Sun Wukong’s Four Mighty Commanders

The Monkey King’s “Four Mighty Commanders” (Si Jianjiang, 四健將) (figs. 1 & 2) are minor characters appearing in chapters one, three to six, and 28 of Journey to the West (Xiyouji西遊記). They are presented as two elderly gibbons and two elderly horse-monkeys (i.e. macaques) who serve their monarch as advisors and makeshift tutors on spiritual and military matters. In fact, one of them is responsible for setting Wukong on his path towards immortality. They are later given high military rank and charged with training and governing Wukong’s monkey army. An outside observer may question the commanders’ ability to lead troops in battle since they are defeated in nearly every single skirmish. But it should be remembered that, while technically immortal, they can still be killed and only have access to mere earthly weapons. Yet, they choose to face celestial soldiers who wield divine weapons and have millennia of combat experience. This speaks to their great bravery.

Here, I have gathered all references to these characters that I know of. I’ve also included a section on the possible homophonic origins of their names, as well as a section describing their immortality.

This article was prompted by a question put to me on tumblr. Searching the site for “beng ba” and “ma liu” results in a number of posts with fan art and fiction, so this survey has merit. Hopefully it will benefit fans of the novel and/or those who wish to insert these characters into their Lego Monkey Kid-inspired media.

Fig. 1 – Marshals Ma and Liu (larger version). Fig. 2 – Generals Beng and Ba (larger version). Paintings by Dai Dunbang. Images found here.

I. References

Chapter 1

Note: I have changed some of Yu’s (Wu & Yu, 2012) translations of primate names for more accuracy.

[The Stone Monkey becomes the king of the primates through a test of bravery: leaping through a waterfall and discovering a long-forgotten immortal’s cave.]

The Handsome Monkey King thus led a flock of gibbons [yuanhou, 猿猴], macaques [mihou, 獼猴], and horse-monkeys [mahou, 馬猴], some of whom were appointed by him as his officers and ministers (based on Wu & Yu, 2012, vol. 1, p. 106).

[After 300-something years of ruling the Mountain of Flowers and Fruit, the Monkey King comes to realize that he too will someday die.]

From among the ranks a long-armed gibbon [tongbei yuanhou, 通背猿猴; lit: “(arms)-through-the back-gibbon”] [1] suddenly leaped forth and cried aloud, “If the Great King is so farsighted, it may well indicate the sprouting of his religious inclination. There are, among the five major divisions of all living creatures, only three species that are not subject to Yama, King of the Underworld.” The Monkey King said, “Do you know who they are?” The monkey said, “They are the Buddhas, the immortals, and the holy sages; these three alone can avoid the Wheel of Transmigration as well as the process of birth and destruction, and live as long as Heaven and Earth, the mountains and the streams.” “Where do they live?” asked the Monkey King. The monkey said, “They do not live beyond the world of the Jambudvipa, for they dwell within ancient caves on immortal mountains.” When the Monkey King heard this, he was filled with delight, saying, “Tomorrow I shall take leave of you all and go down the mountain. Even if I have to wander with the clouds to the comers of the sea or journey to the distant edges of Heaven, I intend to find these three kinds of people. I will learn from them how to be young forever and escape the calamity inflicted by King Yama” (based on Wu & Yu, 2012, vol. 1, p. 107).
Chapter 3
[After returning from abroad, the Monkey King wishes to train his children in how to defend themselves with weapons since they had previously been plagued by the Demon King of Havoc.]

As they were speaking, four older monkeys came forward, two horse-monkeys with red buttocks [chikao mahou, 赤尻馬猴] and two long-armed gibbons. Coming to the front, they said, “Great King, to be furnished with sharp-edged weapons is a very simple matter.” “How is it simple?” asked Wukong. The four monkeys replied, “East of our mountain, across two hundred miles of water, is the boundary of the Aolai Country. In that country there is a king who has numberless men and soldiers in his city, and there are bound to be all kinds of gold, silver, copper, and iron works there. If the great king goes there, he can either buy weapons or have them made (based on Wu & Yu, 2012, vol. 1, p. 131).

[Wukong frets over not having a divine weapon that fits his taste.]

The four elder monkeys came forward and memorialized, “The great king is a divine sage, and therefore it is not fit for him to use an earthly weapon. We do not know, however, whether the great king is able to take a journey through water?” “Since I have known the Way,” said Wukong, “I have the ability of seventy-two transformations. The cloud somersault has unlimited power. I am familiar with the magic of body concealment and the magic of displacement. I can find my way to Heaven or I can enter the Earth. I can walk past the sun and the moon without casting a shadow, and I can penetrate stone and metal without hindrance. Water cannot drown me, nor fire burn me. Is there any place I can’t go to?” “It’s a good thing that the great king possesses such powers,” said the four monkeys, “for the water below this sheet iron bridge of ours flows directly into the Dragon Palace of the Eastern Ocean. If you are willing to go down there, Great King, you will find the old Dragon King, from whom you may request some kind of weapon. Won’t that be to your liking?” Hearing this, Wukong said with delight, “Let me make the trip!” (Wu & Yu, 2012, vol. 1, p. 133).

[He returns from the Dragon Kingdom with his magic iron staff.]

The Monkey King made the four old monkeys mighty commanders of his troops by appointing the two horse-monkeys with red buttocks as marshals Ma and Liu [Ma, Liu er yuanshuai, 馬、流二元帥], and the two long-armed gibbon as generals Beng and Ba [Beng, Ba er jiangjun, 崩、芭二將軍]. The four mighty commanders, moreover, were entrusted with all matters concerning fortification, pitching camps, reward, and punishment (based on Wu & Yu, 2012, vol. 1, p. 138).

[The Monkey King becomes sworn brothers with six other animal demon kings.]

One day, the four mighty commanders had been told to prepare a great banquet in their own cave, and the six kings were invited to the feast. They killed cows and slaughtered horses; they sacrificed to Heaven and Earth. The various imps were ordered to dance and sing, and they all drank until they were thoroughly drunk. After sending the six kings off, Wukong also rewarded the leaders great and small with gifts. Reclining in the shade of pine trees near the sheet iron bridge, he fell asleep in a moment. The four mighty commanders led the crowd to form a protective circle around him, not daring to raise their voices (based on Wu & Yu, 2012, vol. 1, p. 139).
[Wukong’s soul is taken to the underworld because he is fated to die at 342 year old. However, he inks out his name, as well as those of all other monkeys, from the ledgers of hell and then fights his way out of the world of darkness.]

While our Monkey King was fighting his way out of the city, he was suddenly caught in a clump of grass and stumbled. Waking up with a start, he realized that it was all a dream. As he was stretching himself, he heard the four mighty commanders and the various monkeys crying with a loud voice, “Great King! How much wine did you imbibe? You’ve slept all night long. Aren’t you awake yet?” “Sleeping is nothing to get excited about,” said Wukong, “but I dreamed that two men came to arrest me, and I didn’t perceive their intention until they brought me to the outskirts of the Region of Darkness. Showing my power, I protested right up to the Palace of Darkness and argued with the Ten Kings. I went through our ledger of births and deaths and crossed out all our names. Those fellows have no hold over us now.” The various monkeys all kowtowed to express their gratitude. From that time onward there were many mountain monkeys who did not grow old, for their names were not registered in the Underworld. When the Handsome Monkey King finished his account of what had happened, the four mighty commanders reported the story to the demon kings of various caves, who all came to tender their congratulations (Wu & Yu, 2012, vol. 1, p. 141).

[Monkey is invited to heaven to be the keeper of the heavenly horses. This is a plan to keep his unruly adventures in check.]

He then called the four mighty commanders together for this admonition: “Be diligent in teaching and drilling the young ones. Let me go up to Heaven to take a look and to see whether I can have you all brought up there too to live with me.” The four mighty commanders indicated their obedience (Wu & Yu, 2012, vol. 1, p. 144).
Chapter 4
[He leaves heaven in rebellion when he learns that his post is the lowest in the celestial bureaucracy.]

ln a moment, he lowered the direction of his cloud and returned to the Flower-Fruit Mountain. The four mighty commanders were seen drilling troops with the Monster Kings of various caves. “Little ones,” this Monkey King cried in a loud voice, “old Monkey has returned!” (Wu & Yu, 2012, vol. 1, p. 150).

[A demon suggests a rebellious title for Wukong.]

“Make me a banner immediately,” he ordered the four mighty commanders, “and inscribe on it in large letters, ‘The Great Sage, Equal to Heaven.’ Erect a pole to hang it on” (Wu & Yu, 2012, vol. 1, p. 151).
Chapter 5
[He is granted the empty title of “Great Sage Equaling Heaven” and charged with guarding the immortal peach groves. However, he eats most of the ripe fruit, and then he wrecks a long-awaited banquet just because he isn’t invited. He finally flees to earth.]

Lowering the direction of his cloud, he returned to the Flower-Fruit Mountain. There he was greeted by flashing banners and shining spears, for the four mighty commanders and the monster kings of seventy-two caves were engaging in a military exercise. “Little ones,” the Great Sage called out loudly, “I have returned!” The monsters dropped their weapons and knelt down, saying, “Great Sage! What laxity of mind! You left us for so long, and did not even once visit us to see how we were doing.” “It’s not that long!” said the Great Sage. “It’s not that long!” They walked as they talked, and went deep inside the cave dwelling. After sweeping the place clean and preparing a place for him to rest, and after kowtowing and doing homage, the four mighty commanders said, “The Great Sage has been living for over a century in Heaven. May we ask what appointment he actually received?”

“I recall that it’s been but half a year,” said the Great Sage, laughing. “How can you talk of a century?” “One day in Heaven,” said the commanders, “is equal to one year on Earth” (Wu & Yu, 2012, vol. 1, p. 166).

[…]
[Wukong describes leaving heaven after trashing the banquet and eating Laozi’s elixir pills.]

The various monsters were delighted by these words, and they prepared a banquet of fruits and wine to welcome him. A stone bowl was filled with coconut wine and presented to the Great Sage, who took a mouthful and then exclaimed with a grimace, “It tastes awful! Just awful!” “The Great Sage,” said Beng and Ba, the two commanders, “has grown accustomed to tasting divine wine and food in Heaven. Small wonder that coconut wine now seems hardly delectable. But the proverb says, “Tasty or not, it’s water from home!” (Wu & Yu, 2012, vol. 1, p. 167).

[Heaven calls up forces to end his hijinks. The first to challenge him are the Nine Luminaries, anthropomorphic deities of the planets, moon, and sun.]

Hastily the little monsters reported inside, “Great Sage, disaster! Disaster! Outside there are nine savage deities who claim that they are sent from the Region Above to subdue the Great Sage.” Our Great Sage was just sharing the Heavenly wine with the four mighty commanders and the monster kings of seventy-two caves. Hearing this announcement, he said in a most nonchalant manner,

“If you have wine today, get drunk today;
Mind not the troubles in front of your door!”

Hardly had he finished speaking when still another flock of imps arrived to report, “Father, those nine savage gods have broken down the door, and are about to fight their way in!”

These reckless, witless gods!” said the Great Sage angrily. “They really have no manners! I was not about to quarrel with them. Why are they abusing me to my face?” He gave the order for the One-Horn Demon King to lead the monster kings of seventy-two caves to battle, adding that old Monkey and the four mighty commanders would follow in the rear. The Demon King swiftly led his troops of ogres to go out to fight, but they were ambushed by the Nine Luminaries and pinned down right at the head of the sheet iron bridge (Wu & Yu, 2012, vol. 1, pp. 170-171).

[…]
[The Monkey King singlehandedly defeats the Nine Luminaries.]

Devaraja Li then ordered the Four Great Devarajas and the Twenty-Eight Constellations to go out together to do battle. Without displaying the slightest panic, the Great Sage also ordered the One-Horn Demon King, the monster kings of seventy-two caves, and the four mighty commanders to range themselves in battle formation in front of the cave (Wu & Yu, 2012, vol. 1, p. 171).

[…]

Beginning with the battle formation at dawn, they fought until the sun sank down behind the western hills. The One-Horn Demon King and the monster kings of seventy-two caves were all taken captive by the forces of Heaven. Those who escaped were the four mighty commanders and the troop of monkeys, who hid themselves deep inside the Water-Curtain Cave. With his single rod, the Great Sage withstood in midair the Four Great Devarajas, Li the Pagoda Bearer, and Prince Nata, and battled with them for a long time. When he saw that evening was approaching, the Great Sage plucked a handful of hairs, threw them into his mouth, and chewed them to pieces. He spat them out, crying, “Change!” They changed at once into many thousands of Great Sages, each employing a golden-hooped rod! They beat back Prince Nata and defeated the Five Devarajas.

In triumph the Great Sage collected back his hairs and hurried back to his cave. Soon, at the head of the sheet iron bridge, he was met by the four mighty commanders leading the rest of the monkeys. As they kowtowed to receive him they cried three times, sobbing aloud, and then they laughed three times, hee-heeing and ho-hoing. The Great Sage said, “Why do you all laugh and cry when you see me?” “When we fought with the Deva Kings this morning,” said the four mighty commanders, “the monster kings of seventy-two caves and the One-Horn Demon King were all taken captive by the gods. We were the only ones who managed to escape alive, and that is why we cried. Now we see that the Great Sage has returned unharmed and triumphant, and so we laugh as well.”

“Victory and defeat,” said the Great Sage, “are the common experiences of a soldier. The ancient proverb says,

You may kill ten thousand of your enemies,
But you will lose three thousand of your allies!

Moreover, those chieftains who have been captured are tigers and leopards, wolves and insects, badgers and foxes, and the like. Not a single member of our own kind has been hurt. Why then should we be disconsolate? Although our adversaries have been beaten back by my magic of body division, they are still encamped at the foot of our mountain. Let us be most vigilant, therefore, in our defense. Have a good meal, rest well, and conserve your energy. When morning comes, watch me perform a great magic and capture some of these generals from Heaven, so that our comrades may be avenged.” The four mighty commanders drank a few bowls of coconut wine with the host of monkeys and went to sleep peacefully. We shall speak no more of them (Wu & Yu, 2012, vol. 1, pp. 172-173).
Chapter 6
[Erlang is called in to capture Wukong.]

The Immortal Master fought the Great Sage for more than three hundred rounds, but the result still could not be determined. The Immortal Master, therefore, summoned all his magical powers; with a shake, he made his body a hundred thousand feet tall. Holding with both hands the divine lance of three points and two blades like the peaks that cap the Hua Mountain, this green-faced, saber-toothed figure with scarlet hair aimed a violent blow at the head of the Great Sage. But the Great Sage also exerted his magical power and changed himself into a figure having the features and height of Erlang. He wielded a compliant golden-hooped rod that resembled the Heaven-supporting pillar on top of Mount Kunlun to oppose the god Erlang. This vision so terrified the marshals, Ma and Liu, that they could no longer wave the flags, and so appalled the generals, Beng and Ba, that they could use neither scimitar nor sword. On the side of Erlang, the Brothers Kang, Zhang, Yao, Li, Guo Shen, and Zhi Jian gave the order to the plant-headed deities to let loose the falcons and dogs and to advance upon those monkeys in front of the Water-Curtain Cave with mounted arrows and drawn bows. The charge, alas,

Dispersed the four mighty commanders of monkey imps
And captured two or three thousand numinous fiends!

Those monkeys dropped their spears and abandoned their armor, forsook their swords, and threw away their lances. They scattered in all directions running, screaming, scuttling up the mountain, or scrambling back to the cave. It was as if a cat at night had stolen upon resting birds: they darted up as stars to fill the sky. The Brothers thus gained a complete victory, of which we shall speak no further (Wu & Yu, 2012, vol. 1, pp. 181-182).
Chapter 28
[Monkey returns to the Mountain of Flowers and Fruit after being kicked out of the pilgrimage. He discovers that the remainder of his children are plagued by human hunters that eat or force them to perform tricks.]

When the Great Sage heard these words, he became terribly angry. “Who is in charge in the cave now?” he asked. “We still have Ma and Liu, the two marshals,” said the little fiends, “[B]eng and Ba, the two generals, they are in charge.” “Report to them at once,” said the Great Sage, “and say that I’ve returned.” Those little fiends dashed inside the cave and cried, “Father Great Sage has come home!” When Ma, Liu, [B]eng, and Ba heard the report, they rushed out of the door to kowtow and to receive him inside the cave. The Great Sage took a seat in the middle as the various fiends all lined up before him to pay homage. “Father Great Sage,” they said, “we heard recently that you had regained your life so that you could protect the Tang Monk on his journey to the Western Heaven to acquire scriptures. Why are you not heading toward the West? Why do you come back to this mountain?”

“Little ones,” said the Great Sage, “you have no idea that the Tang Monk is wholly ignorant of who is worthy and who is foolish. For his sake, I caught fiends and overcame demons throughout the journey, using all my abilities. Several times I slew a monster, but, accusing me of doing evil and violence, he disowned me as his disciple and banished me back here. He even wrote me a formal letter of banishment as proof that he would never want to use me again.” Clapping their hands and roaring with laughter, the monkeys said, “Lucky! Lucky! What do you want to be a monk for? Come home and you can lead us to have a few years’ fun. Quick! Let’s bring out the coconut wine for the reception of Father.” “Let’s not drink wine just yet,” said the Great Sage. “Let me ask you, how often do those hunters come to our mountain?” “Great Sage,” said Ma and Liu, “there’s no telling of time. They are here every day to make trouble.” The Great Sage asked, “Why aren’t they here today?” Ma and Liu replied, “Just wait and you’ll see them come” (Wu & Yu, 2012, vol. 2, pp. 31-32).

II. Meaning of Names

This Chinese article suggests a naturalistic explanation for these odd-sounding names:

Beng-Ba [崩芭] should be a homophone of “bengba” [蹦巴], that is, bengda [蹦躂], which means that the monkey jumps up and down all day without a moment’s peace. Therefore, it became an alternative name for monkeys. Ma-Liu [馬流] is a homophone for “maliu” [麻溜], which means the monkey moves with speed and agility.

… 崩芭應為「蹦巴」諧音,即蹦躂,意指猴子整日蹦蹦跳跳,伏低竄高,沒個安靜時候,所以成了猴子別稱。馬流即「麻溜」諧音,意即猴子動作麻溜,敏捷迅速。

III. Immortality

I mentioned in the introduction that the Four Mighty Commanders are technically immortal. This is the result of Wukong inking out the names of all monkeys from the ledgers of hell in chapter three (fig. 2). Wukong explains:

I went through our ledger of births and deaths [shengsi buzi, 生死簿子] and crossed out all our names. Those fellows have no hold over us now.” The various monkeys all kowtowed to express their gratitude. From that time onward there were many mountain monkeys [shanhou, 山猴] who did not grow old, for their names were not registered in the Underworld (Wu & Yu, 2012, vol. 1, p. 141).

Their divine longevity is exhibited when they reappear in chapter 28, sometime after Wukong is released from his 600-plus year imprisonment under Five Elements Mountain.

This same chapter also reveals that they are still capable of dying if fatally wounded. The rank and file monkeys lament their fate at the hands of human hunters:

Those of us who were shot by arrows, pierced by spears, or clubbed to death they took away for food to be served with rice. The dead monkeys would be skinned and boned, cooked with sauce and steamed with vinegar, fried with oil, and sauteed with salt (Wu & Yu, 2012, vol. 2, p. 31).

Shotaro_Honda_1939 - Hell (small)

Fig. 2 – Monkey striking the names from the ledger (larger version). From the Japanese children’s book Son Goku (1939).

Note:

1) This term refers to the belief that the long, agile arms of the gibbon were somehow connected (i.e. tongbi, 通臂), passing through the back (i.e. tongbei, 通背) (Gulik, 1967, p. 92-93). 

Sources:

Gulik, R. H. (1967). The Gibbon in China: An Essay in Chinese Animal Lore. Leiden: E.J. Brill.

Wu, C., & Yu, A. C. (2012). The Journey to the West (Vols. 1-4) (Rev. ed.). Chicago, Illinois: University of Chicago Press.

Does the Buddha Lie in Journey to the West?

I was recently directed to an online Chinese article by Ye Zhiqiu (叶之秋) (n.d.) in which they claim that the Buddha makes “four grand, overarching lies” (sige mitian dahuang, 四個彌天大謊) throughout the course of Journey to the West (Xiyouji, 西遊記, 1592, “JTTW” hereafter). They believe this is because the literary version of the Enlightened One is a master strategist who uses lies in a calculated attempt to usurp power from the Jade Emperor, ruler of the cosmos. This is admittedly a fascinating idea but one that falls apart under careful analysis. Ye (n.d.) displays a fundamental misunderstanding of the novel’s history and religious influences. Worse still, they appear to selectively interpret details to suit a possible agenda against Buddhism. In this article, I will show that there are far more plausible reasons for the Buddha’s statements than lying.

I. First Lie

The Buddha states the following about the novel’s Hindo-Buddhist cosmos (ch. 8), which features four island-like continents floating in a great sea around a cosmic mountain (fig. 1):

I have watched the Four Great Continents, and the morality of their inhabitants varies from place to place. Those living on the East Pūrvavideha revere Heaven and Earth, and they are straightforward and peaceful. Those on the North Uttarakuru, though they love to destroy life, do so out of the necessity of making a livelihood. Moreover, they are rather dull of mind and lethargic in spirit, and they are not likely to do much harm. Those of our West Aparagodānīya are neither covetous nor prone to kill; they control their humor and temper their spirit. There is, to be sure, no illuminate of the first order, but everyone is certain to attain longevity. Those who reside in the South Jambūdvīpa, however, are prone to practice lechery and delight in evildoing, indulging in much slaughter and strife. Indeed, they are all caught in the treacherous field of tongue and mouth, in the wicked sea of slander and malice. However, I have three baskets of true scriptures which can persuade man to do good (Wu & Yu, 2012, vol. 1, pp. 204-205).

我觀四大部洲,眾生善惡,各方不一:東勝神洲者,敬天禮地,心爽氣平;北俱盧洲者,雖好殺生,只因糊口,性拙情疏,無多作踐;我西牛賀洲者,不貪不殺,養氣潛靈,雖無上真,人人固壽;但那南贍部洲者,貪淫樂禍,多殺多爭,正所謂口舌兇場,是非惡海。我今有三藏真經,可以勸人為善。

Ye (n.d.) claims that the Enlightened One is lying because most of the monsters show up not in the supposedly evil continent of South Jambūdvīpa (the Land of the East, i.e. China) but in the Buddha’s home of West Aparagodānīya (India). They even provide a long list of monsters encountered there. Also, the writer theorizes that the planned scripture pilgrimage is just a ploy to spread the Buddha’s influence to the Land of the East, making him the ruler of two of four continents. The implication here is that he is slowly chipping away at the Jade Emperor’s domain.

However, the Buddha was likely referring to the people in those particular continents and not the monsters. And most importantly, his words appear to mirror the views of foreign Buddhist monks. When the historical monk Xuanzang (玄奘; 602-664), on whom Tripitaka is based, planned to return home from India, his friends tried dissuading him by describing China in similarly negative terms. Brose (2021) comments:

For many of the monks he had befriended, the decision was hard to fathom. “India is the birthplace of the Buddha,” they reminded him. “Although the Great Sage is gone, his traces remain. To travel around and venerate them is enough to make one’s life content. Why would you want to give this up after having come here? China is a barbarian land where people are neglected, and the Dharma is despised. That is why no buddhas have ever been born there. The people have narrow aspirations and deep impurities, so sages do not go there. The air is cold and the land is dangerous. How can you think of returning there?” Xuanzang reportedly responded by quoting an exchange from the Vimalakīrti Sūtra, where the noble layman Vimalakīrti asks Śāriputra, “Why does the sun come to Jambudvīpa?” The answer: “To illuminate it and eliminate the darkness.” If Xuanzang remained in India, the true Dharma might never be known in China (pp. 61-62).

Additionally, Xuanzang is known to have left China illegally when he first began his journey. Brose (2021) explains:

Xuanzang almost didn’t make it to India. Before setting out on his pilgrimage, his initial request for a travel permit was denied by the [Tang] court and, after traveling over five hundred miles from the capital to the westernmost Chinese city of Liangzhou, the local governor ordered him to turn back. Hiding during the day and traveling at night, Xuanzang quietly continued on to the desert outpost of Guazhou. There, he learned that the court had issued a warrant for his arrest. The local prefect, it turned out, was a pious Buddhist and urged Xuanzang to leave quickly… (p. 16).

Conversely, the monk in JTTW is portrayed as a loyal Confucian-type person. Therefore, in order to frame Tripitaka as a faithful, law-abiding citizen of China, the novel had to provide a reason for his pilgrimage, one that the Tang emperor would give his blessing to. [1]

Fig. 1 – A diagram of the Hindo-Buddhist cosmos by MC Owens (larger version). Image from this talk.

II. Second Lie

During Sun Wukong’s battle with the Six-Eared Macaque (ch. 58) (fig. 2), the Buddha reveals the doppelganger’s true identity, noting that he and Monkey are two of four celestial primates (hunshi sihou, 混世四猴, lit: “four monkeys of havoc”) with amazing abilities:

“The first,” said Tathāgata [the Buddha], “is the Stone Monkey of Numinous Wisdom, [2] who

Knows transformations,
Recognizes the seasons,
Discerns the advantages of earth,
And is able to alter the course of planets and stars.

The second is the Red-Buttocked Horse Monkey, who

Has knowledge of yin and yang,
Understands human affairs,
Is adept in its daily life
And able to avoid death and lengthen its life.

The third is the Tongbi Gibbon, who can

Seize the sun and the moon,
Shorten a thousand mountains,
Distinguish the auspicious from the inauspicious,
And manipulate planets and stars.

The fourth is the Six-Eared Macaque who has

A sensitive ear,
Discernment of fundamental principles,
Knowledge of past and future,
And comprehension of all things.

These four kinds of monkeys are not classified in the ten categories [of life], nor are they contained in the names between Heaven and Earth. As I see the matter, that specious Wukong must be a six-eared macaque, for even if this monkey stands in one place, he can possess the knowledge of events a thousand miles away and whatever a man may say in that distance” (Wu & Yu, 2012, vol. 3, p. 115).

如來道:「第一是靈明石猴,通變化,識天時,知地利,移星換斗;第二是赤尻馬猴,曉陰陽,會人事,善出入,避死延生;第三是通臂猿猴,拿日月,縮千山,辨休咎,乾坤摩弄;第四是六耳獼猴,善聆音,能察理,知前後,萬物皆明。此四猴者,不入十類之種,不達兩間之名。我觀假悟空乃六耳獼猴也。此猴若立一處,能知千里外之事;凡人說話,亦能知之。

Ye (n.d.) claims the Buddha concocted the list of supernatural primates in order to hide the fact that Six Ears was an aspect of the Monkey King’s mind. They reason that the falsehood was used to avoid offending the Daoist hierarchy who couldn’t figure out the doppelganger’s true identity.

I think the author’s issue here is that the Daoist gods considered Six Ears a real figure, while the Buddha knew him to be an aspect of Sun’s mind. Something being real and illusory at the same time may seem like a big contradiction, but it’s not in the JTTW cosmos. Campany (1985) explains that, as physical threats, the monsters enable Monkey and his religious brothers to build Buddhist merit (zhenguo, 正果; lit: “right fruit”) by fighting them. At the same time, being illusory aspects of the mind, the monsters help the pilgrims, especially Tripitaka, to understand that reality is empty (kong, 空). This is something that Wukong (悟空, “Aware of Emptiness”) reminds his master of throughout the journey.

Ye (n.d.) also points out that the listed powers of the Horse Monkey and Tongbi Gibbon don’t appear to be true, for they (under the guise of the commanders Ma and Liu and Beng and Ba – see section 2 here) are supposedly killed by Erlang’s forces in chapter six. They claim this proves that the two supernatural primates don’t actually exist. However, two things need to be said. One, the aforementioned underlings appear alive and well in chapter 28 (Wu & Yu, 2012, vol. 2, p. 32), meaning that they were not killed. And two, an irregularity in the story does not equate to a lie. The author hasn’t even come close to offering conclusive evidence of intent. Instead, I suggest that this is just an inconsistency born from the novel’s origin as individual oral tales that were eventually compiled, expanded, and published in book form. See, for instance, the 13th-century version of the story cycle. Therefore, irregularities are bound to pop up throughout the narrative.

But even if this lie was somehow true, how exactly does it further the Buddha’s supposed plan to take power from the Jade Emperor?

Fig. 2 – The Great Sage and Six Ears battle in the Western Paradise (larger version). Artist unknown.

III. Third Lie

After the Buddha learns that the holy beasts of two bodhisattvas have escaped their respective mountain paradises and become man-eating demons on earth (ch. 77) (fig. 3), he has the following conversation with his disciples:

[…] Tathāgata left the lotus throne and went out of the monastery gate with the rest of the buddhas. There they saw Ānanda and Kāśyapa leading Mañjuśrī and Samantabhadra [3] on their way to the monastery also.

As the two bodhisattvas bowed to him, Tathagata asked, “How long have your beasts of burden been gone from your mountains?” “Seven days,” replied Mañjuśrī. “Seven days in the mountain,” said Tathāgata, “are equivalent to several thousand years on earth. I wonder how many lives they have taken down there. You must follow me quickly if we are to retrieve them.” With one bodhisattva standing on each side of him, the Buddha and his followers rose into the air (Wu & Yu, 2012, vol. 4, pp. 29-30).

如來即下蓮臺,同諸佛眾,徑出山門。又見阿儺、迦葉引文殊、普賢來見,二菩薩對佛禮拜。如來道:「菩薩之獸,下山多少時了?」文殊道:「七日了。」如來道:「山中方七日,世上幾千年。不知在那廂傷了多少生靈,快隨我收他去。」二菩薩相隨左右,同眾飛空。

Ye (n.d.) believes that the Buddha is lying about the corresponding time on earth in order to mask his guilt over not intervening sooner. As evidence, they cite the fact that the novel states “one day in heaven is equal to one year on Earth” (Wu & Yu, 2012, vol. 1, pp. 150 and 167). However, this could just be one of the aforementioned inconsistencies. One oral tradition may have said one day equals one year, while another said it equals one thousand years, and then both of these made it into the novel. But there is a more likely answer (see below).

They also claim that the respective Bodhisattvas’ mountain paradises are on earth, meaning they would be subject to the same time as the mortal world. This carries the implication that the beasts were eating people for at least a few hundred years and none of the Buddhist deities did anything to stop them. But the author clearly doesn’t understand earthly paradises like Mañjuśrī’s Mount Wutai (Wutai shan, 五臺山; lit: “Five Terrace/Platform Mountain”), which they mention by name in the article. Chou (2018) notes that a “central paradox of Mount Wutai” is that it is “both an earthly place and a Buddhist paradise (pure land)” (p. 142). Kōtatsu (Kōtatsu & Otowa, 1996) explains that Pure Lands (Jingtu, 净土) are “world[s] of another dimension” that are “temporally different from this one” (p. 45). Therefore, it seems more likely that the Enlightened One was referring to the time difference between Buddhist mountain paradises and the mortal realm. This is distinct from the Daoist heaven, which is expressly associated with the “one heavenly day = one earthly year” time dilation.

Additionally, Ye (n.d.) claims that Mañjuśrī is lying about the length of time his beast was absent because of a similar bout of guilt. It’s strange, though, that the writer’s answer for everything is “such and such Buddhist figure is being dishonest”. I’d be interested to read some of their other work to see if there’s a pattern of deconstructing Buddhism. JTTW clearly treats the religion with reverence, placing the Buddha and his disciples at the top of the novel’s cosmic hierarchy. Therefore, selectively interpreting details to support some agenda against Buddhism wouldn’t reflect positively on the author or their writing.

And again, I have to ask: How would this lie further the Buddha’s supposed plans?

Fig. 3 – Sun Wukong and his religious brothers battling the bird, elephant, and lion demons from Lion-Camel Cave (larger version). Artist unknown. Image found here. The elephant and lion are the missing holy beasts who became monsters on earth.

IV. Fourth Lie

After the Buddha captures the Great Peng (ch. 77) (fig. 4), the bird demon submits to Buddhism but stubbornly refuses to stop eating meat. The Enlightened One thinks for a moment and then offers him the following solution:

“In the four great continents of my domain,” said Tathāgata, “there are countless worshippers. I shall ask those who wish to do good to sacrifice first to your mouth” (Wu & Yu, 2012, vol. 4, p. 31).

我管四大部洲,無數眾生瞻仰,凡做好事,我教他先祭汝口。

Ye (n.d.) believes that the Buddha is deceptively bragging here in order to placate the uber powerful monster. At the same time, his statement about having dominance over the four continents is thought to be a lie since the Jade Emperor is the stated ruler of the cosmos. They reason that it’s evidence of the Enlightened One wanting to govern all four continents. But it’s important to remember that, as mentioned above, the novel takes place in a world modeled after Hindo-Buddhist cosmic geography, which Ye (n.d.) is fully aware of. The Daoist bureaucracy of JTTW is therefore a syncretic veil that has been draped over a pre-existing Buddhist structure. In the original system, the world is overseen by the Devarāja Śakra (Sk: Śakro devānāṃ indraḥ; Ch: Dishi, 帝釋) from the heaven of the thirty-three gods atop Mount Sumeru (Buswell & Lopez, 2014, pp. 739-740 and 921-922). (Interestingly, the novel hints that the Daoist bureaucracy is located in this very same heaven – see the material above figure two here). But despite the gods’ divine lifespans, as inhabitants of the Realm of Desire, they are still subject to death and therefore susceptible to the Wheel of Reincarnation (Buswell & Lopez, 2014, pp. 230-233). Only the Buddha can help such beings escape from the endless rounds of rebirth by leading them to enlightenment. He does this within the confines of his own domain or “Buddha-Field” (Sk: Buddhakṣetra; Ch: Focha, 佛刹). Buswell and Lopez (2014) explain:

[W]hen a buddha achieves enlightenment, a “container” or “inanimate” world is produced in the form of a field where the buddha leads beings to enlightenment. The inhabitant of that world is the buddha endowed with all the [qualities of an Enlightened One]. Buddha-fields occur in various levels of purification, broadly divided between pure and impure. Impure buddha-fields are synonymous with a world system (cakravāḍa), the infinite number of “world discs” in Buddhist cosmology that constitutes the universe; here, ordinary sentient beings (including animals, ghosts, and hell beings) dwell, subject to the afflictions of greed, hatred, and delusion. Each Cakravāḍa is the domain of a specific buddha, who achieves enlightenment in that world system and works there toward the liberation of all sentient beings… (p. 153).

Therefore, the JTTW cosmos is the Enlightened One’s Buddha-Field. But Ye (n.d.) appears to be aware of this fact (at least on some level), for they write: “The truth of the matter is that the Buddha is the lord of all sentient beings in the Buddhist schools of the four continents” (Zhenshi qingkuang shi, Rulai shi si dabu zhou fopai zhongsheng zhi zhu, 真實情況是,如來是四大部洲佛派眾生之主). So why would the writer still claim that the Buddha’s statement is a lie when they know it isn’t? This is a prime example of the author selectively interpreting facts.

Fig. 4 – A modern depiction of the Great Peng trapped above the Buddha’s head (larger version). Artist unknown.

V. Conclusion

Ye (n.d.) claims that the Buddha is a master strategist who makes “four grand, overarching lies” in a bid to usurp power from the Jade Emperor, ruler of the cosmos. But the writer demonstrates a fundamental misunderstanding of the novel’s history and religious influences. Worse still, they appear to selectively interpret details to suit a possible agenda against Buddhism. I show that the supposed falsehoods are instead likely based on the viewpoints of historical foreign monks, are inconsistencies within the JTTW narrative, reference Buddhist views of time, and reflect the Buddhist world system.

Notes:

1) The ruler’s decision to allow said pilgrimage is associated with a subplot in chapters 11 and 12 where he learns of countless orphaned souls in the underworld and searches for a monk to release them from their torments via a grand Buddhist ceremony. Tripitaka is chosen to lead the ceremony but is later convinced by the Bodhisattva Guanyin to halt the ritual until he has retrieved more appropriate scriptures from India.

2) Source altered slightly.

3) Yu (Wu & Yu, 2012) originally translates Puxian (普賢) as “Viśvabhadra” (vol. 4, pp. 29). I’ve changed it to “Samantabhadra” as this appears to be a more well-known version of the Bodhisattva’s name.

Sources:

Brose, B. (2021). Xuanzang: China’s Legendary Pilgrim and Translator. Boulder, Colorado: Shambhala Publications, Inc.

Buswell, R. E., & Lopez, D. S. (2014). The Princeton Dictionary of Buddhism. N: Princeton University Press.

Campany, R. (1985). Demons, Gods, and Pilgrims: The Demonology of the Hsi-yu Chi. Chinese Literature: Essays, Articles, Reviews (CLEAR), 7(1/2), 95-115. doi:10.2307/495195.

Chou, W. (2018). Mount Wutai: Visions of a Sacred Buddhist Mountain. Princeton; Oxford: Princeton University Press.

Kōtatsu, F., & Otowa, R. (1996). The Origin of the Pure Land. The Eastern Buddhist, 29(1), 33–51. http://www.jstor.org/stable/44362148.

Wu, C., & Yu, A. C. (2012). The Journey to the West (Vols. 1-4). Chicago: University of Chicago Press.

Ye, Z. (n.d.). Rulai fo sa de sige mitian dahuang [The Four Grand, Overarching Lies Cast by the Buddha]. Sohu. https://web.archive.org/web/20220731055723/https://m.sohu.com/n/474302290/.

A Study of the Four Celestial Primates from Journey to the West

Last updated: 01-04-2024

Sun Wukong faces his evil double, the Six-Eared Macaque, in chapters 56 to 58 of Journey to the West (Xiyouji, 西遊記, 1592, JTTW hereafter). After the twin Mind Monkeys battle their way to the Western Paradise, the Buddha reveals the doppelganger’s true identity, noting that he and Monkey are two of four celestial primates (hunshi sihou, 混世四猴, lit: “four monkeys of havoc”) with amazing abilities:

“The first,” said Tathagata, “is the Stone-Monkey of Numinous Wisdom [Lingming shihou, 靈明石猴], [1] who

Knows transformations,
Recognizes the seasons,
Discerns the advantages of earth,
And is able to alter the course of planets and stars.

The second is the Red-Buttocked Horse-Monkey [Chikao mahou, 赤尻馬猴], who

Has knowledge of yin and yang,
Understands human affairs,
Is adept in its daily life
And able to avoid death and lengthen its life.

The third is the Long-Armed Gibbon [Tongbi yuanhou, 通臂猿猴], who can

Seize the sun and the moon,
Shorten a thousand mountains,
Distinguish the auspicious from the inauspicious,
And manipulate planets and stars.

The fourth is the Six-Eared Macaque [Liu’er mihou, 六耳獼猴] who has

A sensitive ear,
Discernment of fundamental principles,
Knowledge of past and future,
And comprehension of all things.

These four kinds of monkeys are not classified in the ten categories [of life], nor are they contained in the names between Heaven and Earth. As I see the matter, that specious Wukong must be a six-eared macaque, for even if this monkey stands in one place, he can possess the knowledge of events a thousand miles away and whatever a man may say in that distance” (based on Wu & Yu, 2012, vol. 3, p. 115).

如來道:「第一是靈明石猴,通變化,識天時,知地利,移星換斗;第二是赤尻馬猴,曉陰陽,會人事,善出入,避死延生;第三是通臂猿猴,拿日月,縮千山,辨休咎,乾坤摩弄;第四是六耳獼猴,善聆音,能察理,知前後,萬物皆明。此四猴者,不入十類之種,不達兩間之名。我觀假悟空乃六耳獼猴也。此猴若立一處,能知千里外之事;凡人說話,亦能知之。

In this article, I would like to explore all mentions of these magical creatures in the novel. I will focus more on the second and third primates as I’ve already written extensively about the first and fourth kind.

1. Stone-Monkey

There isn’t much to write about the “Stone-Monkey of Numinous Wisdom” (Lingming shihou, 靈明石猴) (fig. 1) as it’s clearly Sun Wukong. The term lingming (靈明) can also be translated as “Numinous Luminosity.” Both refer to spiritual wisdom. This explains why Sun Wukong attains so much power after only three years of spiritual cultivation.

Fig. 1 – A poster of the Stone-Monkey of Luminous Wisdom from the film Four Monkeys. The name has since been changed. See update 02-20-22 below.

2. Horse-Monkey and Gibbon

I’m grouping these two together because they share a close association in JTTW. The Chinese term for “Red-Buttocked Horse-Monkey” (Chikao mahou, 赤尻馬猴) (fig. 2) appears three times in the novel, while “Horse-Monkey” (馬猴, Mahou) only appears once (see here). [2] The term “(Arms)-Through-the-Back Gibbon” (Tongbei yuanhou, 通背猿猴) appears three times, while the interchangeable term “Connected Arms Gibbon” (Tongbi yuanhou, 通臂猿猴) appears once (see here and here) (fig. 3). Both essentially mean “Long-Armed Gibbon.” (This refers to the belief that the small ape’s long, agile arms were somehow connected (i.e. tongbi, 通臂), passing through the back (i.e. tongbei, 通背) (Gulik, 1967, p. 92-93).) The term “ape” or “gibbon” (yuanhou, 猿猴) appears 16 times (see here), and it’s even used to refer to Monkey. For example, a poem in chapter seven calls him “The Great Sage, Equal to Heaven, a monstrous ape” (Qitian dasheng yuanhou guai, 齊天大聖猿猴怪) (Wu & Yu, 2012, vol. 1, p. 191). Horse-monkeys and gibbons are surprisingly listed among the Monkey King’s retinue:

The Handsome Monkey King thus led a flock of gibbons [猿猴], macaques [mihou, 獼猴], and horse-monkeys [馬猴], some of whom were appointed by him as his officers and ministers (based Wu & Yu, 2012, vol. 1, p. 106).

美猴王領一群猿猴、獼猴、馬猴等,分派了君臣佐使

It’s actually a long-armed gibbon who reveals the truth of spiritual beings escaping the hand of death, setting Monkey on his quest for immortality:

From among the ranks a long-armed gibbon [tongbei yuanhou, 通背猿猴] suddenly leaped forth and cried aloud, “If the Great King is so farsighted, it may well indicate the sprouting of his religious inclination. There are, among the five major divisions of all living creatures, only three species that are not subject to Yama, King of the Underworld.” The Monkey King said, “Do you know who they are?” The monkey said, “They are the Buddhas, the immortals, and the holy sages; these three alone can avoid the Wheel of Transmigration as well as the process of birth and destruction, and live as long as Heaven and Earth, the mountains and the streams.” “Where do they live?” asked the Monkey King. The monkey said, “They do not live beyond the world of the Jambudvipa, for they dwell within ancient caves on immortal mountains.” When the Monkey King heard this, he was filled with delight, saying, “Tomorrow I shall take leave of you all and go down the mountain. Even if I have to wander with the clouds to the comers of the sea or journey to the distant edges of Heaven, I intend to find these three kinds of people. I will learn from them how to be young forever and escape the calamity inflicted by King Yama” (based on Wu & Yu, 2012, vol. 1, p. 131).

只見那班部中,忽跳出一個通背猿猴,厲聲高叫道:「大王若是這般遠慮,真所謂道心開發也。如今五蟲之內,惟有三等名色不伏閻王老子所管。」猴王道:「你知那三等人?」猿猴道:「乃是佛與仙與神聖三者,躲過輪迴,不生不滅,與天地山川齊壽。」猴王道:「此三者居於何所?」猿猴道:「他只在閻浮世界之中,古洞仙山之內。」猴王聞之,滿心歡喜道:「我明日就辭汝等下山,雲遊海角,遠涉天涯,務必訪此三者,學一個不老長生,常躲過閻君之難。」

Apart from this, chapter two casts both the long-armed gibbons and red-buttocked horse-monkeys as knowledgeable elders:

As they were speaking, four older monkeys came forward, two horse-monkeys with red buttocks [chikao mahou, 赤尻馬猴] and long-armed gibbons [tongbei yuanhou, 通背猿猴]. Coming to the front, they said, “Great King, to be furnished with sharp-edged weapons is a very simple matter:’ “How is it simple?” asked Wukong. The four monkeys replied, “East of our mountain, across two hundred miles of water, is the boundary of the Aolai Country. In that country there is a king who has numberless men and soldiers in his city, and there are bound to be all kinds of gold, silver, copper, and iron works there. If the great king goes there, he can either buy weapons or have them made (based on Wu & Yu, 2012, vol. 1, p. 131).

正說間,轉上四個老猴,兩個是赤尻馬猴,兩個是通背猿猴,走在面前道:「大王,若要治鋒利器械,甚是容易。」悟空道:「怎見容易?」四猴道:「我們這山向東去,有二百里水面,那廂乃傲來國界。那國界中有一王位,滿城中軍民無數,必有金銀銅鐵等匠作。大王若去那裡,或買或造些兵器

Later in the chapter, they are appointed officers:

The Monkey King made the four old monkeys mighty commanders of his troops by appointing the two horse-monkeys with red buttocks [赤尻馬猴] as Marshals Ma [馬] and Liu [流], and the two long-armed gibbons as Generals Beng [崩] and Ba [芭] (based on Wu & Yu, 2012, vol. 1, p. 138).

猴王將那四個老猴封為健將,將兩個赤尻馬猴喚做馬、流二元帥,兩個通背猿猴喚做崩、芭二將軍

These primates are mentioned in a few other chapters (see here and here).

Fig. 2 & 3 – “Four Monkeys” posters of the Red-Buttocked Horse-Monkey and the Long-Armed Gibbon.

2.1. True Identity?

Anthony C. Yu (Wu & Yu, 2012) calls the horse-monkey a “baboon” (vol. 3, p. 115, for example), likely based on the common image of the primate having a red bottom. And while searching “馬猴” does pull up images and articles about the Mandrill, a large, colorful cousin of the baboon (example), I can’t find any reliable historical sources linking the animal with the term. Having said that, this book associates it with the ancient Chinese practice of putting monkeys in horse stables (majiu husun, 馬廄猢猻) to ward off equine sicknesses, making it a “horse’s monkey.” This naturally has connections to Sun Wukong’s time as the Bimawen, or keeper of the heavenly horses. This is the most convincing explanation for the horse-monkey that I’ve seen, but I’ll make sure to update the article if any other plausible reasons arise. As for the red bottom, this is likely the sexual swelling of females. I’ll spare you a picture; just imagine a bright pink pumpkin that’s about to explode.

The gibbon and macaque are real world animals. For more information on Chinese views of the gibbon, please see this archived book.

3. Six-Eared Macaque

The Chinese term for macaque, mihou (獼猴), appears a total of 13 times (see here). Two refer to monkeys in general (here and here), while three refer to the Macaque King (Mihou wang獼猴王) (see here), Wukong’s sworn brother. A total of eight refer to the Six-Eared Macaque (Liu’er mihou, 六耳獼猴) (see here, here, and here).

I’ve already written an article exploring the literary and religious origins of Six Ears. The novel presents him as a negative manifestation of Sun Wukong’s mind. I suggest that their battle is an allegory for the internal struggle between the true and illusionary aspects of Monkey’s psyche. Another scholar has also posited that Six Ears appears earlier in the novel as the Macaque King.

Fig. 4 – A “Four Monkeys” poster of the Six-Eared Macaque. This version wields swords unlike his staff-brandishing literary counterpart.

4. The Same or Similar?

Let’s compare the Four Celestial Primates with the apes and monkeys from the Great Sage’s mountain home:

Four Celestial Primates

  1. Stone-Monkey of Luminous Wisdom (Lingming shihou) (i.e. Sun Wukong)
  2. Red-Buttocked Horse-Monkey (Chikao mahou)
  3. Long-Armed Gibbon (Tongbi yuanhou)
  4. Six-Eared Macaque (Liu’er mihou). 

Flower-Fruit Mountain

  1. Stone-Monkey (i.e. Sun Wukong)
  2. Red-Buttocked Horse-Monkeys (Chikao mahou)
  3. Long-Armed Gibbons (Tongbei yuanhou)
  4. Macaques (Mihou)

Recall how the names Tongbi and Tongbei both refer to the gibbon’s long arms. Therefore, the listed groups above are practically the same.

This then raises the question, “Were the Four Celestial Primates all born on Flower-Fruit Mountain, or are the similarities just an example of mirroring?” What I mean by this is that JTTW hosts a number of mirrored characters. Here are just a few:

  1. Sun Wukong and Six-Ears (ch. 56 to 58) – This one is obvious.
  2. Sun Wukong and the Bull Demon King (ch. 4 to 7 and 61) – They have the same powers and character arc (see section 3 here).
  3. The Demon Kings of the 72 Caves and the 72 Heavenly Commanders (ch. 4 to 5)
  4. Monkey’s Six Sworn Demon King Brothers (ch. 4) and Lord Erlang’s Six Sworn Brothers of Plum Mountain (ch. 6)
  5. Nezha and Red Boy (chapters 4 to 6 and 40 to 42) – Both are powerful, divine children associated with fire.

I’ll leave it up to the reader which possibility they want to accept.


Update: 02-20-22

Here’s a four minute preview for the upcoming film King of Havoc: Rise of the Great Sage (Hunshi zhi wang: Dasheng jueqi,  混世之王:大圣崛起, 2022). The Six-Eared Macaque appears in figure four wielding swords. This same character takes part in the trailer but is called the Macaque King, thereby referencing the aforementioned theory that he is Six Ears.


Update: 02-22-22

User Phantom86d left an interesting comment suggesting that the four celestial primates are not part of the ten categories of life—as stated by the Buddha in the introduction—”[b]ecause Wukong erased their names from the book of Life and Death.” This refers to chapter three when Sun inks out his name and those of all other primates when his immortal soul is mistakenly summoned to hell. It’s important to remember that he had his own, separate book (Wu & Yu, 2012, vol. 1, p. 140), so the other celestial primates likely had theirs.


Update: 02-25-22

Thanks to this dictionary, I learned that one late-Qing source, New Dialect (Xinfangyan, 新方言, early-20th-c.), associates “horse-monkey” (mahou, 馬猴) with various iterations of Chinese terms for macaque monkeys:

“Bathing-monkey” (muhou): “mother-monkey” (muhou); mother-monkey (muhou): “full-monkey” (mihou) – these are called “horse-monkey” (mahou), the sound of each one changing [in turn].

沐猴:母猴;母猴:彌[獼]猴,令人謂之馬猴,皆一音之轉。(the original doesn’t have punctuation)

This article explains that the second term refers not to a female primate but a macaque. The Annotation of the Shuowen jiezi (Shuowen jiezi zhu, 說文解字注, 1815) reads:

“Mother-monkey” (muhou) is the name of the beast, not the female. “Bathing-monkey” (muhou) and “hunting-monkey” (mihou) are changes in dialect. The characters are wrong.

母猴乃此獸名,非謂牝者。沐猴、獮[獼]猴皆語之轉,字之訛也。

Update: 02-26-22

The Compendium of Materia Medica (Bencao gangmu, 本草綱目, 1596) traces the etymology of “bathing monkey” (muhou, 沐猴):

The monkey likes to wipe its face as if bathing (mu), so it is called a “bathing (monkey).” Later generations mistook this mu for “mother,” and then mother for “full” (mi). The meaning is lost as errors compound.

猴好拭面如沐,故謂之沐,而後人訥沐為母,又謳母為獼,愈訥愈失矣。

It then directly connects muhou (母猴) to stable monkeys:

The Shuowen says: The characters (for macaque) look like “mother monkey” (muhou), but it’s a “bathing monkey” (muhou, i.e. macaque), not a female. Since a macaque resembles a hu-barbarian, he is also called hu-sun “grandson of a barbarian.” The Zhuangzi calls him ju. People who raise horses keep a macaque in the stables, which will ward off horse-diseases. The Hu barbarians call a macaque maliu, in Sanskrit books he is called Mosizha (makaṭa).

《說文》雲︰為字象母猴之形。即沐猴也,非牝也。猴形似胡人,故曰胡孫。 《莊子》謂之狙。養馬者厩中畜之,能闢馬病,胡俗稱馬留雲。 《梵書》謂之摩斯[吒]。

The section later explains how macaques (muhou, 母猴) help the horses:

The Classic of Horses states: Domesticated macaques (muhou) used in horse stables help avoid horse diseases [lit: bimawen]. Their monthly menstruation runs onto the grass, and once the horses eat it, they will never be sick.

《馬經》言︰馬厩畜母猴,闢馬瘟疫。逐月有天癸流草上,馬食之,永無疾病矣。

Update: 06-28-2023

It just occurred to me that since Six Ears is an aspect of Sun Wukong’s mind, the other two celestial primates could be as well. All three being aspects of Sun’s mind would thus explain why they “are not classified in the ten categories [of life], nor are they contained in the names between Heaven and Earth” (Wu & Yu, 2012, vol. 3, p. 115). They aren’t classified because they were never born. They are simply personifications of Sun’s base and noble qualities. How and when they would have splintered from his psyche is the big question. 

I doubt I’m the first person to think of this. I’m interested to hear what my readers think.


Update: 01-04-24

I’ve rewritten sections two to four. This was done to help make the subject more understandable. 

Notes:

1) I will be altering Yu’s (Wu & Yu, 2012) translation from this point forward to make it more accurate.

2) Ctext shows the term “Great Horse-Monkey” (Da mahou, 大馬猴) pops up in chapter 28 of Dream of the Red Chamber (18th-century). It’s used to symbolize something worse than an immoral husband that would ravage a young maiden:

Next came Xue Pan. “Is it for me to speak now?” Xue Pan asked.

“A maiden is sad…”

But a long time elapsed after these words were uttered and yet nothing further was heard.

“Sad for what?” Feng Ziying laughingly asked.

“Go on and tell us at once!”

Xue Pan was much perplexed. His eyes rolled about like a bell.

“A girl is sad…” he hastily repeated. But here again he coughed twice before he proceeded.

“A girl is sad,” he said:

“When she marries a spouse who is a libertine.”

This sentence so tickled the fancy of the company that they burst out into a loud fit of laughter.

“What amuses you so?” shouted Xue Pan, “is it likely that what I say is not correct? If a girl marries a man, who chooses to forget all virtue, how can she not feel sore at heart?”

But so heartily did they all laugh that their bodies were bent in two.

“What you say is quite right,” they eagerly replied. “So proceed at once with the rest.”

Xue Pan thereupon stared with vacant gaze.

“A girl is grieved…” he added.

But after these few words he once more could find nothing to say.

“What is she grieved about?” they asked.

“When a huge horse monkey [大馬猴] finds its way into the inner room,” Xue Pan retorted (Cao & Joly, 1892, p. 62).

下該薛蟠。薛蟠道:「我可要說了:女兒悲--」說了半日,不見說底下的。馮紫英笑道:「悲什麼?快說!」薛蟠登時急的眼睛鈴鐺一般,便說道:「女兒悲--」又咳嗽了兩聲,方說道:「女兒悲,嫁了個男人是烏龜。」眾人聽了,都大笑起來。薛蟠道:「笑什麼?難道我說的不是?一個女兒嫁了漢子,要做忘八,怎麼不傷心呢?」眾人笑的彎著腰,說道:「你說的是,快說底下的罷。」薛蟠瞪了瞪眼,又說道:「女兒愁--」說了這句,又不言語了。眾人道:「怎麼愁?」薛蟠道:「繡房鑽出個大馬猴。」

Sources:

Cao, X., & Joly, H. B. (1892). Hung Lou Meng: Or, The Dream of the Red Chamber; a Chinese Novel – Book 2. Hongkong: Kelly & Walsh.

Gulik, R. H. (1967). The Gibbon in China: An Essay in Chinese Animal Lore. Leiden: E.J. Brill.

Lam, H. L. (2005). Cannibalizing the Heart: The Politics of Allegory and The Journey to the West. In E. Ziolkowski (Ed.). Literature, Religion, and East/West Comparison (pp. 162-178). Newark: University of Delaware Press.

Wu, C., & Yu, A. C. (2012). The Journey to the West (Vols. 1-4) (Rev. ed.). Chicago, Illinois: University of Chicago Press.