Why was Sun Wukong Able to Live 342 Years Prior to his Immortality?

Last updated: 10-26-2024

Someone on reddit recently asked why Sun Wukong was able to live just shy of 400 years before even attaining immortality. I thought this was a good question, so I decided to split off related material from an old piece that I never finished and make a quick article. The short answer is tied to Daoist concepts of fate, and the long answer ultimately explains why Monkey strikes his name from the ledger of life and death in hell.

I. Info from the novel

Here, I would like to quote two early sections from Journey to the West (Xiyouji西遊記, 1592) that refer to Sun Wukong’s age. The first appears in chapter one after he becomes monarch of the primates:

The Handsome Monkey King thus led a flock of gibbons, macaques, and horse-monkeys, some of whom were appointed by him as his ministers, aides, and envoys. They toured the Flower-Fruit Mountain in the morning, and they lived in the Water-Curtain Cave by night. Living in concord and sympathy, they did not mingle with bird or beast but enjoyed their independence in perfect happiness. For such were their activities:

In the spring they gathered flowers for food and drink.
In the summer they went in quest of fruits for sustenance.
In the autumn they amassed taros and chestnuts to ward off time.
In the winter they searched for yellow-sperms to live out the year.

The Handsome Monkey King had enjoyed this insouciant existence for three to five hundred years (emphasis added) when one day, while feasting with the rest of the monkeys, he suddenly grew sad and shed a few tears (based on Wu & Yu, 2012, p. 106).

美猴王領一群猿猴、獼猴、馬猴等,分派了君臣佐使。朝遊花果山,暮宿水簾洞,合契同情,不入飛鳥之叢,不從走獸之類,獨自為王,不勝歡樂。是以:

春採百花為飲食,夏尋諸果作生涯。
秋收芋栗延時節,冬覓黃精度歲華。

美猴王享樂天真,何期有三五百載。一日,與群猴喜宴之間,忽然憂惱,墮下淚來。

And the second appears in chapter three after Monkey is dragged to hell. He bullies underworld officials into giving him his ledger of life and death, in which he learns his exact age and fate:

You see, though this monkey resembled a human being [i.e. his body], he was not listed under the names of men; though he resembled the short-haired creatures [i.e. his fur], he did not dwell in their kingdoms; though he resembled other animals, he was not subject to the unicorn; and though he resembled flying creatures [i.e. his beak-like, protruding face], he was not governed by the phoenix. He had, therefore, a separate ledger, which Wukong examined himself. Under the heading “Soul1350” he found the name Sun Wukong recorded, with the description: “Heaven-born Stone Monkey. Age: three hundred and forty-two years. A good end” (emphasis added) (Wu & Yu, 2012, p. 140).

又看到猴屬之類,原來這猴似人相,不入人名;似臝蟲,不居國界;似走獸,不伏麒麟管;似飛禽,不受鳳凰轄。另有個簿子,悟空親自檢閱,直到那「魂」字一千三百五十號上,方注著孫悟空名字,乃「天產石猴,該壽三百四十二歲,善終」

So why then was he able to live so long?

I. Religious background

The answer lies in the concept of “pre-allotted lifespans” (ming, 命; a.k.a. “fate”) (fig. 1), which can be traced to weft texts [1] and Grand Purity (Taiqing, 太清) scriptures of the Han dynasty (3rd-c. BCE to 3rd-c. CE). According to 1st to 3rd-century CE commentators, a person’s lifespan and good or bad fortune in life were determined according to whatever combination of “heavenly pneumas” (tianqi, 天氣) and “astral essences” (xingjing, 星精) that they were born under, meaning one’s fate was not handpicked by heaven (Campany, 2005, pp. 131-134). This allotted lifespan was not set in stone, however, for it was subject to subtractions and additions based on one’s bad or good deeds. The deity in charge of this tally system was called the “Director of Allotted Life Spans” (Siming, 司命), and, unlike the underworld officials who provided Monkey with his ledger, he was said to reside in heaven where he regularly received reports on individual human sins by the tutelary Stove god (Zaoshen, 竈神) on the first, fifteenth, and last day of every month. Additionally, he received reports from the three corpses/worms (sanshi, 三尸) inhabiting a person’s body. [2] The more a person sinned, the more points (time) was subtracted, anywhere from almost a year for major offences to just three days for minor offences. Doing good deeds or cheating the system were the only ways to live out the entirety of the allotted lifespan (Campany & Ge, 2002, pp. 47-52).

Evolution of the character ming () (larger version). Image found here.

Ways of “living off the books” included magically disguising clothing or a sword as a body (fig. 2), ritually bribing the gods of life and death with a golden statue to be used as a substitute body, or inserting a fake death certificate into the coffin of a recently deceased grandfather. These methods essentially tricked heaven into thinking that the person had died (Campany, 2005, pp. 134-138; Campany & Ge, 2002, pp. 60). The use of longevity-bestowing elixirs was considered the only true way of breaking free of the allotted lifespan and achieving immortality. Interestingly, the Han-era Scripture on the Elixirs of the Nine Tripods (Jiuding danjing, 九鼎丹經) describes how taking a fired concoction of cinnabar, vinegar, and lacquer for a thousand days straight would result in the “Director of Allotted Life Spans expung[ing] your name from the registers of death, so that you will end only when Heaven and Earth do” (Campany & Ge, 2002, pp. 52).

Fig. 2 – A type of Chinese jian (劍) sword that might be magically disguised to look like a decoy body (larger version). Image found here.

Therefore, we can see that Wukong’s allotted lifespan was 342 years and his birth fell under fortunate cosmic circumstances, for he was born onto an island paradise, served as the king of monkeys, and was destined to have a “good end” (shan zhong, 善終). Monkey had already achieved immortality via Daoist practices prior to being dragged to hell, so he had no need for cheating the system in order to live out the rest of his allotted lifespan. Nor did he need to take an elixir. He was simply so powerful that he could strike his name from the ledgers by force, thereby freeing himself from heaven’s control.

As for the significance of 342, Irwen Wong over at the Journey to the West Library blog has pointed out to me that the numbers add up to nine (3+4+2 = 9), which is an important digit in religious numerology. However, he also suggests that 342 could just be a random number chosen by the author-compiler.


Update: 10-15-24

I was reminded that the max level in the hit video game Black Myth: Wukong (2024) is 342, an obvious reference to Monkey’s lifespan.


Update: 10-26-24

Someone on reddit disagreed with me regarding allotted lifespans. Instead, they suggested that Sun Wukong somehow naturally performs the Daoist breathing exercises that would eventually lead to his immortality, as in he lengthened his life via cultivation practices just like Monkey deduces the 270-year-old Buddhist abbot, “Elder of the Golden Pool” (Jinchi changlao金池長老), did in chapter 17 (Wu & Yu, 2012, vol. 1, p. 356). But this explanation ignores two elements from the novel. One, as mentioned above, the Great Sage’s allotted lifespan of 342 years is clearly recorded in the ledgers of life and death. This is beyond dispute. And two, the book presents cultivated longevity as a crime against heaven. For example, when Sun achieves immortality, the Patriarch Subodhi gives him a warning:

“What you have learned,” said the Patriarch, “is no ordinary magic: you have stolen the creative powers of Heaven and Earth and invaded the dark mysteries of the sun and moon. Your success in perfecting the elixir is something that the gods and the demons cannot countenance. Though your appearance will be preserved and your age lengthened, [heaven will send the three calamities to destroy you]” (Wu & Yu, 2012, vol. 1, p. 121).

祖師道:「此乃非常之道:奪天地之造化,侵日月之玄機;丹成之後,鬼神難容。雖駐顏益壽,但到了五百年後,天降雷災打你,須要見性明心,預先躲避。躲得過,壽與天齊;躲不過,就此絕命。再五百年後,天降火災燒你。這火不是天火,亦不是凡火,喚做『陰火』。自本身湧泉穴下燒起,直透泥垣宮,五臟成灰,四肢皆朽,把千年苦行,俱為虛幻。再五百年,又降風災吹你。這風不是東南西北風,不是和薰金朔風,亦不是花柳松竹風,喚做『贔風』。自顖門中吹入六腑,過丹田,穿九竅,骨肉消疏,其身自解。所以都要躲過。」

The aforementioned calamities are elemental attacks of divine lightening, fire, and wind that are respectively sent every 500 years to kill cultivators for defying their fated age and attaining immortality (Wu & Yu, 2012, vol. 1, pp. 121-122).

This negative view of immortality also extends to the cultivation practices that produce it. Campany (1985) explains that demons are evil in the novel because they try to bypass the natural cosmic hierarchy by using spiritual practices to encapsulate the universe within themselves, while the pilgrims follow the “correct” path by submitting to Buddhism and building Buddhist merit in place of the selfish quest for immortality (pp. 112-113). This is perfectly summed up by the Great Sage’s story trajectory. He was considered a monster until he reformed and became Tripitaka’s disciple.

Having said that, I would like to return to the Golden Pool Elder. It’s important to remember that he learned his life-prolonging techniques from a nearby spirit, and that he was, as Monkey puts it, also a member of the fiend’s “monster’s gang” (yaojing jiedang, 妖精結黨) (Wu & Yu, 2012, vol. 1, p. 356). And when you take into account his willingness to set his own monastery on fire just to murder Tripitaka and attain the monk’s heaven-sent robe (Wu & Yu, 2012, vol. 1, p. 340), the abbot is just as much of a devil as those he congregated with. Therefore, his cultivation falls into the same category as demons, making him an ill-suited example to use.

Notes:

1) The term “Weft texts” draws on a weaving analogy to refer to side texts that compliment or complete existing material.

2) The ancient Chinese believed that the body was inhabited by upwards of ten souls, namely three hun (魂) and seven po (魄) souls. In addition, the body was inhabited by three demonic parasites, the three corpses/worms (sanshi, 三尸), who wanted nothing more than to be rid of their mortal confinement so they’d be free to wander and eat sacrificial offerings left for ghosts. Therefore, they would report the sins of their human vessel to heaven in order to hasten their demise (Campany & Ge, 2002, p. 49, for example).

Monkey’s own three corpses/worms are referenced in chapter 32 when a demon magically calls forth a mountain that crushes our hero:

Exerting his spirit even more, he [the monster] recited another spell and sent up the Tai Mountain to press down on Pilgrim’s head. With this magic of the Tai Mountain Pressing the Head, the Great Sage was overpowered as his strength ebbed and his tendons turned numb; the weight was so great that the spirits of the Three Worms inside his body exploded and blood spouted from his seven apertures [i.e. his eyes, ears, nostrils, and mouth] (Wu & Yu, 2012, vol. 2, pp. 108-109).

又整性情,把真言念動,將一座泰山遣在空中,劈頭壓住行者。那大聖力軟觔麻,遭逢他這泰山下頂之法,只壓得三尸神咋,七竅噴紅。

Sources:

Campany, R. F. (1985). Demons, Gods, and Pilgrims: The Demonology of the Hsi-yu ChiChinese Literature: Essays, Articles, Reviews (CLEAR), 7(1/2), 95-115. doi:10.2307/495195

Campany, R. F., & Ge, H. (2002). To Live as Long as Heaven and Earth: A Translation and Study of Ge Hong’s Traditions of Divine Transcendents. Berkeley: University of California Press.

Campany, R. F. (2005). Living off the Books: Fifty Ways to Dodge Ming in Early Medieval China. In C. Lupke (Ed.), The Magnitude of Ming: Command, Allotment, and Fate in Chinese Culture (pp. 129-150), University of Hawaii Press.

Wu, C., & Yu, A. C. (2012). The Journey to the West (Vols. 1-4) (Rev. ed.). Chicago, Illinois: University of Chicago Press.

Origin of the White Bone Spirit

Last updated: 01-31-2023

The twenty-seventh chapter of Journey to the West (Xiyouji, 西遊記, 1592) features a mountain spirit who resorts to magic disguises in an attempt to eat Tripitaka. Commonly referred to as the “White Bone Spirit” (Baigujing, 白骨精), she is one of a family of ghouls active in White Tiger Mountain (Baihu ling, 白虎嶺) who have long told legends of the monk’s immortality-bestowing flesh. She resorts to subterfuge because alone she is not powerful enough to contend with the holy man’s present disciples, Zhu Bajie and Sha Wujing.

The spirit first disguises herself as a peerless beauty described as having “ice-white skin hid[ing] jade-like bones” (Wu & Yu, 2012, pp. 18). She comes bearing a vegetarian meal, claiming it to be food intended for her pious husband toiling in the fields on the other side of the mountain. She instead decides to feed Tripitaka as this would allow her to keep her family’s vow of supporting monks. But before she can kidnap the monk, Sun Wukong returns from picking peaches for his master and sees through the magic facade, seemingly killing the young girl with his magic staff. The monster, however, is able to escape in spirit at the last second using the “Magic of Releasing the Corpse” (Jieshi fa, 解屍法), [1] leaving behind a fake body in her place. The innocent-looking food is then revealed to be bewitched frogs, toads, and maggots. Despite this, Zhu Bajie convinces their master that Monkey is trying to conceal the murder with magic, leading to the monk using the Tight-Fillet spell as punishment.

She subsequently disguises herself as the girl’s elderly mother searching the mountain for her daughter. Sun again sees through the disguise and seemingly kills her with his staff. This again leads to his punishment with the Tight-Fillet spell. The White Bone Spirit’s last disguise is that of the elderly father looking for his wife and daughter. But this time Monkey calls on local deities to guard any possible escape routes, and this time he succeeds in killing her. The spirit’s true form is revealed to be a “pile of flour-white skeletal bones” with the name “Lady White Bone” (Baigu furen, 白骨夫人) engraved on her spine (fig. 1) (Wu & Yu, 2012, pp. 26).

White Bone Spirit drawing - small

Fig. 1 – A lovely cosplay of Lady White Bone (larger version). More pictures can be seen here

I. Origin in oral literature

The precursor of the White Bone Spirit can be traced to a demon appearing in chapter six of The Story of How Tripitaka of the Great Tang Procures the Scriptures (Da Tang Sanzang qujing shihua, 大唐三藏取經詩話, c. late 13th-century), the earliest known printed edition of Journey to the West, which likely served as a prompt for ancient storytellers.

Chapter six: Passing Long Ditch and Great Serpent Peak (Guo changkeng dashe lingqu, 過長坑大蛇嶺處)

The pilgrims arrived at the valley of the fire-spitting White Tiger Spirit (Huo lei ao baohu jing, 火類坳白虎精). Coming closer they encountered a great ditch. The four steep entrances were pitch-black and they heard a roar of thunder. They could not advance. The Dharma Master [Fashi, 法師, i.e. Tripitaka] held up his [magic] golden-ringed staff and, flourishing it toward the distant heavenly palace, yelled: “Devaraja! Help us in our afflictions!” Suddenly a shaft of light shot out from the staff five tricents long. It slashed through the long ditch and soon they were able to get across.

Next they came to Great Serpent Peak. There they saw a gigantic serpent like a dragon. It likewise was not harmful to humans. Then they crossed the pit of the fire-spitters. Down, down into the fiery pit they looked and saw a pile of dry bones over forty tricents long. The Dharma Master asked Monkey Pilgrim [Hou xingzhe, 猴行者]: “What are those white withered bones piled up there like snow on a mountain?” Monkey Pilgrim replied: “This is the place where the Heir Apparent, Ming Huang…changed his bones.” [2] The Dharma Master, hearing this, joined his palms and bowed his head in reverence.

Next they suddenly came to a prairie fire which reached to the heavens. It sent off such a huge amount of smoke and sparks that the pilgrims could not proceed. The Dharma Master shone the light of his [magic] begging-bowl toward the fire and yelled: “Devaraja!” The fire died out immediately and the seven pilgrims crossed this pit. When they were halfway across, Monkey Pilgrim said: “Master, did you know this peak is inhabited by a white tiger spirit? It often appears as a vixen, demon, or goblin and even eats people.” The Master replied: “I didn’t know!” After a while they could see a spume of ominous-looking smoke rising behind the peak and from the cloud thus…fell a mixture of rain, snow, and sleet. In the cloudy mist there was a woman dressed all in white.

She wore a white bodice of gauze, a white gauze skirt with a white belt, and held in her hands a single white peony. [3] Her face was as pretty as a white lotus, her ten fingers like precious jades. Observing the form of the ogress, Monkey Pilgrim had his suspicions confirmed. “Master, don’t go any farther,” said Monkey Pilgrim. “It’s surely an ogress. Wait till I go up and ask who she is.” Monkey Pilgrim took one look at her and shouted in a loud voice: “What place are you from, demon? What shape is beneath your facade? If you are a sprite or goblin, why don’t you hurry back to your lair? If you are an ogress, hurriedly hid your traces. But, if you are the daughter of a human being, then tell me your name and surname. And be quick about it! If you procrastinate and don’t speak, I shall reduce you to dust and power!” Hearing the pilgrim’s ferocious tone of voice, the white-clad woman slowly advanced, smiled coyly, and inquired whither the master and his disciples were going. Monkey Pilgrim said: “Ask no more! We travel for the sake of the sentient beings of the Eastern Lands. And you must be none other than the White Tiger Spirit of the Fire-spitting Pit.”

Hearing this, the woman’s mouth gaped open and she screamed loudly, while at the same moment her skin burst open revealing claws, long fangs, a tail, and a feline head. She was fifteen feet long. In another instant the whole mountain was filled with white tigers. Monkey Pilgrim transformed his golden-ringed staff into a gigantic Yaksa whose head touched the sky and whose feet straddled the earth. In his hands he grasped a demon-subduing cudgel. His body was blue as indigo, his hair red as cinnabar; from his mouth a fiery gleam shot forth a hundred yards long. At the same time, the White Tiger Spirit advanced with a roar to do battle, but she was repulsed by the Monkey Pilgrim. After a short while, Monkey Pilgrim asked if the tiger spirit was ready to submit. She replied, “Never!” Monkey said: “If you will not submit, you will find an old monkey in your stomach!”

The tiger spirit heard what he said yet did not surrender right away. But no sooner had he yelled “Monkey!” than a monkey in the White Tiger Spirit’s stomach responded. The tiger spirit was forced to open her mouth and spit out the monkey. When it landed on the ground in front of her, it became twelve feet long with flashing eyes. The White Tiger Spirit spoke: “I still will not submit!” Monkey replied: “Then you will find another in your stomach!” Again, he caused the tiger spirit to open her mouth and spit out another monkey which landed in front of her. And again the tiger spirit said: “I still do not submit!” Monkey replied: “There are countless old monkeys in your stomach now, and even if you spit them out all day today until the next, all this month until the next, all this year until the next, all this life until the next, you will not be rid of them!” This made the tiger spirit angry. She was again afflicted by the Monkey when he transformed himself into a great stone in her stomach which gradually grew in size. Though she tried to spit it out, she couldn’t. Her stomach split asunder and blood poured from her seven orifices. [4] Monkey called upon the yaksa to slaughter the big White Tiger Spirit ruthlessly, and the yaksa pulverized its bones and obliterated its last vestiges.

The [Monkey Pilgrim], having withdrawn [his] magic, rested for a time before [the group] continued the journey. They left a poem:

The pit of fire-spitters and the White Tiger Spirit,
All that lot are vanquished, and peace and safety reign.
Now, the supernatural power of Monkey Pilgrim is displayed,
Protecting the monkish pilgrims across the great ditch (Wivell, 1994).

過長坑大蛇嶺處第六行次至火類坳白虎精。前去遇一大坑,四門陡黑,雷聲喊喊,進步不得。法師當把金鈽杖遙指天宮,大叫:「天王救難!」忽然杖上起五里毫光,射破長坑,須臾便過。

次人大虵嶺,目(德富氏本作「且」)見大蛇如龍,亦無傷人之性。

又過(巾箱本無「過」字)火類坳,坳下望,見坳上有一具枯骨,長四十馀裡。法師問猴行者曰:「山頭白色枯骨一具如雪?」猴行者曰:「此是明皇太子換骨之處。」法師聞語,合掌頂禮而行。

又忽遇一道野火連天,大生煙焰,行去不得。遂將缽盂一照,叫「天王」一聲,當下火滅,七人便過此坳。

欲經一半,猴行者曰:「我師曾知此嶺(巾箱本作「領」)有白虎精否?常作妖魅妖恠(怪),以至吃人。 「師曰:「不知。」良久,只見嶺後雲愁霧慘,雨細交霏;雲霧之中,有一白衣婦人,身掛白羅衣,腰繫白羅裙,手把白牡丹花一朵,面似白蓮,十指如玉。睹此妖姿,遂生疑悟。猴行者曰:「我師不用前去,定是妖精。待我向前向他姓字。」猴行者一見,高聲便喝:「汝是何方妖恠,甚處精靈?久為妖魅,何不速歸洞府? ,微微含笑,問:「師僧一行,往之何處?」猴行者曰:「不要問我行途,只為東土眾生。想汝是火類坳頭白虎精,必定是也!」

婦人聞語,張口大叫一聲,忽然面皮裂皺,露爪張牙,擺尾搖頭,身長丈五。定醒之中,滿山都是白老虎。被猴行者將金鈽杖變作一個夜叉,頭點天,腳踏地,手把降魔杵,身如藍靛青,發似朱沙,口吐百丈火光。當時,白虎精哮吼近前相敵,被猴行者戰退。半時,遂問虎精:「甘伏未伏!」虎精曰:「未伏!」猴行者曰:「汝若未伏,看你肚中有個老獼猴!」虎精聞說,當下未伏。一叫獼猴,獼猴在白虎精肚內應。遂教虎精開口,吐出一個獼猴,頓在面前,身長丈二,兩眼火光。白虎精又雲:「我未伏!」猴行者曰:「汝肚內更有一個!」再令開口,又吐出一個,頓在面前。白虎精又曰:「未伏!」猴行者曰:「你肚中無千無萬個老獼猴,今日吐至來日,今月吐至後月,今年吐至來年,今生吐至來生,也不盡。被猴行者化一團大石,在肚內漸漸會大。教虎精吐出,開口吐之不得;只見肚皮裂破,七孔流血。喝起夜叉,渾門大殺,虎精大小,粉骨塵碎,絕滅除蹤。

僧行收法,歇息一時,欲進前程,乃留詩曰:
火類坳頭白火精,渾群除滅永安寧。
此時行者神通顯,保全僧行過大坑 (source)

II. Development

The ancient chapter has a number of details that naturally led to the development of the White Bone Spirit:

  1. The demon is a White Tiger Spirit, hence the White Tiger Mountain mentioned in the novel.
  2. The “piles” of the future emperor’s bones recall the “piles” of the White Bone Spirit’s bones (her true form) after she is killed by Wukong.
  3. The White Tiger Spirit’s hunger for flesh and ability to take on any form (like “a vixen, demon, or goblin”) recalls the White Bone Spirit’s pursuit of Tripitaka and use of magic disguises.
  4. The White Tiger Spirit’s initial disguise as a beautiful woman with a “white lotus” face and jade-like fingers recalls the White Bone Demon’s “ice-white skin” and “jade-like bones.”

III. Popular Media

Here is the full length animated feature Sun Wukong Thrice Fights the White Bone Demon (Sun Wukong sanda Baigu jing, 孫悟空三打白骨精, 1985). It was produced twenty years after the highly popular Havoc in Heaven (Danao Tiangong, 大鬧天宮, 1965).


Update: 04-29-22

Shao (1997) writes: “Monkey kills the Cadaver demon three times as she manifests herself in three different forms in the symbolic sense of three cadavers which the Taoists hold accountable for voluptuary impulses” (p. 145). This makes the bone spirit an embodiment of the Three Corpses (Sanshi, 三尸).


Update: 01-31-23

I’ve used the word 髒 (zāng, “dirty”) for years now, but I never really paid attention to its components, 骨 (, “bone”) and 葬 (zàng, “bury”). It brings to mind taboos against being near or handling dead remains. This naturally reminds me of the White Bone Spirit.

Notes

1) This is related to an ancient Daoist concept called “Release by means of a corpse” (Shijie, 尸解). As far back as the Han, immortals are described as leaving a fake corpse (sometimes a magically disguised object) behind while they ascended in secret to heaven (Kirkland, 2008).

2) This changing of bones most likely refers to some type of realized spiritual cultivation that resulted in a new, pure body for the future emperor.

3) The color white is associated with death in Chinese culture.

4) Sun Wukong defeats several monsters in Journey to the West by invading their stomach. See, for example, chapters 59, 75, and 82.

Sources

Kirkland, R. (2008). Shijie In F. Pregadio (Ed.), The Encyclopedia of Taoism (Vol. 2) (pp. 896-897). London [u.a.: Routledge].

Shao, P. (1997). Monkey and Chinese Scriptural Tradition: A Rereading of the Novel Xiyouji (UMI No. 9818173) [Doctoral dissertation, Washington University]. Available from ProQuest Dissertations and Theses database.

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