Parallels Between the Monkey King and the Buddha

Last updated: 06-18-2022

I’ve previously written about the similarities between Sun Wukong and the Water Margin bandit Wu Song. In this article, I would like to explore the similarities shared by the Monkey King and the historical Buddha, Siddhartha Gautama (Ch: Xidaduo Qiaodamo, 悉達多 喬達摩). I know readers are now collectively scratching their heads in confusion and asking, “How in the world are a 6th- to 5th-century BCE Indian philosopher and an immortal monkey spirit from Ming-era Chinese literature similar?” It’s true that the particulars of their stories are different, but I will show that Wukong and the Buddha follow a similar trajectory in their early lives. Both experience a supernatural birth, produce a radiant splendor upon emerging from the womb, spend early years as royalty, feel a sense of shock upon realizing the impermanence of life, set out on a quest to find a means of escaping old age and death, and, finally, achieve this goal through spiritual practices. These similarities suggest that the author-compiler of Journey to the West (Xiyouji, 西遊記, 1592) may have borrowed from the Buddha’s story to make Sun Wukong’s early life more familiar to readers.

For details about the Awakened One’s life, I rely heavily on Acts of the Buddha (Sk: Buddhacarita; Ch: Fo suoxing za, 佛所行讚, 2nd-century), a full-length biographical poem that survives thanks to its translation into Chinese from the original Sanskrit (Buswell & Lopez, 2014, p. 150). Information about Monkey will of course come from the standard 1592 edition of the novel.

See the 06-18-2022 update for another parallel. 

The Parallels

1. Supernatural birth

On the day of his birth, the bodhisattva’s mother, Queen Maya, feels the urge to go to the garden of Lumbini. There, following the tradition of sage-kings, the young prince Siddhartha is born from her right side (fig. 1):

Whilst she (thus) religiously observed the rules of a pure discipline, Bodhisattva was born from her right side, (come) to deliver the world, constrained by great pity, without causing his mother pain or anguish. / As king Yu-liu [Aurva] was born from the thigh, as king Pi-t’au [Pruthu] was born from the hand, as king Man-to [Mandhatri] was born from the top of the head, as king Kia-k’ha [Kakshivat] was born from the arm-pit, / So also was Bodhisattva on the day of his birth produced from the right side… (Beal, 1883, pp. 2-3).

Chapter one of Journey to the West describes how an immortal stone atop the Mountain of Flowers and Fruit (Huaguo shan, 花果山) splits open and gives birth to a stone egg, which is transformed into a stone monkey (shi hou, 石猴) by the elements (fig. 2):

Since the creation of the world, it [the stone] had been nourished for a long period by the seeds of Heaven and Earth and by the essences of the sun and the moon, until, quickened by divine inspiration, it became pregnant with a divine embryo. One day, it split open [benglie, 迸裂], giving birth to a stone egg about the size of a playing ball. Exposed to the wind, it was transformed into a stone monkey endowed with fully developed features and limbs (Wu & Yu, 2012, p. 101) (emphasis mine).

As I’ve previously written, Wukong’s birth is likely based on the sage-king Yu the Great (大禹) and his son Qi (啟, “open”) of Xia, who are stated in various sources to have been born from stone. For example, one 4th-century tale states Yu’s pregnant wife transformed into stone out of shame for having seen her husband’s shamanic metamorphosis into a bear. Yu ordered the stone to release his son, and it split open to give birth to Qi (Birrell, 1999, p. 123). The emphasis on the stone splitting open is related to ancient Chinese stories of sage-kings splitting the chest, back, or sides of their mothers upon birth, [1] much like the Buddha is born from Queen Maya’s side. For instance, the Genealogical Annals of the Emperors and Kings (Diwang shiji, 帝王世紀, 3rd -century) writes:

“While traveling up in the mountains she [Yu’s mother] saw a falling star piercing the Mao region (of the sky). Then in a dream, she received and felt it, so upon swallowing a divine pearl and Job’s Tears, her chest split open and she gave birth to Yu at Stone Knob” (Cook & Luo, 2017, p. 101).

While Yu’s mother is not a stone in this case, his birth is effected by a pearl (a type of stone) and happens in a place named after stone. Such tales establish a link between split births and split stone births, thereby placing the Buddha and Monkey into the same broader birth myth category.

Fig. 1 – A stone carving depicting the birth of Siddhartha from Queen Maya’s side (Gandhara, 2nd- to 3rd-century) (larger version on Wikipedia). Fig. 2 – Monkey’s birth from stone by Zhang Moyi (larger version). Found on this article.

2. Radiant splendor

Upon his birth, the Buddha is said to have “shed in every direction the rays of his glory” (fig. 3) (Beal, 1883, p. 3). The source continues to describe this light, as well as the Bodhisattva’s first few moments outside the womb:

His body, nevertheless, was effulgent with light, and like the sun which eclipses the shining of the lamp, so the true gold-like beauty of the Bodhisattva shone forth and was diffused everywhere. / Upright and firm and unconfused in mind, he deliberately took seven steps, the soles of his feet resting evenly upon the ground as he went, his footmarks remained bright as seven stars. / Moving like the lion, king of beasts, and looking earnestly towards the four quarters, penetrating to the centre the principles of truth, he spake thus…” (Beal, 1883, pp. 4-5).

The historical Xuanzang (on whom Tripitaka is based) notes in his travelogue that the Buddha even walks towards the cardinal directions: “After he had been born the Bodhisattva walked seven steps unaided to each of the four quarters … [u]nder each step a large lotus flower sprang up from the earth” (Xuanzang, 1996/2016, p. 158).

Wukong too produces a great light in every direction: “Having learned at once to climb and run, this monkey also bowed to the four quarters, while two beams of golden light flashed from his eyes to reach even the Palace of the Polestar” (fig. 4) (Wu & Yu, 2012, p. 101).

Therefore, both shine their lights in the four cardinal directions.

Fig. 3 – Baby Buddha producing a radiant splendor upon his birth (larger version). Artist unknown. Found on this article. Fig. 4 – Bright beams of light shine from Wukong’s eyes as he bows to the four directions (larger version). From the Japanese children’s book Son Goku (1939). 

3. Royal years

Prince Siddhartha (fig. 5) is born into the royal Shakya clan ruled by his father, King Suddhodana (Beal, 1883, p. 1). Shortly after his son’s birth, the king is told by two sages that the new heir is fated to be either a universal monarch or a cosmic sage (Beal, 1883, pp. 8-18). Suddhodana attempts to defy the latter fate by surrounding his son with royal luxury and even finding him a wife with which to have his own son:

‘My son, the prince, having a son born to him, / ‘The affairs of the empire will be handed down in succession, and there will be no end to its righteous government; the prince having begotten a son, will love his son as I love him, / ‘And no longer think about leaving his home as an ascetic, but devote himself to the practice of virtue […] Would that this might lead my son (he prayed) to love his child and not forsake his home; the kings of all countries, whose sons have not yet grown up, / Have prevented them exercising authority in the empire, in order to give their minds relaxation, and for this purpose have provided them with worldly indulgences, so that they may perpetuate the royal seed; / So now the king, having begotten a royal son, indulged him in every sort of pleasure; desiring that he might enjoy these worldly delights, and not wish to wander from his home in search of wisdom (Beal, 1883, pp. 28 and 29).

Following his birth, the stone monkey comes to live with a tribe of primates on the Mountain of Flowers and Fruit. One day, the monkeys and apes decide to follow a stream to its source in the mountain and find a beautiful waterfall. They state anyone who can discover what is behind the blanket of water will be proclaimed their king. The stone monkey takes up this challenge by leaping through and discovers the “Cave Heaven of Water-Curtain Cave” (Shuiliandong dongtian, 水簾洞洞天), a grotto paradise with a stone mansion and enough room for all the primates to live. After he emerges victorious,

Each one of them [the primates] then lined up according to rank and age, and, bowing reverently, they intoned, “Long live our great king!” From that moment, the stone monkey ascended the throne of kingship [fig. 6]. He did away with the word “stone” in his name and assumed the title, Handsome Monkey King [Mei hou wang, 美猴王] (Wu & Yu, 2012, p. 105).

The prince is born into a royal clan and yet never rules, while Wukong achieves kinghood through a test of bravery and leads his tribe for over three hundred years (Wu & Yu, 2012, p. 105). Siddhartha’s lack of authority is of course due to his father’s wish that he indulge in worldly pleasures and forget about leaving to become a sage. But birth tales (Sk: jataka) of the Buddha’s past lives do include several incarnations as rulers, even as a monkey king!

Fig. 5 – A stone carving of Prince Siddhartha as a young man (Gandhara, 3rd-century) (larger version via the Norton Simon Museum). Fig. 6 – The Stone Monkey sits on his throne (larger version). From Son Goku (1939).

4. Shock at impermanence

One day, Prince Siddhartha wishes to tour the land outside his personal palace for the first time in his sheltered life. Not wanting his son to see anything unpleasant, King Suddhodana has the path cleared of the old, sick, and poor and decorated with beautiful canopies, banners, and curtains (Beal, 1883, pp. 30-32). But a deva raja intervenes to initiate the first of the “four signs” (Sk: caturnimitta; Ch: sixiang, 四相; i.e. old age, sickness, death, and monasticism) to cause the future Buddha to pursue a spiritual path that will ultimately lead to his enlightenment (fig. 7) (Buswell & Lopez, 2014, pp. 171-172). The deva raja transforms into an extremely elderly man, and upon seeing the sight, Siddhartha is shaken when his chariot driver reveals that he too will suffer this fate:

The prince greatly agitated and moved, asked his charioteer another question and said, ‘Is yonder man the only one afflicted with age, or shall I, and others also, be such as he?’ / The charioteer again replied and said, ‘Your highness also inherits this lot, as time goes on, the form itself is changed, and this must doubtless come, beyond all hindrance: / ‘The youthful form must wear the garb of age, throughout the world, this is the common lot’. Bodhisattva, who had long prepared the foundation of pure and spotless wisdom, / Broadly setting the root of every high quality, with a view to gather large fruit in his present life, hearing these words respecting the sorrow of age, was afflicted in mind, and his hair stood up right. / Just as the roll of the thunder and the storm alarm and put to flight the cattle; so was Bodhisattva affected by the words; shaking with apprehension, he deeply sighed (Beal, 1883, p. 33).

After seeing the sign of sickness (Beal, 1883, pp. 34-35), the prince witnesses the sign of death:

(Once more) he asked, ‘What is this they carry? With streamers and flowers of every choice description, whilst the followers are overwhelmed with grief, tearing their hair and wailing piteously.’ / And now the gods instructing the coachman, he replied and said, ‘This is a “dead man,” all his powers of body destroyed, life departed; his heart without thought, his intellect dispersed; / ‘His spirit gone, his form withered and decayed; stretched out as a dead log; family ties broken—all his friends who once loved him, clad in white cerements, / ‘Now no longer delighting to behold him, remove him to lie in some hollow ditch (tomb).’ The prince hearing the name of death, his heart constrained by painful thoughts, / He asked, ‘Is this the only dead man, or does the world contain like instances?’ Replying thus he said, ‘All, everywhere, the same; he who begins his life must end it likewise; / ‘The strong and lusty and the middle-aged, having a body, cannot but decay (and die).’ The prince now harassed and perplexed in mind; his body bent upon the chariot leaning-board, / With bated breath and struggling accents, stammered thus, ‘Oh worldly men! How fatally deluded! Beholding everywhere the body brought to dust, yet everywhere the more carelessly living; / ‘The heart is neither lifeless wood nor stone, and yet it thinks not “all is vanishing!” (Beal, 1883, pp. 36-37).

After the Monkey King rules the Mountain of Flowers and Fruit for more than three centuries, he tells his children:

Though we are not subject to the laws of man today, nor need we be threatened by the rule of any bird or beast, old age and physical decay in the future will disclose the secret sovereignty of Yama, King of the Underworld. If we die, shall we not have lived in vain, not being able to rank forever among the Heavenly beings? (Wu & Yu, 2012, p. 106).

The “shock” felt by Prince Siddhartha and the Monkey King upon realizing the impermanence of life is known in Buddhism as Samvega (Ch: yanli, 厭離) (Thanissaro Bhikkhu, n.d.). It’s interesting that Siddhartha is led to the reality of impermanence, while Monkey comes to the conclusion by himself. This is no doubt due to the differences in their lives. King Suddhodana ensures that his son lives a protected life, one free from the woes of the outside world, by surrounding him with luxury and young, beautiful palace attendants. However, Monkey rules the Mountain of Flowers and Fruit for over three hundred years, no doubt witnessing the decline and death of many of his companions, as well as the waning of his own youth. After all, the thought of impermanence would weigh heavy on anyone nearing the end of their life. This conclusion is supported by the fact that, when his soul is taken to hell in chapter three, Monkey learns from the ledgers of life and death that he was fated to die at 342 years old (fig. 8) (Wu & Yu, 2012, vol. 1, p. 140).

Fig. 7 – Siddhartha experiences the “Four Signs” (larger version). Artist unknown. Fig. 8 – Monkey striking his name from the Book of Life and Death (larger version). From Son Goku (1939).

5. Quest to overcome impermanence

Siddhartha is wracked by constant, obsessive thoughts on the dangers of old age, sickness, and death. After venturing out once more and witnessing poor farmers toiling away in the fields, he proclaims on the spot that he will find some way to oppose life’s suffering. At that exact moment, a deva affects the fourth sign by transforming into a monk (sk: bhikshu), who tells the prince:

Depressed and sad at [the] thought of age, disease, and death, I have left my home to seek some way of rescue, but everywhere I find old age, disease, and death, all (things) hasten to decay and there is no permanency; / ‘Therefore I search for the happiness of some thing that decays not, that never perishes, that never knows beginning, that looks with equal mind on enemy and friend, that heeds not wealth nor beauty, / ‘The happiness of one who finds repose alone in solitude, in some unfrequented dell, free from molestation, all thoughts about the world destroyed, dwelling in some lonely hermitage…’ (Beal, 1883, pp. 49-50).

This influences Siddhartha to forsake his royal life to become an ascetic and search for a means of escape from the evils of old age, sickness, and death. Cutting off his topknot, thus severing his royal ties, the future Buddha sets out into the world (Beal, 1883, p. 68). Siddhartha travels the land studying meditation (Sk: dhyana; Ch: chan, 禪) under various sages, pondering concepts of the body, the mind, the soul, and selfhood for years, and even practicing severe austerities that result in the emaciation of his body (fig. 9). But he eventually forsakes these extreme practices, recovering his bodily strength and vowing to achieve perfect enlightenment via meditation beneath a banyan tree (Beal, 1883, pp. 131-147).

When the Monkey King opines the injustice of impermanence, one of his advisors tells him that only three beings live beyond the reach of Yama:

There are, among the five major divisions of all living creatures, only three species that are not subject to Yama, King of the Underworld.” The Monkey King said, “Do you know who they are?” The monkey said, “They are the Buddhas, the immortals, and the holy sages [shensheng, 神聖]; these three alone can avoid the Wheel of Transmigration as well as the process of birth and destruction, and live as long as Heaven and Earth, the mountains and the streams.” “Where do they live?” asked the Monkey King. The monkey said, “They do not live beyond the world of the Jambudvipa, for they dwell within ancient caves on immortal mountains” (Wu & Yu, 2012, p. 107).  

Monkey then pledges to find these great men and women and learn their secret means of escape from Yama’s grasp:

“Tomorrow I shall take leave of you all and go down the mountain. Even if I have to wander with the clouds to the corners of the sea or journey to the distant edges of Heaven, I intend to find these three kinds of people. I will learn from them how to be young forever and escape the calamity inflicted by King Yama” (Wu & Yu, 2012, p. 107).

He sets sail in a makeshift raft and wonders the world for more than ten years, searching the towns and cities of the Jambudvipa continent before sailing to the Western Aparagodaniya continent. There, he is directed to the Cave of the Slanted Moon and Three Stars on the Mountain of Numinous Heart and Elixir Mind (Lingtai fangcun shan, xieyue sanxing dong, 靈台方寸山, 斜月三星洞), an immortal hermitage lorded over by the great Buddho-Daoist Sage Subodhi (Xuputi, 須菩提) (fig. 10). The sage accepts him as a student and gives him the religious name Sun Wukong (孫悟空), or “Monkey Awakened to the Void” (Wu & Yu, 2012, pp. 108-115).

Both tales show that Siddhartha and Monkey set out on their respective quests thanks to outside influences. The devas intervene numerous times to guide the future Buddha’s path to enlightenment, [2] proving that the heavenly realm has a vested interest in his fate. Wukong’s journey is instead influenced by the words of his mortal advisor. In this case, the gods have no interest in the fate of such “creatures from the world below” (Wu & Yu, 2012, p. 102). This of course changes once Monkey starts causing havoc throughout the cosmos.

Fig. 9 – A stone carving of the “Fasting Buddha” (Gandhara, 2nd- to 3rd-century BCE) (larger version). Fig. 10 – The Monkey King becomes Subhuti’s disciple (larger version). From Son Goku (1939).

6. Achieving a means of escape

The heavenly demon Mara (Mo, 魔) fears that Siddhartha will achieve enlightenment and help mankind break free from his domain, the illusionary world of Samsara, and so he leads a monstrous army against the great rishi. But the army is rendered powerless by Siddhartha’s supreme focus of mind and burgeoning grasp of reality (Beal, 1883, pp. 147-156). [3] Continuing his meditation further, the rishi perceives his myriad past lives, as well as the karmic punishment of those who covet or perform bad deeds, being tortured in hell or reborn into lower levels of existence, respectively. He then comprehends that suffering arises from clinging, clinging from desire, desire from sensation, sensation from contact, contact from the six senses, and the senses from consciousness. Finally, Siddhartha comes to the realization that breaking each link (e.g. cessation of clinging will end suffering) will stop old age, sickness, and death and ultimately destroy the endless chain of rebirths (Beal, 1883, pp. 156-163). Having achieved perfect enlightenment (fig. 11),

the Buddha then devised for the world’s benefit the eightfold path, right sight, and so on, the only true path for the world to tread. / Thus did he complete the end (destruction) of ‘self,’ as fire goes out for want of grass; thus he had done what he would have men do; he first had found the way of perfect knowledge; / He finished thus the first great lesson (paramartha); entering the great Rishi’s house, the darkness disappeared; light coming on, perfectly silent, all at rest, / He reached at last the exhaustless source of truth (dharma); lustrous with all wisdom the great Rishi sat, perfect in gifts, whilst one convulsive throe shook the wide earth (Beal, 1883, p. 163).

Journey to the West chapter two tells how Wukong serves as a junior monk for seven years before Subodhi takes him as a close disciple. One night, the sage recites him a poem full of flowery esoteric imagery revealing the secret to Daoist immortality and Buddhahood is the cultivation of chaste semen (jing, 精), breath (qi, 氣), and spiritual energy (shen, 神). The poem has a profound effect on Monkey, for the novel states: “At that moment, the very origin was disclosed to Wukong, whose mind became spiritualized as blessedness came to him” (Wu & Yu, 2012, p. 120). Following Subodhi’s instructions, Monkey performs breathing exercises after midnight (zi, 子) and before noon (wu, 午), resulting in immortality after three years of dedicated practice (fig. 12). [4] I should note that the book borrows from real Daoist practices but leaves much of the process up to the reader’s imagination. As I explain here, historical methods combined the aforementioned breathing exercises with the circulation of chaste semen and spiritual energy to create a spirit embryo (shengtai, 聖胎), or an immortal spirit that is eventually freed from the mortal shell. But in the case of the novel, Monkey’s practice results in an ageless, adamantine physical body, one capable of lifting even cosmic mountains.

Interestingly, the title of chapter two also refers to Monkey overcoming Mara. It reads: “Fully awoke to Bodhi’s wondrous truths / He cuts off Mara, returns to the root, and joins Primal Spirit” (Wu che puti zhen miao li / Duan Mo gui ben he yuanshen, 悟徹菩提真妙理 / 斷魔歸本合元神) (Wu & Yu, 2012, p. 116). The title freely associates Buddhist and Daoist concepts, such as Mara and the primal spirit. This synthesis is explained by Darga (2008):

Comparing the development of the embryo to the revelation of Buddhahood is typical of neidan texts of the Ming period. For instance, the Xingming guizhi (Principles of Balanced Cultivation of Inner Nature and Vital Force) uses Body of the Law (fashen 法身, dharmakāya) as a synonym for shengtai. The birth of the embryo represents the appearance of the original spirit (yuanshen 元神) or Buddhahood and is understood as enlightenment (p. 884).

The Buddha’s biography goes on for pages about deep philosophical concepts on the self, suffering, and reality, showing that the means of his liberation was of the utmost importance. By contrast, as noted above, Journey to the West leaves little space for Wukong’s method of immortality. In fact, the hard won moment that he breaks free of Yama’s grasp is not even mentioned in the novel! [5] So the author-compiler no doubt felt Monkey’s subsequent adventures were far more important. This is understandable considering that, in material as far back as the Song dynasty, Monkey is already an ancient immortal at the beginning of the story.

[Note: See the update below for a seventh parallel.]

Fig. 11 – Siddhartha achieves enlightenment and becomes the Buddha (larger version). Artist unknown. Fig. 12 – Wukong achieves immortality (larger version). Photomanipulation by the author.

A borrowed story?

So did the author-compiler (AC) of Journey to the West base Monkey’s early life on the Buddha’s story? The many similarities discussed above are very suggestive, but if only there was documented evidence of borrowing from other Buddhist personages. And that’s exactly what is found in chapter two. Shao (2006) explains that Wukong’s spiritual intelligence is based on the sixth Chan patriarch Huineng (惠能, 638-713):

[Monkey] sets the stage for a striking display of his unusually profound insight when he announces his intentions to become an immortal. This provokes Subhuti to issue him a challenge by refusing to teach him, for he is “some what different from other people.” Monkey may not realize that the master is trying to gauge his spiritual power, but he rises to the occasion with a genuine clarity of vision: “I have a round head pointing to Heaven, and square feet walking on Earth. Similarly, I have nine apertures and four limbs, entrails and cavities. In what way am I different from other people?”

[…]

[W]e may look to Huineng’s story from which Monkey garners meaning. No doubt, Monkey’s inspired cleverness is modeled on Huineng’s reply to Hongren, the fifth patriarch of Chinese Chan Buddhism, in Huineng’s Tanjing (The Platform Sutra). When Huineng announces his intentions to become a Buddha, Hongren pounces upon him with a poignant reminder that he is “from Lingnan,” a “barbarian,” and therefore cannot become a Buddha. Huineng refuses to be intimidated, however. He holds his own with an unparalleled depth of insight about Buddha-nature: There may be “northern and southern men,” but “the Buddha nature fundamentally has no north or south.” Surely Monkey’s phrasing, his unusual insightfulness, and the quickness and aplomb with which he rises to the challenge are reminiscent of Huineng… (pp. 719-720).

Therefore, if the AC borrowed from the life of Huineng, a Buddhist patriarch, then he certainly could have borrowed from the life of the Buddha. I suggest this was done to make Wukong’s early life more familiar to the reader. 

Conclusion

Despite the particulars of their stories being different, the Monkey King and the historical Buddha share six similarities. First, they experience a supernatural birth, both splitting open their mother in the same fashion as ancient Chinese sage-kings. Siddhartha emerges from the side of Queen Maya and Wukong forms from a stone egg birthed by a split rock. Second, they produce a radiant splendor upon their birth. Siddhartha’s body shines as he looks or walks to the four quarters, while beams shoot from Sun’s eyes as he bows to the four quarters. Third, they spend early years as royalty. The prince is born into the royal Shakya clan and Monkey achieves kinghood through a test of bravery. Fourth, they feel a sense of shock upon realizing the impermanence of life. Siddhartha is exposed to the evils of old age, sickness, and death via the “four signs” initiated by heaven. Wukong instead comprehends the fearsome hand of Yama through his observation of time. Fifth, they set out on a quest to find a means of escaping old age and death. The prince travels the land studying meditation and pondering concepts of the body, the mind, the soul, and selfhood. Monkey searches the world for over a decade before he is taken in by the Buddho-Daoist sage Subodhi. Sixth, they achieve their goal through spiritual practices. Siddhartha defeats Mara and achieves perfect enlightenment via intense meditation. Wukong breaks free from Yama/Mara and achieves immortality via Daoist elixir arts. And since the AC borrowed from the life of the Sixth Chan patriarch Huineng, he likely modeled the Monkey King’s early life on the Buddha to make his story more familiar.


Update: 06-12-22

I’ve noticed another parallel while reading two modern biographies of the Buddha. 

7. Student prodigies 

The Prince is said to have had a great aptitude for learning in his youth: “And now he was brought to learn the useful arts, when lo! once instructed (at one hearing) he surpassed his teachers” (Beal, 1883, p. 24). [6] Wukong has the same talent. When Subodhi teaches him the method for the 72 Transformations, he masters them very quickly:

[T]his Monkey King was someone who, knowing one thing, could understand a hundred! He immediately learned the oral formulas and, after working at them and practicing them himself, he mastered all seventy-two transformations (Wu & Yu, vol. 1, p. 122). 


Update: 06-18-22

I’ve written an article that lists a number of surprising parallels shared by Monkey and the Greco-Roman hero Heracles (see section 2).

Parallels Between Sun Wukong and Hercules

Notes:

1) See Cook and Luo (2017) chapter five for more examples of split-births.

2) Other than the “Four Signs”, another example of the devas intervening in Siddhartha’s life takes place shortly after he forsakes the extreme austerities that emaciate his body. He bathes in a holy river but can’t leave the water due to weakness from malnourishment. That’s when a deva pushes down a tree branch, allowing Siddhartha to pull himself to safety (Beal, 1883, p. 144).

3) For example, one passage reads: “Their flying spears, lances, and javelins, stuck fast in space, refusing to descend; the angry thunderdrops and mighty hail, with these, were changed into five-colour’d lotus flowers…” (Beal, 1883, p. 153).

4) The original source says “breathing exercises before the hour of Zi [子, midnight] and after the hour of Wu [午, noon]” (Wu & Yu, 2012, p. 121). However, this is likely a transcription error as Daoist sources cite the opposite, after midnight and before noon (Kohn, 2008, p. 84, for example). Therefore, I have corrected the information.

5) The moment that Monkey achieves immortality is only alluded to in passing:

Suddenly he [Subodhi] asked, “Where’s Wukong?” Wukong drew near and knelt down. “Your pupil’s here,” he said. “What sort of art have you been practicing lately?” the Patriarch asked. “Recently,” Wukong said, “your pupil has begun to apprehend the nature of all things and my foundational knowledge has become firmly established.” “If you have penetrated to the dharma nature to apprehend the origin,” said the Patriarch, “you have, in fact, entered into the divine substance” (Wu & Yu, 2012, p. 121).

6) Nakamura (2000) offers an extremely wordy translation of the above sentence: “When he had passed beyond childhood, he in due time received the initiation ceremony. He mastered in only a few days the various sciences suitable to his standing that [ordinary people] took many years to learn” (p. 90).

Sources:

Beal, S. (Trans.). (1883). The Fo-sho-hing-tsan-king: A Life of Buddha by Asvaghosha Bodhisattva. Oxford: Clarendon Press. Retrieved from https://archive.org/details/foshohingtsankin00asva/mode/2up

Birrell, A. (1999). Chinese Mythology: An introduction. Baltimore: The Johns Hopkins University Press.

Buswell, R. E., & Lopez, D. S. (2014). The Princeton Dictionary of Buddhism. Princeton, NJ: Princeton University Press.

Cook, C. A., & Luo, X. (2017). Birth in Ancient China: A Study of Metaphor and Cultural Identity in Pre-Imperial China. Albany: State University of New York Press.

Cowell, E. B. (Ed.) (1895). The Jātaka, or stories of the Buddhas former births: Vol. 3. Cambridge: Cambridge University Press. Retrieved from https://archive.org/details/cu31924072231073/page/n249/mode/2up

Darga, M. (2008) Shengtai. In F. Pregadio (Ed.), The Encyclopedia of Taoism: Vol 1-2 (pp. 883-884). Longdon: Routledge.

Kohn, L. (2008). Chinese Healing Exercises: The Tradition of Daoyin. Honolulu: University of Hawaiʻi Press.

Nakamura, H. (2000). Gotama Buddha: A Biography Based on the Most Reliable Texts (G. Sekimori, Trans.) (Vols. 1-2). Tokyo: Kosei Publishing Co.

Shao, P. (2006). Huineng, Subhūti, and Monkey’s Religion in “Xiyou ji”The Journal of Asian Studies, 65(4), 713-740. Retrieved from www.jstor.org/stable/25076127.

Thanissaro Bhikkhu (n.d.). Affirming the Truths of the Heart: The Buddhist Teachings on Samvega & Pasada. Retrieved from https://www.dhammatalks.org/books/NobleStrategy/Section0004.html.

Wu, C., & Yu, A. C. (2012). The Journey to the West (Vol. 1). Chicago, Illinois: University of Chicago Press.

Xuanzang (2016). The Great Tang Dynasty Record of the Western Regions (2nd ed., R. Li, trans.). California: BDK AMerica, Inc. (Original work published 1996)

Archive #10 – The Magic White Ape of the Tang Dynasty

Last updated: 12-10-2021

The brief Tang-era tale “A Supplement to Jiang Zong’s Biography of a White Ape” (Bu Jiang Zong Baiyuan Zhuan, 補江總白猿傳, c. late 7th-century) tells how the beautiful young wife of General Ouyang He (歐陽紇, 538–570) is kidnapped by a seemingly invisible force while he is engaged in conquering minority groups of the south lands. The general and his men scour the surrounding area for hundreds of miles before discovering a mountain where she and other women are being kept by a magic white ape (baiyuan, 白猿) (fig. 1). The captives caution that his soldiers are no match for the powerful primate, and so the ladies devise a plan to get him drunk and incapacitate him long enough for a killing blow to be dealt. With their help, the general manages to fall the beast with a well-placed sword strike below the navel, his only weak spot. Before dying, the ape reveals the general’s wife is pregnant and begs him not to kill the child. Ouyang subsequently returns to the north with his wife, the other women, and the monster’s priceless treasures. The tale ends with the birth of an unnamed son a year later.

White Ape and General's Wife - small

Fig. 1 – A modern drawing of the white ape and General Ouyang He’s wife by Japanese artist Natsuki Sumeragi (皇名月) (larger version). Original image found here. The silken ropes around his wrists refer to those intertwined with hemp and triple-tied to ensure that he can’t break free in the story. 

I. Historical background

Chen (1998) explains the original Biography of a White Ape story, purportedly supplemented by the above tale, [1] never existed. The Supplement is actually a standalone piece anonymously published to slander the historical scholar Ouyang Xun (歐陽詢, 557–641), who was known for his legendary monkey-like ugliness and almost supernatural intellect. The tale implies that he was the unnatural offspring of the general’s wife and the magic white ape (p. 76-79).

These mischievous simian spirits are known for kidnapping young maidens in tales from the Han to the Song (fig. 2). The mythical creature is based on the Gibbon (fig. 3), a small, long-armed, arboreal ape present in East and Southeast Asia (see Gulik, 1967).

Han-era Stone tomb rubbing showing a white ape - small

Fig. 2 – A Han-era stone tomb rubbing showing a sword-wielding hero striking at a fleeing white ape (center). A woman can be seen held captive in a teardrop-shaped cave (left). The hero is followed by an assistant beating a gong (right) (larger version). From Wu, 1987, p. 88. Fig. 3 – A woodblock print of a “white ape” or Gibbon from a Ming version of the Shanhai Jing (larger version).

II. Parallels with Sun Wukong

The story’s unnamed primate antagonist shares many surprising similarities with Sun Wukong. Both:

  1. Are supernatural primates possessed of human speech.
  2. Are one thousand-year-old practitioners of longevity arts.
  3. Are masters of Daoist magic with the ability to fly and change their appearance.
  4. Are warriors capable of single-handedly defeating an army.
  5. Have a fondness for armed martial arts.
  6. Have an iron-hard, nigh-invulnerable body immune to most efforts to harm them.
  7. Have eyes that flash like lightning.
  8. Live in verdant mountain paradises (like Flower Fruit Mountain).
  9. Reside in caves with stone furniture (like the Water Curtain Cave).

The character and his home appear to be an early model for the Monkey King, his abilities, and Flower Fruit Mountain.

III. Translation

Chen (1998) provides a complete translation of the brief tale, along with an informative translator’s introduction. The following PDF was put together from smartphone photos as I don’t currently have access to a scanner.

https://journeytothewestresearch.com/wp-content/uploads/2019/05/a-supplement-to-jiang-zongs-biography-of-a-white-ape-english-translation.pdf

IV. Analysis

Chen (2003/2004) followed up his translation with a detailed analysis of the story. The PDF was located freely on the internet.

https://journeytothewestresearch.com/wp-content/uploads/2019/05/revisiting-the-yingshe-mode-of-representation-in-jiang-zongs-biography-of-a-white-ape.pdf

Disclaimer

These papers have been posted for educational purposes. No malicious copyright infringement is intended. Please support the official release.


Update: 12-10-21

I’ve just posted a piece about a folk Taoist white ape god, which is connected to the tradition presented in this article.

The White Ape Perfected Man: Sun Wukong’s Divine Double

Notes

1) A supplement (bu, 補) is an addendum to an existing body of work, sort of like modern fan fiction. See, for example, A Supplement to the Journey to the West (1640).

Sources

Chen, J. (1998). A supplement to Jiang Zong’s biography of a white ape. Renditions, 49, pp. 76-85.

Chen, J. (2003/2004). Revisiting the yingshe mode of representation in “Supplement to Jiang Zong’s biography of a white ape”. Oriens Extremus, 44, pp. 155-178.

Gulik, R. H. (1967). The gibbon in China: An essay in Chinese animal lore. Leiden: Brill.

Wu, H. (1987). The earliest pictorial representations of ape tales: An interdisciplinary study of early Chinese narrative art and literature. T’oung Pao LXXIII, pp. 86-112.

Flower Fruit Mountain as the Center of the Universe

Did you know that Journey to the West (Xiyouji, 西遊記, 1592) presents Flower Fruit Mountain as the center of the universe? Chapter one describes the mountain in a poem, the end of which reads:

[…]
This is indeed the pillar of Heaven, where a hundred rivers meet—
The Earth’s great axis, in ten thousand kalpas unchanged (Wu & Yu, 2012, p. 101).

正是百川會處擎天柱,萬劫無移大地根。

Eliade (1959) notes that “communication [between heaven, earth, and the underworld in world religions] is sometimes expressed through the image of a universal pillar, axis mundi, which at once connects and supports heaven and earth” (p. 36).

Why is this important? Because the novel describes how Monkey was born from a stone that “had been nourished for a long period by the seeds of heaven and earth and by the essences of the sun and moon” (Wu & Yu, 2012, p. 101). As a pillar of heaven, the height of Flower Fruit Mountain positions the boulder where heaven meets earth, allowing there to be a passage of energies between the two plains of existence through the stone, like electricity through a fuse. This might explain why Sun is so powerful.


Fig. 1- A complex diagram of Mount Sumeru and the associated heavens above and hells below it. If this portrayed Flower Fruit Mountain, Sun Wukong’s boulder would have been located where the summit meets the first heaven (larger version).

As I explain here, the author of Journey to the West supplanted traditional Buddhist geography by placing China in the Southern Jambudvipa Continent and moving India to Western Godinyia. So by making Flower Fruit Mountain the axis mundi, it supplants Mount Sumeru as the center of the cosmos (fig. 1). Admittedly, there is a discrepancy between the literary narrative and the religious cosmology since the book states Flower Fruit Mountain is located “at the border of the small Aolai Country [傲來國], which lies to the east of the East Purvavideha Continent [東勝神洲]” (Wu & Yu, 2012, p. 102). By definition, the mountain can’t be in the center of the world if it’s located to the east of the easternmost continent.

But discrepancies are bound to arise when you tell and augment a story cycle for hundreds of years. Flower Fruit Mountain is mentioned in the 13th-century precursor to the Journey to the West titled The Story of How the Monk Tripitaka of the Great Country of T’ang Brought Back the Sūtras (see Wivell, 1994).

Sources:

Eliade, M. (1959). The Sacred and the Profane: The Nature of Religion (W. R. Trask, Trans.). New York: Harcourt, Brace & World.

Wivell, C.S. (1994). The Story of How the Monk Tripitaka of the Great Country of T’ang Brought Back the Sūtras. In V. Mair (Ed.), The Columbia Anthology of Traditional Chinese Literature (pp. 1181-1207). New York: Columbia University Press.

Wu, C., & Yu, A. C. (2012). The Journey to the West (Vol. 1). Chicago, Illinois: University of Chicago Press.

The Mountain of Flowers and Fruit and the Cosmic Geography of Journey to the West

Note: This page used to have historical information about the origin of Monkey’s first master, but I have moved it to a new article.

Last updated: 03-07-2023

The Monkey King’s home, the “Mountain of Flowers and Fruit” or “Flower-Fruit Mountain” (Huaguo shan, 花果山), is commonly assumed to be located in China. In fact, a mountain with the same name in Jiangsu province is even touted as the home of Sun Wukong. However, this is not the case within the novel’s narrative. It’s important to remember that Journey to the West (Xiyouji, 西遊記, 1592) is set in a world that is nothing like our Earth.

In this article, I will explain the location of the Mountain of Flowers and Fruit, showing that Sun Wukong’s home is in fact an island east of what would be considered China. This opens the door to interesting interpretations by those wanting to place the story within a real world context. Second, I will explain the ancient Buddhist disc world system as presented in the book. My hope is that this will give readers a better understanding of the cosmic geography in which the story happens. 

1. Religious background

Note: I will alternate between Wu & Jenner (2020) and Wu & Yu (2012), using one or the other depending on who I think has done a better job of translating certain passages.

Chapter one opens by describing the world in which the story is set:

The world was then divided into four great continents: The Eastern Continent of Superior Body, the Western Continent of Cattle-Gift, the Southern Continent of Jambu and the Northern Continent of Kuru (Wu & Jenner, 1993/2020, vol. 1, p. 3).

… 世界之間,遂分為四大部洲:曰東勝神洲,曰西牛賀洲,曰南贍部洲,曰北俱蘆洲。

Yu’s (Wu & Yu, 2012) translation provides romanization of the Sanskrit names (vol. 1, p. 100). I’ve listed them below, along with the original Sanskrit, an alternative English translation, and the Chinese for the reader’s reference:

  • East Pūrvavideha (Sk: पूर्वविदेह, “Surpassing the Body”; Ch: Dong shengshen zhou, 東勝神洲)
  • West Aparagodānīya (Sk: अपरगोदानीय, “Enjoyer of Cattle”; Ch: Xi niuhe zhou, 西牛賀洲)
  • North Uttarakuru (Sk: उत्तरकुरु, “Unpleasant Sound”; Ch: Bei julu zhou, 北俱盧洲)
  • South Jambudvīpa (Sk: जम्बुद्वीप, “Rose-Apple”; Ch: Nan shanbu zhou, 南贍部洲)

The Abhidharmakośa (Sk: अभिधर्मकोशभास्य; Ch: Api damo jushe lun, 阿毗達磨俱舍論, 4th to 5th-century), a text describing the Buddhist universe, states that the four continents each have two intermediate continents, and that all twelve are set afloat in a great ocean surrounding the four respective sides of Mt. Sumeru (Ximi shan, 須彌山; Miaogao shan, 妙高山). This is a giant mountain that serves as the axis mundi of the cosmos, as well as the abode of assorted gods and sages. It is surrounded by seven golden mountains of lesser height, as well as a final iron mountain around the outside rim of the ocean, which keeps the water from draining over the edge (fig. 1 & 2) (Vasubandhu, La Vallée-Poussin, & Pruden, 1991, pp. 452-456).

This system is supported by a series of elemental discs, each one becoming larger as one descends. The highest is kāñcanamaṇḍala, a disc of gold. The middle is jalamaṇḍala, a disc of water. And the lowest is vāyumaṇḍala, a disc of wind (fig. 3). This grand creation is thought to float in “space” (Vasubandhu, La Vallée-Poussin, & Pruden, 1991, pp. 451-452). 

Fig. 1 (top) – A top view of the Buddhist disc world system (larger version). Fig. 2 (middle) – A side view of the system (larger version). Images from Buswell & Lopez, 2014, pp. xxxii-xxxi. Fig. 3 (bottom) – A diagram showing the elemental discs supporting the world (larger version). Take note of the “wind circle” (light blue), the “water circle” (dark blue), and the “Golden earth layer” (gold). Adapted from Sadakata, 1997, p. 27.

2. Location of the Mountain

Chapter one continues:

Beyond the seas there is a country called Aolai [Aolai guo, 傲來國]. This country is next to an ocean, and in the middle of the ocean is a famous island called the Mountain of Flowers and Fruit. This mountain is the ancestral artery of the Ten Continents, the origin of the Three Islands; [1] it was formed when the clear and impure were separated and the Enormous Vagueness was divided (Wu & Jenner, 1993/2020, vol. 1, p. 3; cf. Wu & Yu, 2012, vol. 1, p. 100). 

海外有一國土,名曰傲來國。國近大海,海中有一座名山,喚為花果山。此山乃十洲之祖脈,三島之來龍,自開清濁而立,鴻濛判後而成。

Two deities shortly thereafter give a more precise location for the Mountain of Flowers and Fruit:

“We found that at the edge of the country of Aolai, which is east of the ocean belonging to the Eastern Continent of Superior Body, there is an island called the Mountain of Flowers and Fruit …” (Wu & Jenner, 1993/2020, vol. 1, p. 3; cf. Wu & Yu, 2012, vol. 1, p. 102). 

乃東勝神洲海東傲來小國之界,有一座花果山

Later, in chapter three, Sun Wukong’s advisors note the distance between Aolai and their island home:

The four monkeys replied, “East of our mountain, across two hundred [li] of water, is the boundary of the Aolai Country (Wu & Yu, 2012, vol. 1, p. 131; c.f. Wu & Jenner, 1993/2020, vol. 1, p. 50).

四猴道:「我們這山向東去,有二百里水面,那廂乃傲來國界。

All of this information tells us that the mountain is an island located 200 li (62 miles / 100 km) east of Eastern Superior Body (East Pūrvavideha).

3. The Novel’s Version of the Buddhist Disc World System

Buddhism traditionally associates Southern Jambu (South Jambudvīpa) with India (Buswell & Lopez, 2014, p. 377), but the novel shifts this structure a quarter turn clockwise (fig. 4). For example, in chapter eight, the Buddha associates his home (India) with the western continent and the southern continent with the “eastern lands” (dongtu, 東土), the Chinese Buddhist term for China (Tan, 1998, p. 137):

“… Our Western Continent of Cattle-Gift has people who neither covet nor kill. They nourish the vital essence and submerge the spirit; and although they produce no saints of the highest order, they all live to a ripe old age. But in the Southern Jambu Continent they are greedy and lecherous and delight in the sufferings of others; they go in for a great deal of killing and quarrelling. That continent can with truth be called a vicious field of tongues and mouths, an evil sea of disputation. [But I have] Three Stores of True Scriptures with which they can be persuaded to be good” (Wu & Jenner, 1993/2020, vol.1, p. 165; cf. Wu & Yu, 2012, vol. 1, pp. 205).

我西牛賀洲者,不貪不殺,養氣潛靈,雖無上真,人人固壽;但那南贍部洲者,貪淫樂禍,多殺多爭,正所謂口舌兇場,是非惡海。我今有三藏真經,可以勸人為善。

[…]

“I want to send them to the eastern lands because it is intolerable that the beings of that quarter should all be such stupid wretches who slander and defame the true word, do not understand the gist of my Law, and have lapsed from the orthodox Yogacara Sect…” (Wu & Jenner, 1993/2020, vol.1, p. 165; cf. Wu & Yu, 2012, vol. 1, pp. 205).

我待要送上東土,叵耐那方眾生愚蠢,毀謗真言,不識我法門之旨要,怠慢了瑜迦之正宗。

Additional evidence comes from chapter 29 when the chosen scripture pilgrim‘s travel rescript is reproduced. The opening line expressly connects China with the southern continent by way of the Chinese Tang dynasty

The travel rescript of the Tang Son of Heaven, who succeeds under the guidance of Heaven to the throne of the Great Tang Empire in the South Jambudvīpa Continent. … (Wu & Yu, 2012, vol. 2, p. 48; cf. Wu & Jenner, 1993/2020, vol. 2, p. 661).

南贍部洲大唐國奉天承運唐天子牒行

This means that when Sun first sails to Southern Jambu (South Jambudvīpa) to find a means of escaping death (Wu & Jenner, 1993/2020, vol.1, p. 16; cf. Wu & Yu, 2012, vol. 1, p. 108), he travels to the novel’s version of China. This further solidifies the fact that the Mountain of Flowers and Fruit is not located in China.

Fig. 4 – A top view of the Buddhist disc world system according to Journey to the West (larger version). The Mountain of Flowers and Fruit would be to the east of Eastern Superior Body (East Pūrvavideha). Adapted from Buswell & Lopez, 2014, p. xxxii.

4. Reason for the Change

I suggest that the author-compiler of Journey to the West replaced the traditional cosmic geography for two reasons. First, both China and (part of) ancient India were referred to as the “Middle Kingdom” (Ch: Zhongguo, 中國; Sk: Madhyadeśa, मध्यदेश) (Wilkinson, 2000, p. 132; Lamotte, 1988, pp. 8-9). For example, the travelogue of the noted 4th to 5th-century Chinese Buddhist monk Faxian (法顯) reads:

Central India is known as the “Middle Kingdom” [Zhongguo, 中國]. The food and clothing of the common people are the same as the “Middle Kingdom” [i.e. China].

所謂中國人衣服飲食亦與中國同

This would naturally make it easier to associate China with Southern Jambu (South Jambudvīpa).

Second, since India is west of China, it would make sense for the country to be associated with Western Cattle-Gift (West Aparagodānīya).


Update: 10-01-17

A poem in chapter one states that the Mountain of Flowers and Fruit is the center of the universe. This obviously conflicts with Mt. Sumeru being the axis mundi.

Flower Fruit Mountain as the Center of the Universe


Update: 02-06-23

I have drastically rewritten the article to include more detailed information about the Buddhist disc world system. I would also like to add material here from a previous article since it is related to the novel’s changes to the pre-existing structure.

Originally, the top of Mt. Sumeru supported the Buddhist heaven of the “Thirty-Three (Gods)” (Sk: Trāyastriṃśa, त्रायस्त्रिंश; Ch: Sanshisan tian, 三十三天; Daoli tian, 忉利天) (fig. 5), which is ruled by Śakra (Sk: शक्र; Ch: Dishi, 帝釋), king of the gods (Buswell & Lopez, 2014, pp. 921-922). However, the novel replaces this realm with the Daoist heaven, which is ruled by the Jade Emperor (Yuhuang shang/dadi, 玉皇上/大帝) (Clart, 2008, pp. 1197-1198). This is hinted at in chapter four when Monkey is invited to serve as the keeper of the heavenly horses. Part of a poem describing what he sees reads:

[…]
In this heaven are thirty-three heavenly palaces (emphasis added):
The Palace of Clouds Dispersed, the Vaisravana Palace, the [P]alace of Five Lores, the Sun Palace, the Palace of Flowery Bliss
[…] (Wu & Jenner, 1993/2020, p. 73; cf. Wu & Yu, 2012, vol. 1, p. 146).

這天上有三十三座天宮,乃遣雲宮、毘沙宮、五明宮、太陽宮、花樂宮 …

The “thirty-three” palaces are references to the homes of the thirty three gods. This change is therefore a prime example of the kind of Buddho-Daoist religious syncretism featured in Journey to the West.

Fig. 5 – The Heaven of the Thirty-Three atop Mt. Sumeru is indicated in red (larger version). Adapted from Buswell & Lopez, 2014, p. xxxii.


Update: 02-08-23

Despite the four Buddhist disc world continents appearing in the story, Journey to the West hints that its world is a globe. For instance, when the Monkey King first sets out from his home in chapter one, he sails SE to reach the NW side of Southern Jambu (South Jambudvīpa):

He had chosen just the right time for his journey. After he boarded his raft the southeasterly wind blew hard for days on end and bore him to the northwestern shore of the southern continent (Wu & Jenner, 2020, vol.1, p. 16; cf. Wu & Yu, 2012, vol. 1, p. 108).

也是他運至時來,自登木栰之後,連日東南風緊,將他送到西北岸前,乃是南贍部洲地界。

I thought maybe SE and NW were typos since heading SW would have taken him to the NE shore of the southern continent (refer back to fig. 4). However, in chapter two, Sun tells his children:

“The year I left you all,” Wukong said, “I drifted with the waves across the Great Eastern Ocean and reached the West Aparagodānīya Continent. I then arrived at the South Jambudvīpa Continent, where I learned human ways, wearing this garment and these shoes. I swaggered along with the clouds for eight or nine years, but I had yet to learn the Great Art. I then crossed the Great Western Ocean and reached the West Aparagodānīya Continent (Wu & Yu, 2012, vol. 1, p. 129; cf. Wu & Jenner, 1993/2020, p. 47).

我當年別汝等,隨波逐流,飄過東洋大海,到西牛賀洲地界,徑至南贍部洲,學成人像,著此衣,穿此履,擺擺搖搖,雲遊了八九年餘,更不曾有道。又渡西洋大海,到西牛賀洲地界

So it appears that he sailed from the Mountain of Flowers and Fruit to Western Cattle-Gift (West Aparagodānīya), similar to traveling from Japan in the East to the United States in the West. Then, he sailed from there to Southern Jambu (South Jambudvīpa), similar to traveling from the US to Africa. Lastly, he sailed back to Western Cattle-Gift (West Aparagodānīya). This might mean that the world of Journey to the West is a combination of a spherical planet and the Buddhist disc world system.

If true, I suggest that the nonsensical, roundabout way that Monkey comes to study with Subodhi in the western continent could be a physical representation of his unsettled “monkey mind” (xinyuan, 心猿).

However, it’s important to point out that even Yu (Wu & Yu, 2012) considers the aforementioned route to be “[a]n inconsistency in the text” (vol. 1, p. 509, n. 17). So, I’ll leave it up to the reader as to which version of the world they ultimately want to accept.


Update: 02-09-23

I found a lovely overhead Chinese map of the Buddhist disc world system (fig. 6). The teeth-like structures around the perimeter are actually the iron mountain that contains the ocean. Also Mt. Sumeru in the center is topped by a building representing the Buddhist heaven of the “Thirty-Three (Gods)” (Ch: Daoli tian, 忉利天) (refer back to fig. 5).

Fig. 6 – An early-20th-century Chinese map of the Buddhist disc world system (larger version). Image found on Wikimedia Commons.


Update: 02-11-23

I have posted an article that discusses the Buddha’s realm in Western Cattle-Gift (West Aparagodānīya).

The Buddha’s Vulture Peak and Journey to the West


Update: 03-07-23

In my 02-06-23 update, I noted how the “thirty-three mansions” alluded to the Buddhist heaven of the thirty-three gods (sanshisan tian, 三十三天), thereby showing that the Daoist heaven was inserted into the Buddhist cosmological structure. Well, I had completely forgotten that the novel overtly mentions this heaven numerous times. This is important in regards to the location of Laozi‘s (老子) residence. 

Journey to the West states that the deva and his alchemical furnace are located in the “Tushita Palace” (Doushuai gong兜率宮), which is said to be either in the “Separation’s Regret Heaven” (Lihen tian離恨天) or the “Great Canopy Heaven” (Daluo tian, 大羅天). Both are treated as the highest of the thirty-three heavens. For more information, see my article: 

Laozi’s Realm in Journey to the West

Note:

1) Yu (Wu & Yu, 2012) explains, “These islets and islands were famous abodes of gods or immortals” (vol. 1, p. 506, n. 6).

Sources:

Buswell, R. E. , & Lopez, D. S. (2014). The Princeton Dictionary of Buddhism. Princeton University Press.

Clart, P. (2008). Yuhuang. In F. Pregadio (Ed.), The Encyclopedia of Taoism (Vols. 1 & 2) (pp. 1197-1198). Longdon: Routledge.

Lamotte, E. (1988). History of Indian Buddhism: From the Origins to the Saka Era (S. Webb-Boin, Trans.). Louvain-la-Neuve: Université Catholique de Louvain Institut Orientaliste.

Tan, C. (1998). A Sino-Indian Perspective for India-China Understanding. In C. Tan (Ed.), Across the Himalayan Gap: An Indian Quest for Understanding China (pp. 133-147). New Delhi: Indira Gandhi National Centre for the Arts.

Vasubandhu, La Vallée-Poussin, L., & Pruden, L. M. (1991). Abhidharmakośabhāṣyam of Vasubandhu (Vol. 2). Berkeley, Calif.: Asian Humanities Press.

Wilkinson, E. P. (2000). Chinese History: A Manual (Rev. and Enl). Published by the Harvard University Asia Center for the Harvard-Yenching Institute : Distributed by Harvard University Press.

Wu, C. & Jenner, W. J. F. (2020). Journey to the West (Vols. 1-4). Beijing: Foreign Languages Press. (Original work published 1993)

Wu, C., & Yu, A. C. (2012). The Journey to the West (Vols. 1-4) (Rev. ed.). Chicago, Illinois: University of Chicago Press.