sec. II, nos. 5 & 12).
  34. Jiashan chaohai (挾山超海) – Carrying mountains under arm while crossing oceans (see sec. II, no. 3). This could also just mean the ability to do impossible things.
  35. Sadou chengbing (撒豆成兵) – Transforming scattered beans into an army of soldiers.
  36. Ding touqi jian (釘頭七箭, lit: “fixing the seventh posthumous day arrow”) – An arcane ritual involving killing someone from afar by stealing their spirit, attaching it to a straw effigy, and shooting it with an arrow (see no. 19).

The 36 Methods of the Heavenly Rectifiers (larger version) (PDF pp. 297-298).

III. The 72 Arts of the Terrestrial Killers

I have again included reference numbers.

  1. Tongyou (通幽) – Traveling through the underworld.
  2. Qushen (驅神) – Expelling spirits.
  3. Danshan (擔山) – Carrying mountains (see sec. I, no. 34).
  4. Jinshui (禁水) – Repelling water (see sec. II, no. 30).
  5. Jiefeng (借風) – Controlling wind (see sec. 1, no. 5)
  6. Buwu (佈霧) – Spreading fog (see sec. 1, no. 5).
  7. Qiqing (祈晴) – Summoning good weather (see sec. 1, no. 5).
  8. Daoyu (禱雨) – Summoning rain (see sec. 1, no. 5).
  9. Zuohuo (坐火, lit: “sit in fire”) – Resisting flame.
  10. Rushui (入水, lit: “entering water”) – Parting water.
  11. Yanri (掩日) – Eclipsing the sun (see no. 65).
  12. Yufeng (御風) – Riding the wind (see sec. I, no. 7).
  13. Zhushi (煮石, Lit: “cooking stones”) – Cooking immortality elixir (see no. 37).
  14. Tuyan (吐焰) – Breathing fire.
  15. Tundao (吞刀) – Swallowing swords.
  16. Hutian (壺天, lit: “pot heaven”) – Creating one’s own immortal land (pocket universe) within a pot or gourd (see sec. 1, no. 26).
  17. Shenxing (神行) – Traveling in spirit (see sec. I, no. 28).
  18. Lushui (履水) – Treading on water.
  19. Zhangjie (杖解, lit: “staff liberation”)Magically turning an object into a fake corpse in order to escape and take on a new identity (see no. 46).
  20. Fenshen (分身) – Dividing the body into clones.
  21. Yinxing (隱形) – Invisibility (see no. 56).
  22. Xutou (續頭, lit: “continue head”) – Living without a head after decapitation (see no. 61).
  23. Dingshen (定身) – Fixing someone or something in place.
  24. Zhanyao (斬妖) – Beheading (or slaying) monsters.
  25. Qingxian (請仙) – Summoning divine beings.
  26. Zhuihun (追魂, lit: “chase a soul”) – Reaping a soul.
  27. Shehun (攝魂, lit: “take in a soul”) – Summoning or resurrecting a soul.
  28. Zhaoyun (招雲) – Summoning clouds (see nos. 5-8 and sec. 1, no. 5).
  29. Quyue (取月) – Fetching the moon.
  30. Banyun (搬運) – Transporting people or things to or away from you.
  31. Jiameng (嫁夢) – Manipulating dreams (see no. 72).
  32. Zhili (支離) – Fragmenting or destroying objects.
  33. Jizhang (寄杖, lit: “transmit the rod”) – Sending the pain of a beating to another person or thing.
  34. Duanliu (斷流) – Halting the flow of water.
  35. Rangzai (禳災) – Averting calamity.
  36. Jie’e (解厄) – Liberating someone from calamity.
  37. Huangbai (黃白, lit: “The (Art of) Yellow and White”) – Producing immortal elixirs via external alchemy (see no. 13).
  38. Jianshu (劍術, lit: “sword art”) – Mastery of swordplay and possibly the ability to direct the weapon like a drone.
  39. Shefu (射覆) – Divining hidden objects.
  40. Tuxing (土行) – Traveling through earth (see no. 54 & 59 and sec. I, nos. 12 & 32).
  41. Xingshu (星數, “star enumeration”) – Divining fate.
  42. Buzhen (布陣, lit: “spread troops”) – Knowledge of military battle arrays.
  43. Jiaxing (假形, lit: “artificial shape”) – Changing shape (see sec. I, no. 25).
  44. Penhua (噴化, “spray transformation”) – Changing the shape of a person or thing by spitting magic water or blood on them.
  45. Zhihua (指化, lit: “finger transformation”) – Changing something’s shape by pointing at it.
  46. Shijie (屍解) – Corpse liberation (see no. 19).
  47. Yijing (移景) –  Magically shifting the landscape (see sec. I, no. 15).
  48. Zhaolai (招來) – Beckoning a person or thing to you.
  49. Zhuqu (逐去) – Sending said person or thing back.
  50. Jushou (聚獸, lit: “assemble beasts”) – Controlling animals.
  51. Diaoqin (調禽, lit:  “move birds”) – Controlling birds.
  52. Qijin (炁禁, lit: “qi restraint”) – A method to affect reality with one’s internal energy (e.g. heal disease, restrain ghosts or animals, reverse the flow of rivers, etc.).
  53. Dali (大力) – Increasing strength.
  54. Toushi (透石) – Passing through solid rock (see no. 40 & 59 and sec. I, nos. 12 & 32).
  55. Shengguang (生光) – Producing a splendid light (see sec. 1, no. 9).
  56. Zhangyan (障眼, lit: “Obstruct vision”) –  Creating a blind spot in someone or something’s eyesight (see no. 21).
  57. Daoyin (導引) – Taoist breathing and stretching exercises.
  58. Fushi (服食) – Consuming alchemical medicine (see no. 68).
  59. Kaibi (開壁, lit: “open ramparts”) – Walking through walls (see nos. 40 & 54 and sec. I, nos. 12 & 32).
  60. Yueyan (躍岩, lit: “jump cliffs”) – Supernatural jumping?
  61. Mengtou (萌頭) – Sprouting a new head after decapitation (see no. 22).
  62. Dengchao (登抄) – I’m not sure what this is. A few online sources point to this skill increasing the course of something, such as making a fire burn faster and hotter. But someone  has also suggested to me that it involves theft. I’m open to other suggestions
  63. Heshui (喝水) – Imbibing supernatural amounts of water.
  64. Woxue (臥雪, lit: “lie in snow”) – Warding off the cold of snow and ice.
  65. Baori (暴日) – Exposing the sun (see no. 11).
  66. Nongwan (弄丸, lit: “manage pellets”) – Skill with projectiles, like pellets and rocks.
  67. Fushui (符水, lit: “talisman water”) – Creating disease-curing talismans meant to be burnt and swallowed with water.
  68. Yiyao (醫藥) – Making medicinal remedies.
  69. Zhishi (知時) – Knowledge of time and the seasons.
  70. Shidi (識地) – Knowledge of the earth and all places.
  71. Pigu (辟穀, lit: “grain law”) – Abstaining from the five grains in order to attain immortality. This may also refer to the common trope of immortals subsisting on wind and dew. [5]
  72. Yandao (魘禱, lit: “nightmare prayer”) – Assuaging nightmares (see no. 32).

The 72 Arts of the Terrestrial Killers (larger version) (PDF pp. 298-299).

IV. Lidai Shenxian Tongjiang PDF File

Lidai Shenxian Tongjian – 歷代神仙通鑑 – 1


Update: 08-18-23

The Saṃyutta Nikāya (Sk: संयुक्त निकाया; Ch: Xiang ying bu相應部, c. 250 BCE) notes that Buddhist cultivators develop a host of supernatural powers once they master the four mental qualities (Pali: Iddhipāda). Notice how similar they are to those discussed above:

  1. Multiplying the body
  2. Vanishing and reappearing
  3. Passing through solid objects (walls, ramparts, mountains, etc.)
  4. Diving into the earth like water
  5. Walking on water like earth
  6. Traveling through space
  7. Touching the sun and moon
  8. Hearing all sounds, both human and divine
  9. Knowing the minds of others
  10. Having memories of all of one’s past lives
  11. Knowing the future rebirths (and their causes) of all beings
  12. Liberation from the filth of the world through supreme wisdom (Bodhi, 2000, pp. 1727-1728)

Notes:

1) Anthony C. Yu (Wu & Yu, 2012) translates these as the “Art of the Heavenly Ladle” and the “Art of the Earthly Multitude” (vol. 1, p. 122). I instead follow the translation used by Meulenbeld (2019). In regards to Tiangang (天罡), he explains: “In its exorcist manifestation, the Northern Dipper is known as gang 罡, which I translate here as ‘rectifier’ due to the ritual function it has in righting wrong” (Meulenbeld, p. 7). “Terrestrial Killers” is a direct translation of Disha (地煞).

2) This work is a collection of Taoist hagiographic material from ancient times to the Ming.

3) Yu (Wu & Yu, 2012) translates this sentence as, “I know as many transformations as the number of stars in the Heavenly Ladle” (vol. 1, p. 376).

4) For religious views on the 72 Terrestrial Killers (Disha, 地煞), see the cited quotes here.

5) This is funny considering that Monkey is punished to eat hot iron pellets and drink molten copper during his time under Five Elements Mountain.

Sources:

Bodhi, B. (2000). The Connected Discourses of the Buddha: A Translation of the Saṃyutta Nikāya; Translated from the Pāli by Bhikkhu Bodhi (Vols. 1-2). Boston: Wisdom Publications.

Campany, R. F., & Ge, H. (2002). To Live as Long as Heaven and Earth: A Translation and Study of Ge Hong’s Traditions of Divine Transcendents. Berkeley: University of California Press.

Meulenbeld, M. (2019). Vernacular “Fiction” and Celestial Script: A Daoist Manual for the Use of Water Margin. Religions10(9), 518. MDPI AG. Retrieved from http://dx.doi.org/10.3390/rel10090518.

Wu, C., & Yu, A. C. (2012). The Journey to the West (Vols. 1-4) (Rev. ed.). Chicago, Illinois: University of Chicago Press.

 

Archive #42 – PDFs of Journey to the West Translations

Note: My blog is not monetized, so I am not making any money from this post. My hope is that the PDFs will make this legendary story more accessible to a wider audience. If you enjoyed the digital versions, please, please, please support the official releases.

Last updated: 08-17-2023

I’m happy to host a number of foreign language translations of the noted Chinese classic Journey to the West (Xiyouji西遊記, 1592 CE). This archive currently houses the following editions:

  1. English
  2. French (only part two of two)
  3. German
  4. Hungarian
  5. Italian (see below)
  6. Polish
  7. Romanian
  8. Russian
  9. Spanish
  10. Thai
  11. Vietnamese

As of this writing, I don’t yet have a modern Japanese translation. But you can read an original copy of the 1835 translation here.

I have also included translations of the unofficial sequel, A Supplement to the Journey to the West (Xiyoubu, 西遊補, 1640), in the following languages:

  1. English
  2. Hungarian

I will add more languages to this archive as they become available. Please let me know if you have access to other editions.

Journey to the West (Xiyouji)

1. English

1.A. Complete

1) This is a PDF for The Journey to the West (2012 Rev. ed.) translated by Anthony C. Yu.

Archive #11 – PDFs of the Journey to the West 2012 Revised Edition

2) This is a text PDF for Journey to the West (1993/2020) translated by W. J. F. Jenner.

PDF File

Click to access Wu-Chengen-Journey-to-the-West-4-Volume-Boxed-Set-2003.pdf

The four-volume box set in my collection (larger version).

1.B. Abridged

1) This is a PDF for Monkey (1942/1984) translated by Arthur Waley in 30 chapters (1 to 15, 18 and 19, 22, 37 to 39, 44 to 46, 47 to 49, and 98 to 100). See past book covers here.

PDF File

Click to access Wu-Chengen_-Arthur-Waley-Monkey-Grove-Press-1984.pdf

2) This is a PDF for The Monkey and the Monk (2006): An Abridgement of The Journey to the West translated by Anthony C. Yu in 31 chapters (1 to 15, 18 and 19, 22 and 23, 44 to 46, 53 to 55, 57 and 58, 84, and 98 to 100)

PDF File

Click to access Anthony-C.-Yu-The-Monkey-and-the-Monk_-An-Abridgment-of-The-Journey-to-the-West-2006.pdf

The official cover (larger version)

1.C. Audio Drama

I just learned of “The Fifth Monkey” and their Journey to the West – An Audio Drama Series, which presents a new English translation alongside the original Chinese. They explain:

One reason that led our team to start this audio drama project is to correct some of the mistranslations found in the Yu/Jenner translations. Most of them are very minor and we certainly understand what could have led to those mistakes, but we think it is worth exploring how we can help bring a more accurate presentation of the original text in the English language (source).

The official logo (larger version).

2. French

This is a PDF for volume two (of two) for La Pérégrination vers l’Ouest (Xiyou ji) (1991) translated by André Lévy in 100 chapters. I was told by one French academic that this edition “is one of the best available in Western languages.” Hopefully I will find a PDF for volume one in the future.

Thank you to jyeet on the Journey to the West discord for locating the file.

PDF Files

Vol. 1 – [NOT YET AVAILABLE]

Vol. 2https://journeytothewestresearch.com/wp-content/uploads/2023/08/French-JTTW-la-peregrination-vers-louest-Vol-2.pdf

The original two-volume boxed edition (larger version). Image found here.

3. German

This is a PDF for Die Reise in den Westen. Ein klassischer chinesischer Roman (2016) translated by Eva Lüdi Kong in 100 chapters. It was awarded the Leipzig Book Fair prize in 2017. This version was converted from an ebook.

PDF File

Click to access German-JTTW-Die-Reise-in-den-Westen.pdf

The official cover (larger version)

4. Hungarian

These are text PDFs for Nyugati utazás: avagy a majomkirály története (1969/1980) translated by Barnabás Csongor in two volumes. While the work covers the full 100 chapters, I’ve been told that it deletes the poems and occasionally paraphrases long-winded sections of text.

Thank you to Twitter user Jakabfi Károly for locating the files.

PDF Files

Vol 1https://journeytothewestresearch.com/wp-content/uploads/2023/08/Hungarian-JTTW-Nyugati-Utazas-Vol-1.pdf

Vol 2https://journeytothewestresearch.com/wp-content/uploads/2023/08/Hungarian-JTTW-Nyugati-Utazas-Vol-2.pdf

The official covers for volumes one and two (larger version). Image found here.

5. Italian

[Note 10-19-23: I was asked to remove the PDF from the archive per the publisher. I’m leaving the title here so others will know an Italian translation exists.]

The Italian text is called Viaggio in occidente (1998/2008). It was translated by Serafino Balduzzi and published in two volumes. It is based on the French edition published in 1991. The work covers all 100 chapters.

6. Polish

This is a PDF for Małpi bunt (1976) translated by Tadeusz Żbikowski. It is a 14 chapter abridgement of the first 20 chapters of the original.

Thank you to Twitter user Friend_Pretend for locating the file.

PDF File

Click to access Polish-JTTW-Malpi-bunt-1976.pdf

The official cover (larger version).

7. Romanian

This is a text PDF for Călătorie spre soareapune (1971) translated by Corneliu Rudescu and Fănică N. Gheorghe. It appears to be an abridgment.

Thank you to greencicadarchivist on the Journey to the West discord for locating the file.

PDF File

Click to access Romanian-JTTW-U_Ceng_En_Calatorie_Spre_Soare_Apune_pdf.pdf

The official cover (larger version).

8. Russian

8.1. Complete

These are PDFs for Путеше́ствие на За́пад (1959) translated by A. Rogachev (vols. 1-2) and V. Kolokolov (vols. 3-4). It covers all 100 chapters.

PDF Files

Vol 1https://journeytothewestresearch.com/wp-content/uploads/2023/08/Russian-JTTW-Puteshestvie_Na_Zapad_T_1_-1959-Vol-1.pdf

Vol. 2https://journeytothewestresearch.com/wp-content/uploads/2023/08/Russian-JTTW-Puteshestvie_Na_Zapad_T_1_-1959-Vol-2.pdf

Vol. 3https://journeytothewestresearch.com/wp-content/uploads/2023/08/Russian-JTTW-Puteshestvie_Na_Zapad_T_1_-1959-Vol-3.pdf

Vol. 4https://journeytothewestresearch.com/wp-content/uploads/2023/08/Russian-JTTW-Puteshestvie_Na_Zapad_T_1_-1959-Vol-4.pdf

The four-volume hardcover edition (larger version).

8.2. Abridged

This is a text PDF for Неприятность в небесах. Из китайской мифологии (1926) translated by Yakov Arakin. It is a poetic retelling of the first seven chapters of the novel.

Thank you to Adelar Eleramo for locating the file.

PDF File

Click to access Russian-JTTW-poem-Yakov-Arakin.pdf

The official cover (larger version).

9. Spanish

This is a text PDF for Viaje al Oeste: Las aventuras del Rey Mono (2022) translated by Enrique P. Gatón and Imelda Huang-Wang in 100 chapters.

PDF File

Click to access viaje-al-oeste-las-aventuras-del-rey-mono.pdf

The official cover (larger version)

10. Thai

This is a PDF for ไซอิ๋ว (2004/2010). It appears to be based on a four-volume edition translated by one Mr. Tin (นายติ่น) and published from 1906 to 1909. I believe it covers all 100 chapters.

Thank you again to greencicadarchivist for locating the file.

PDF File

Click to access Thai-JTTW-ไซอิ๋ว.pdf

The official cover (larger version)

11. Vietnamese

This is a text PDF for Tây Du Ký translated by Như Sơn, Mai Xuân Hải, and Phương Oanh. The 100 chapters were originally split between 10 volumes and published from 1982 to 1988. The volumes were later transcribed and combined to make a single eBook via an online community in 2013 (see here). I have converted it into a PDF.

PDF File

Click to access Vietnamese-JTTW-Tay-Du-Ky.pdf

The covers for the original ten volumes (larger version). Image found here.

A Supplement to the Journey to the West (Xiyoubu)

1. English

A) This is a PDF for Further Adventures on the Journey to the West – Master of Silent Whistle Studio (2020) translated by Qianchng Li and Robert E. Hegel.

PDF File

Click to access Further-Adventures-on-the-Journey-to-the-West-Master-of-Silent-Whistle-Studio-2020.pdf

The official cover (larger version)

B) This is a PDF for Tower of Myriad Mirrors: A Supplement to Journey to the West (2000) translated by Shuen-fu Lin and Larry J. Schulz. This version was converted from Mobi.

PDF File

Click to access English-Xiyoubu-Lin-Shuen-fu_Dong-Yue-Schulz-Tung-Yueh-The-tower-of-myriad-mirrors_-a-supplement-to-Journey-to-the-West.pdf

The official cover (larger version)

2. Hungarian

This is a text PDF for Ami a nyugati utazásból kimaradt (1957/1980) translated by Barnabás Csongor.

My thanks again to Twitter user Jakabfi Károly.

PDF File

Click to access Hungarian-Xiyoubu-tung_jue_ami_a_nyugati_utazasbol_kimaradt.pdf

The official cover (larger version).


Update: 08-17-23

I forgot to mention that I have previously archived two other Chinese classics. The first is Creation of the Gods (Fengshen yanyi, 封神演義, c. 1620; a.k.a. Investiture of the Gods), a sort of prequel to JTTW.

Archive #17 – PDFs of Creation of the Gods Library of Chinese Classics Chinese-English Bilingual Edition (Vols. 1-4)

The second is Journey to the South (Nanyouji南遊記, c. 1570s-1580s). This is NOT a direct sequel to JTTW. It instead follows the adventures of a martial god from Chinese folk religion. However, Sun Wukong makes a guest appearance in chapters one and seventeen.

Archive #40 – Journey to the South (Nanyouji) English Translation PDF

Disclaimer

These have been posted for educational purposes. No malicious copyright infringement is intended. If you enjoyed the digital versions, please support the official releases.