Buddhist Deities Exiled From the Western Heaven in Chinese Vernacular Literature

Last updated: 01-25-2025

Anyone who has read Journey to the West (Xiyouji西遊記, 1592) will know that the Tang monk Tripitaka (Tang Sanzang, 唐三藏; a.k.a. Xuanzang) is said to be an incarnation of Master Golden Cicada (Jinchan zi, 金蟬子), the Buddha’s fictional second disciple. The full picture of his past can be pieced together from verse and character dialogue throughout the narrative. This culminates with the Tathagata‘s explanation in chapter 100:

Because you failed to listen to my exposition of the law and slighted my great teaching, your true spirit was banished to find another incarnation in the Land of the East [i.e. China]. Happily you submitted and, by remaining faithful to our teaching, succeeded in acquiring the true scriptures (Wu & Yu, 2012, vol. 4, p. 381).

因為汝不聽說法,輕慢我之大教,故貶汝之真靈,轉生東土。今喜皈依,秉我迦持,又乘吾教,取去真經 …

In the course of my research, I’ve come across two other examples of Buddhist deities from Ming-Qing Chinese vernacular literature that are exiled from the Western Heaven. In this article, I would like to highlight these stories, as well as analyze them alongside Master Golden Cicada’s tale to record parallels. It’s important to note that all examples are connected to the Journey to the West story cycle. Finally, I will show that the presented examples share similarities with Greek philosophy.

I wrote this to better understand how the story of Master Golden Cicada’s exile may have come about.

Table of Contents

1. Master Golden Cicada

For the record, the fullest account of Tripitaka’s past is described by Sun Wukong in chapter 81:

“You don’t realize that Master was the second disciple of our Buddha Tathagata, and originally he was called Elder Gold Cicada. Because he slighted the Law, he was fated to experience this great ordeal.”

“Elder Brother,” said Eight Rules, “even if Master did slight the Law, he had already been banished back to the Land of the East where he took on human form in the field of slander and the sea of strife. After he made his vow to worship Buddha and seek scriptures in the Western Heaven, he was bound whenever he ran into monster-spirits and he was hung high whenever he met up with demons. Hasn’t he suffered enough? “Why must he endure sickness as well?”

“You wouldn’t know about this,” replied Pilgrim. “Our old master fell asleep while listening to Buddha expounding the Law [fig. 1]. As he slumped to one side, his left foot kicked down one grain of rice. That is why he is fated to suffer three days’ illness after he has arrived at the Region Below.” [1]

Horrified, Eight Rules said, “The way old Hog sprays and splatters things all over when he eats, I wonder how many years of illness I’d have to go through!”

“Brother,” said Pilgrim, “you have no idea either that the Buddha is not that concerned with you and other creatures. But as people say:

Rice stalks planted in noonday sun
Take root as perspiration runs.
Who knows of this food from the soil
Each grain requires most bitter toil?

Master still has one more day to go, but he’ll be better by tomorrow” (Wu & Yu, 2012, vol. 4, p. 82).

你不知道。師父是我佛如來第二個徒弟,原叫做金蟬長老,只因他輕慢佛法,該有這場大難。」八戒道:「哥啊,師父既是輕慢佛法,貶回東土,在是非海內,口舌場中,託化做人身,發願往西天拜佛求經,遇妖精就捆,逢魔頭就吊,受諸苦惱,也夠了,怎麼又叫他害病?」行者道:「你那裡曉得。老師父不曾聽佛講法,打了一個盹,往下一試,左腳屣了一粒米,下界來,該有這三日病。」八戒驚道:「像老豬吃東西潑潑撒撒的,也不知害多少年代病是。」行者道:「兄弟,佛不與你眾生為念,你又不知。人云:『鋤禾日當午,汗滴禾下土。誰知盤中餐,粒粒皆辛苦。』師父只今日一日,明日就好了。」

Fig. 1 – Master Golden Cicada falls asleep during the Buddha’s sermon (larger version). Screenshot from episode one of the 1996 Journey to the West TV show.

2. Miao Jixiang

Miao Jixiang (妙吉祥) is a former oil lamp-turned-humanoid Buddhist disciple who briefly appears in chapter one of Journey to the South (Nanyouji南遊記, c. 1570s-1580s). He is exiled from the Western Heaven for using his holy flame to kill a belligerent sage. But Miao escapes underworld punishment thanks to the intervention of the Bodhisattva Guanyin. He is later reborn in China as a number of figures, most famously the popular martial deity Huaguang dadi (華光大帝; variously translated as “Great Emperor of Flowery/Resplendent/Magnificent/Majestic Light”):

That Great King of the Single Flame [Duhuo dawang, 独火大王] … wanted to incinerate Spirit Mountain. Fortunately, the Tathagata foresaw this with his all-seeing eyes, and so he recited a mantra, summoning five hundred dragons that brought forth dew and fog to cover the mountain.

Unable to unleash his fire, this Single-Flame demon became angry, rampaging to the left and right of the temple and hurling insults.

Miao Jixiang [2] offered a word of advice, “You are not the same caliber of wisdom as we Buddhist disciples. You can leave if you want; it makes no difference.”

“If you enrage my heart-mind, I will burn your dog bones to death!” replied the Great King of the Single Flame.

Miao Jixiang laughed, “You can only burn others. You can never burn me. If you can burn me, I will acknowledge you as superior.”

Anger racing through him, the Great King set loose his Fire of the Five Dippers, but Miao Jixiang remained perfectly still.

He laughed, “You monster, how could your fire burn me? I used to be the oil lamp before the Tathagata’s Dharma Hall, burning brilliantly day and night, listening to the sutras, and inquiring about the Dharma. I have accumulated many candle wicks during this time. But one day, Tathagata recited a spell and bestowed onto me a human body. With my appearance, spirit, hearing, and origins all arising from fire, how could you burn me? You monster, if you continue to harass our Spirit Mountain and cause us unease, I will inevitably bring forth my Perfected Fire of Samadhi to burn you monster to death, so as to avoid any future troubles.”

Watching this with his all-seeing eyes, the Tathagata was about to stop Miao Jixiang, but the latter had already unleashed his fire and burned that damnable Single Flame to death [fig. 2].

Furious, the Tathagata summoned heavenly generals to arrest Miao Jixiang, “You beast, how dare you break my precepts?” Tathagata scolded. “Although he is wrong, you and I are Buddhists (chujia zhi ren, 出家之人, lit: “people who have left their families”); we’re supposed to be infinitely merciful. Why did you burn him to death? Such an act is intolerable by the Buddhist Dharma. I shall banish you to the underworld (yinshan, 陰山; lit: “mountain of yin/darkness”) to suffer.”

Miao Jixiang begged for forgiveness.

The Reverend Mother Guanyin came forward from one said to defend him by saying, “Although he is guilty, Miao Jixiang is a disciple of Spirit Mountain. He should not be banished to the underworld. When he was still alive, the Great King of Horse-Ear Mountain approached our Spirit Mountain to pray for a son. Now that his wife is pregnant, why not send Miao Jixiang to be reincarnated as her son? After Miao Jixiang goes through this catastrophe, he shall be allowed to return to Spirit Mountain and serve the Master. Why not do this?”

Nodding, Tathagata was about to send Miao Jixiang away.

“My master, you order me to reincarnate,” Miao Jixiang said in tears, “but if I am deprived of the Divine Way, I am afraid that I will be bullied.”

Sitting atop his treasured throne, Tathagata recited a spell, “I shall now bestow you with the five supernatural powers: the heaven power, with which you can travel freely to heaven; the earth power, with which the earth will crack by itself if you want to get inside; the wind power, with which you are shadowless in the wind; the water power, with which you can travel without any obstacle in water; the fire power, with which you feel ease in the fire.”

Tathagata pointed his dharma finger at Miao Jixiang’s forehead, saying, “I will also bestow you with a heavenly eye, with which you can see all across the three realms.”

Tathagata ordered the Reverend Mother Guanyin to deliver Miao Jixiang to his reincarnation (adapted from pp. 10-11 of this PDF).

那大王 … 即要放火烧灵山。幸如来慧眼一见,便念动咒语,放出五百条逆龙,涌起露雾罩住灵山,此火便不能发。独火鬼见火不发,十分著恼,于寺中左冲右撞,出言不逊,妙吉祥进言曰:「我们佛家弟子,亦不比你见识,你可去也罢。」独火大王曰:「恼得我心一边来,把你这狗骨头亦将来烧死。」妙吉祥笑曰:「你的火只好烧别人,烧得我不成;你若烧得我,便见你高。」大王怒起,就放出五斗火,便烧吉祥,吉祥端然不动。笑曰:「你这妖怪,你那火如何烧得我?我乃如来法堂前一盏油灯,昼夜煌煌,听经问法,灯花堆积,一日如来念咒,咒成人身。我这火之相,火之灵,火之听,火之起,你焉能烧我?你这妖怪,今你若再在整日闹我灵山,不得自在,我不免请出三昧真火,烧死你这妖怪,免致后患。」如来慧眼看见,便叫不可之时,独火鬼已被他烧死在地。如来大怒,喝声叫将妙吉祥拿下,责曰:「你这畜生如何敢破我戒?他虽不是,我你俱出家之人,当大慈大悲终是,为何将他烧死?佛法难容,贬去阴山受罪。」吉祥告饶。观音老母在旁保曰:「妙吉祥虽然有罪,乃灵山弟子,不可贬去阴山。当日马耳山大王在日之时,来我灵山祈嗣。今日那娘娘有孕有身,不如送去投胎,等他大难满日,取回灵山,伏侍师父,何不可也。」如来依言,便欲送去。吉祥流泪告曰:「师父命我投胎,奈我不晓神道,恐后被人欺负。」如来于宝座中,念动咒语,说:「我就赐你五通:你一通天,天中自行;二通地,地赶自裂;三通风,风中无影;四通水,水中无碍;五通火,火里自在。」又用法手一指顶门:「赐你一个天眼挪门,可见三界。」就叫观音老母送去投胎。

Fig. 2 – Miao Jixiang kills the Great King of the Single Flame (larger version). From a modern lianhuanhua comic. Image found here

3. The Great Peng

The Complete Vernacular Biography of Yue Fei (Shuo Yue quanzhuan說岳全傳, 1684) depicts the Great Peng, the Golden-Winged King of Illumination (Dapeng jinchi mingwang, 大鵬金翅明王), [3] as a hot-tempered avian dharma protector stationed above the Buddha’s head (fig. 3). He is exiled from the Western Heaven for killing a bat-spirit who farts during the Buddha’s sermon, and the bird is later reborn in China as the famed Song-era General Yue Fei (岳飛, 1103–1142):

Let’s talk about the Buddha Tathagata at the Great Thunderclap Monastery in the Western Paradise. One day, he sat on a nine-level lotus throne, and the Four Great Bodhisattvas, the Eight Great Vajra Warriors, the five hundred Arhats, the three thousand Heavenly Kingsnuns and monks, male and female attendants, all of the heavenly sages who protect the Dharma, gathered to listen to his lecture on the Lotus Sutra. His words were like flowers and precious jewels raining from the heavens. But, at that time, a star-spirit, the Maiden Earth Bat, who had been listening to the lecture from beneath the lotus throne, couldn’t bear it any longer and unexpectedly let out a stinky fart.

The Buddha was a great, merciful lord, so he didn’t mind even the slightest bit. But don’t console the Dharma protector above his head, [4] the “Great Peng, the Golden-Winged King of Illumination,” whose eyes shone with golden light and whose back was a scene of auspiciousness. He became angry when he saw the nasty, filthy Maiden Earth Bat, and so he unfurled both his wings and dropped down to kill the spirit by pecking her on the head. The light-point of her soul shot out of the Great Thunderclap Monastery and went to the Lands of the East (China) in the world below to find a mother and reincarnate. She was reborn as a daughter of the Wang clan. She would later marry the Song Prime minister Qin Hui (1091–1155) and come to cruelly kill the righteous (Yue Fei) as a means to get revenge against today’s enemy. We will talk about this later.

Let’s return to the Buddha, who saw what happened with his all-seeing eyes and exclaimed, “Good! Good! It turns out that this is an episode of karma (cause and effect).” Then he called the Great Peng bird to come closer and shouted, “You evil creature! You already took refuge in my teachings. How can you not follow the five precepts by daring to commit such a horrible crime? I don’t need you here; you will descend to the mortal world to pay off your (karmic) debt and wait until you have fulfilled your work. Once that is completed, only then will I allow you to return to the mountain to achieve the right fruit (Buddhist merit).” The Great Peng complied with the decree, flying out of the Great Thunderclap Monastery directly to the Lands of the East to be reincarnated. We will stop here (translated by the author).

且說西方極樂世界大雷音寺我佛如來,一日端坐九品蓮臺,旁列著四大菩薩、八大金剛、五百羅漢、三千偈諦、比丘尼、比丘僧、優婆夷、優婆塞,共諸天護法聖眾,齊聽講說妙法真經。正說得天花亂墜、寶雨繽紛之際,不期有一位星官,乃是女土蝠,偶在蓮臺之下聽講,一時忍不住,撒出一個臭屁來。我佛原是個大慈大悲之主,毫不在意。不道惱了佛頂上頭一位護法神祗,名為大鵬金翅明王,眼射金光,背呈祥瑞,見那女土蝠污穢不潔,不覺大怒,展開雙翅落下來,望著女土蝠頭上,這一嘴就啄死了。那女土蝠一點靈光射出雷音寺,徑往東土認母投胎,在下界王門為女,後來嫁與秦檜為妻,殘害忠良,以報今日之讎。此是後話,按下不提。

且說佛爺將慧眼一觀,口稱:「善哉,善哉!原來有此一段因果。」即喚大鵬鳥近前,喝道:「你這孽畜!既歸我教,怎不皈依五戒,輒敢如此行兇?我這裡用你不著,今將你降落紅塵,償還冤債,直待功成行滿,方許你歸山,再成正果。」大鵬鳥遵了法旨,飛出雷音寺,徑來東土投胎不表。

Fig. 3 – Detail of an altar to the Great Peng, the Golden-Winged King of Illumination (larger version). Full image found here.

4. Analysis

There are four parallels shared between these stories. First, each character is exiled for disrespecting the Buddha. Master Golden Cicada falls asleep during the Tathagata’s sermon. Miao Jixiang kills a belligerent sage on the grounds of the Thunderclap Monastery. And the Great Peng kills the Maiden Earth Bat in the same hallowed place during the Buddha’s lecture. The latter two examples are similar in that both characters are admonished by the Tathagata for breaking the precept against killing. For the former, the Buddha exclaims, “You beast, how dare you break my precepts? … Such an act is intolerable by the Buddhist Dharma” (你這畜生如何敢破我戒?… 佛法難容). And for the latter, he screams, “You evil creature! You already took refuge in my teachings. How can you not follow the five precepts by daring to commit such a horrible crime?” (你這孽畜!既歸我教,怎不皈依五戒,輒敢如此行兇?). Admittedly, these acts make Master Golden Cicada’s sleeping far less serious in comparison.

Second, each is exiled from the Western Heaven in India to be reborn as a hero in China. Master Golden Cicada lives out a number of pious incarnations before his final life as Tripitaka, a learned monk who procures scriptures needed to release untold numbers of orphaned souls from the underworld. Miao Jixiang experiences several adventurous incarnations before his final life as Huaguang dadi, a martial deity who rids the world of evil spirits. And the Great Peng is reborn as Song Dynasty General Yue Fei, a patriot who fights against invading Jurchen forces which threaten the Middle Kingdom.

Third, all are exiled with the understanding that they will return once they have accumulated enough Buddhist merit and/or paid off a karmic debt. This is more implied in Master Golden Cicada/Tripitaka’s case when the Buddha reveals his past transgression and then grants him an elevation in spiritual rank to an enlightened being, thereby allowing him to return to the Western Heaven at the end of his story arc (Wu & Yu, 2012, vol. 4, p. 381). Whereas with Miao Jixiang, this is openly suggested by Guanyin: “After [he] goes through this catastrophe, he shall be allowed to return to Spirit Mountain and serve the Master. Why not do this?” (等他大难满日,取回灵山,伏侍师父,何不可也。) The Tathagata agrees to this arrangement. As for the Great Peng, the Buddha states,

[Y]ou will descend to the mortal world to pay off your (karmic) debt and wait until you have fulfilled your work. Once that is completed, only then will I allow you to return to the mountain to achieve the right fruit (Buddhist merit).

今將你降落紅塵,償還冤債,直待功成行滿,方許你歸山,再成正果。

And fourth, all are connected to the Journey to the West story cycle. For instance, in chapter one of Journey to the South (c. 1570s-1580s), “Pilgrim Sun” (Sun xingzhe, 孫行者; i.e. Sun Wukong) wins first place in a competition between the gods of the Buddho-Daoist pantheon to see who owns the greatest celestial treasure (see pp. 6-7 of this PDF). And in chapter 17, Monkey fights Miao Jixiang’s reincarnation, Huaguang dadi, because the latter framed the former for the theft of immortal peaches. The Great Sage initially wins the encounter, but he is unexpectantly burned at the last minute, leaving his non-canonical daughter to finish the fight (see pp. 107-110 of this PDF). And the Great Peng originally appears as a demon king named the “Peng of Ten Thousand Cloudy Miles” (Yuncheng wanli peng, 雲程萬里鵬) in chapters 74 to 77 of Journey to the West (1592). At the end of his arc, he is trapped above the Buddha’s head (fig. 4):

Perceiving the Peng’s intentions, Tathagata produced a golden light and, facing the wind, and gave his head (which had once supported the nests of magpies) a shake. The head changed at once into a piece of meat dripping with fresh blood. Stretching out his claws, the monster-spirit drew near and tried to clutch at the piece of meat. Our Father Buddha pointed at him with his finger and immediately the monster-spirit felt such cramps throughout his huge wings that he could not fly away. He was trapped above the Buddha’s head in his true form: the Great Peng, a golden-winged eagle [fig. 4] (based on Wu & Yu, 2012, vol. 4, p. 31).

如來情知此意,即閃金光,把那鵲巢貫頂之頭迎風一幌,變做鮮紅的一塊血肉。妖精掄利爪叼他一下。被佛爺把手往上一指,那妖翅膊上就了筋,飛不去,只在佛頂上不能遠遁,現了本相,乃是一個大鵬金翅鵰。

The Great Peng later begrudgingly agrees to submit to Buddhism (Wu & Yu, 2012, vol. 4, p. 31). Therefore, this explains his lofty position in The Complete Vernacular Biography of Yue Fei (1684).

Fig. 4 – The Great Peng trapped above the Buddha’s head (larger version). From Chen Huiguan’s Newly Illustrated and Complete Journey to the West (Chen Huiguan Xinhui Quanben Xiyouji, 陈惠冠新绘全本西游记, 2001).

5. Similarities to Western Philosophy

McEvilley (2002) comments that the Greek philosopher Empedocles (5th c. BCE) wrote of gods being exiled for ten thousand years for the crime of murder or lying under oath. The fallen deity was believed to reincarnate into every creature of land, air, and sea, and when their long punishment was over, they were reborn in their last life as a person of high culture, such as royalty, religious leaders, and scholars. They then returned to their former heavenly station upon death (McEvilley, 2002, pp. 106-107). These beliefs mirror the misdeeds (sleeping and murder), exile from heaven, experience of reincarnation, and then eventual return to heaven of Master Golden Cicada, Miao Jixiang, and the Great Peng. These similarities likely point to a broader concept in Greco-Indian philosophy that made its way into Chinese vernacular fiction.


6. Updates

Update: 01-25-25

I have suggested that a historical disciple of the Buddha influenced the episode of Master Golden Cicada falling asleep. See 01-25-25 update here:

The Monk Tripitaka and the Golden Cicada

Notes:

1) Tripitaka’s additional punishment points to the supreme importance of rice in an agrarian society like ancient China.

2) Miao Jixiang should not be confused with the Bodhisattva Manjushri, who has the same Chinese name in some older Buddhist literature (Von Glahn, 2004, p. 214).

3) The mingwang (明王, “illumination king”) of the Great Peng’s Buddhist title could also mean “wisdom king,” which refers to spiritual knowledge.

4) My previous article traces the religious motif of a bird (Garuda) hovering above the heads of Buddhist personages to Hindo-Buddhist architecture in ancient India.

Sources:

McEvilley, T. (2002). The Shape of Ancient Thought: Comparative Studies in Greek and Indian Philosophies. New York: Allworth.

Von Glahn, R. (2004). The Sinister Way: The Divine and the Demonic in Chinese Religious Culture. United Kingdom: University of California Press.

Wu, C., & Yu, A. C. (2012). The Journey to the West (Vols. 1-4) (Rev. ed.). Chicago, Illinois: University of Chicago Press.

Archive #28 – Tripitaka’s Reincarnation and its Connection to Ancient Greek and Egyptian Philosophy

Last update: 02-16-2024

The Tang monk Tripitaka (Tang Sanzang, 唐三藏; a.k.a. Xuanzang) is depicted in Journey to the West (Xiyouji, 西遊記, 1592) as the earthly reincarnation of Master Golden Cicada (Jinchan zi, 金蟬子) (fig. 1), the Buddha’s fictional second disciple. This deity is banished to live out ten pious lives in China until the time comes for him to build merit as the scripture pilgrim, thereby gaining reentry into paradise. His crime of not paying attention to the Buddha’s lectures and subsequent exile to the mortal realm is encapsulated in part of a poem from chapter twelve:

Gold Cicada was his former divine name.
As heedless he was of the Buddha’s talk,
He had to suffer in this world of dust,
To fall in the net by being born a man
[…] (Wu & Yu, 2012, vol. 1, p. 275).

Fig. 1 – A modern interpretation of Master Golden Cicada as a literal insect by Taylor-Denna (larger version). See here for the full version and the artist’s statement. Used with permission.

I. Similarities to Western philosophy

McEvilley‘s (2002) The Shape of Ancient Thought shows that Greek Orphic and Egyptian philosophy also believed in exiling gods from the heavens as a form of punishment. For example, Empedocles (5th-c. BCE) wrote of gods being exiled for ten thousand years for the crime of murder or lying under oath. The fallen deity is believed to reincarnate into every creature of land, air, and sea (fig.3), and when their long punishment is up, they are reborn in their last life as a person of high culture, such as royalty, religious leaders, and scholars. They then return to their former heavenly station upon death (McEvilley, 2002, p. 106). Plato (5th to 4th-c. BCE) specifically mentions the god undergoing ten reincarnations interspersed with thousand-year-long periods of afterlife reward or punishment (McEvilley, 2002, p. 108). The multiples of ten mentioned here fascinate me as they relate to the number of Tripitaka’s incarnations.

image

Fig. 3 – A symbolic painting showing the course of life, death, and reincarnation (larger version). Artist unknown.

McEvilley (2002) continues by tracing these and related Greek and Indian beliefs to the Egyptian Book of the Dead:

The deceased must somehow be regarded as a king or prince before he is eligible to “get thee back to the heights of heaven.” Thus Ani declares, “I am crowned like unto the king of the gods, and I shall not die a second time in the underworld.” Again, the prayer is made, “May Osiris, the scribe Ani, be a prince … and may the meat offerings and the drink offerings of Osiris Ani, triumphant, be apportioned unto him.” “I am crowned,” Ani claims, “I am become a shining one, I am mighty, I am become holy among the gods.” “I am the prince of eternity.” “May it be granted that I pass on among the holy princes,” Ani prays, and he is reassured: “The god Tmu hath decreed that [Ani’s] course shall be among the holy princes.” “Horus,” the Book of the Dead says, “was like unto a prince of the sacred bark, and the throne of his father was given unto him.”

Something very like the doctrine of Empedocles is suggested, and possibly related to it as forerunner. The ba, which was once a god among the other gods, descends to earth, that is, into a body, in order to right some wrong it has done in the past; either it descended as a pharaoh or it has somehow been processed through nature for long ages until it has purified itself sufficiently to be reborn as a pharaoh; after its purification it is ready to return to the company of the gods in heaven, and this is signified by the status as pharaoh. Empedocles said the final incarnation was as a prince, a poet, or a healer. Plato said the last reincarnation was as a philosopher—but he meant philosophers to be kings. They both may be echoing an Egyptian idea either that gods are incarnated only as pharaohs or that the last incarnation is as a pharaoh. A parallel is found in the Hindu caste system, in the idea that only brahmans can attain moksa—that is, “become Osiris”; the soul must reincarnate upward through the castes before it is in position to get off the wheel.

The nature of the primal crime or ancient wrong which the soul “descended on to the earth” to set right is not clearly stated, as it is not in the Greek versions of the myth, where it is either left undefined or ambiguously declared to be either perjury or bloodshed. The Egyptian texts dwell repeatedly on this subject, but with an ambiguity not unlike that of the Greek texts. Various clues in the Greek tradition indicate that the crime which the Orphic was attempting to expiate was either the ancient war of the Titans against the gods, for which they were exiled from heaven and imprisoned in Tartarus, or their rending and devouring of Dionysus Zagreus, or both. (In the Greek tradition, as West says, “The Titans are by definition the banished gods, the gods who have gone out of this world.”) The Egyptian texts may foreshadow the Greek myth of the Titans when they refer to a primal rebellion of one group of gods against another. “O ye gods of the underworld,” Osiris Ani says, “who set yourselves up against me, and who resist the mighty ones …” Again, he says:

Hail, Thoth! What is it that hath happened unto the holy children of Nut? They have done battle, they have upheld strife, they have done evil, they have created the fiends, they have made slaughter, they have caused trouble; in truth, in all their doings the mighty have worked against the weak …I am not one of those who work iniquity in their secret places; let not evil happen unto me.

The children of Nut include Osiris, Horus, Set, Isis, and Nephthys. When Ani claimed “before Isis I was,” he was dissociating himself from this contentious generation of deities in which the primal murder of Osiris by Set occurred, and claiming to have been one among the earlier generation, the “gods of the first time.” But there are also suggestions that the crime might be Set’s dismemberment of Osiris, whom Ani, in his role as Horus, avenger of his father, has to reconstitute to make reparation. Ani, in other words, might be expiating either or both of the Egyptian versions of the crimes of the Titans, and part of his strategy in doing so is to claim that he belongs to the earlier generation of gods (pp.131-133).

So the crime of murderous rebellion or bearing a false oath became inattentiveness to the Buddha’s teachings in Journey to the West. And the gods of ancient Greece and Egypt became a son of Buddha punished to ten reincarnations as a mortal, his last one as a holy monk. This final point mirrors the concept of the last incarnation being a grand one as a king or holy person.

How these beliefs or related proto-beliefs came to China is unknown to me. If pressed, I would venture it involved some Buddhist text containing an ancient Indian arm of this philosophy.

II. Connection to the other pilgrims

I can’t pass up the opportunity to mention how this also relates to the other pilgrims, who are portrayed as former gods exiled from heaven for some offense. In place of several rounds of reincarnation, they are (among other punishments) forced to serve as Tripitaka’s guardians, protecting him from leagues of demons wanting to jump ahead in the cosmic hierarchy by eating the monk’s flesh and gaining immortality. Marshal Tianpeng (Zhu Bajie) is banished for drunkenly forcing himself on the Moon goddess and reborn as a grotesque pig spirit (Wu & Yu, 2012, vol. 1, p. 212) (fig. 2). The Curtain-Raising General (Sha Wujing) is banished for breaking a treasure cup at a heavenly banquet and reborn as a monstrous water spirit plagued by a magic sword that stabs at him weekly (Wu & Yu, 2012, vol. 1, p. 209-210). [1] The dragon prince, son of the Western Sea Dragon King Aorun, is banished for burning a heavenly pearl (Wu & Yu, 2012, vol. 1, p. 213-214), but in place of execution, he agrees to transform into a dragon horse (a kind of rebirth) and serve as Tripitaka’s mount (Wu & Yu, 2012, vol. 1, p. 328). And even Sun Wukong is banished for his rebellion (the divine crime mentioned above) and punished to imprisonment under Five Elements Mountain. It’s interesting to note that one scholar suggests this punishment represents a symbolic death, leading to his eventual reincarnation (see Shao, 1997). (I’d like to add Sun’s additional punishment of eating a hellish diet of molten copper and hot iron balls speaks to a transitional period of afterlife punishment.) And once the pilgrims complete their penance (i.e. the journey), all are welcomed back into heaven, in this case the Buddha’s paradise

Zhu Bajie-Chang'e stamp

Fig. 2 – A Taiwanese stamp featuring Zhu Bajie and the moon goddess.

III. Archive

Here is a PDF for McEvilley (2002).

Click to access Thomas-McEvilley-The-Shape-of-Ancient-Thought_-Comparative-Studies-in-Greek-and-Indian-Philosophies-Motilal-Banarsidass-2008.pdf

Disclaimer:

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Update: 04-05-22

I’ve archived a paper suggesting that Sun Wukong and Erlang’s magic battle of transformations was influenced by ancient Greek (and by extension Near Eastern) stories.

Archive #36 – Sun Wukong and Battles of Magical Transformations


Update: 02-16-24

I’ve written an article recording other examples of Buddhist deities from Chinese fiction being exiled from heaven much like those in Greek philosophy.

Buddhist Deities Exiled From the Western Heaven in Chinese Vernacular Literature

Notes:

1) It could be argued that Zhu and Sha do not reincarnate but simply take on monstrous forms upon being banished to earth because they still retain their memories, weapons, and magical skills. But maybe, as immortals, they are able to affect their own rebirth by directing the final destination of their primal spirit, thereby bypassing the normal mode of reincarnation that results in the loss of memory. An example of this is the rogue immortal Huaguang (華光) from Journey to the South (Nanyouji, 南遊記, 17th-c.), who is reborn several times and still has memories of his past and access to his holy weapons.

Sources:

McEvilley, T. (2002). The Shape of Ancient Thought: Comparative Studies in Greek and Indian Philosophies. New York: Allworth.

Shao, P. (1997). Monkey and Chinese Scriptural Tradition: A Rereading of the Novel Xiyouji (UMI No. 9818173) [Doctoral dissertation, Washington University]. Available from ProQuest Dissertations and Theses database.

Wu, C., & Yu, A. C. (2012). The Journey to the West (Vols. 1-4) (Rev. ed.). Chicago: University of Chicago Press.